Akin

In her first contemporary novel since Room, bestselling author Emma Donoghue returns with a brilliant tale of love, loss and family. The life of a retired New York professor is thrown into chaos when he takes his great-nephew to the French Riviera in the hopes of uncovering his own mother’s wartime secrets. Noah is only days away from his first trip back to Nice since he was a child when he receives an unexpected request. A social worker is looking for a temporary home for Michael, his eleven-year-old great-nephew. Although he has never met the boy, Noah is convinced to take Michael with him to France. Suffering from jet lag and culture shock, the odd couple argue about everything from steak haché to screen time, and the trip shows every sign of being a disaster. But Michael’s skill with tech and his sharp eye help Noah unearth troubling details about their family’s past. Eventually they both come to understand that people of all eras run risks on behalf of their loved ones. In learning this they discover that they are more akin than they knew. Written with all the tenderness and psychological intensity that made Room a huge bestseller, Akin is a funny, heart-wrenching tale of an old man and a boy who unpick the threads of their painful stories and start to write a new one together.

This “long overdue tribute to the richly sensuous food of Turkey” is “handsome, intriguing, and beautifully illustrated” (Mimi Sheraton, former New York Times food critic). Engin Akin shares her culinary mastery and describes the evolution of Turkey’s diverse culture of food in Essential Turkish Cuisine. Complete with two hundred recipes found across the country, including traditional dolmas, kebabs, halva, and more, this definitive book offers rare insight into the myriad influences on modern Turkish cooking. Featuring a wide range of large and small plates—from Stuffed Peppers and Eggplant to Lamb with Quince, Fresh Sour Cherry Hosaf to Crêpes with Tahini and Pekmez—Akin includes expert instruction for each dish. Through these recipes and the gorgeous photographs of Turkey—its bustling markets, its food, and its traditions—Akin shares the country’s rich heritage and brings the spirit of Turkey into your kitchen. “Here is a lifetime of culinary wisdom shared with English-speaking cooks looking for a key to unlock one of the world’s most seductive cuisines.” —Maricel E. Presilla, culinary historian “A reference. A treasure. A culinary tour de force.” —Steven Raichlen, author of the Barbecue Bible cookbook series

Reminiscent of human sagas such as The Alchemist and the Life of Pi, AKIN unapologetically delves deeper into the human condition, masterfully weaving the triumph of the human spirit against its darkest shadows. "The book is written in such a way as to provoke pathos and curiosity." - Charles Franklin, Midwest Book Review Aydan awakens to voices he does not recognize - fearing the worst, he prays, hoping they will leave him. But it's too late. Other villagers witness his waking nightmare, and he is quickly imprisoned, set to await vile rituals meant to rid him of demons. But the fear that has followed him all his life is soon replaced with anger, as betrayal and a new friendship urge him passionately towards freedom. He soon finds himself on a unknown path, flung into the mystical, grand desert that surrounds him. Robin Murarka's AKIN explores philosophy, existentialism, and the human condition within a unique, immersive setting. It escapes the confines of modern taboos to present an ancient, archaic world whose brutality and humanity is true to form. If you enjoy epic narratives that skillfully juxtapose internal struggles against the backdrop of huge, worldly events, you will find yourself lost within the pages of AKIN, clamoring for more long after the story is over.

Most of the letters were published serially in the Georgia Historical Quarterly, Mar. 1958-Sept. 1959.

The novel, A Cottage in Akin, is fifty-nine-year-old Ponia Snow's reminiscent and pivotal story of life in the small northeastern Colorado town of Akin. Odessa Luckett-poet, storyteller, gardener extraordinaire, and woman of faith-transforms Ponia's life forever through exemplifying God's love, mercy, and forgiveness. Had it not been for that dear old woman, Ponia may not have survived, nor would she have traced the God-ordained design for her life.

In Firing Back, six-term Congressman Todd Akin describes in eye-opening detail what it is like to be an unapologetic conservative in a town dominated by media bullies, back-room bosses, and liberals of either party. Although he tried to be a loyal Republican, Akin's first allegiance was always to the Constitution and his conservative principles. When the Bush administration lobbied him to approve its progressive legislative initiatives, No Child Left Behind and the Medicare prescription drug benefit, Akin refused. In the process, he made some serious enemies. Those enemies got their revenge after Akin made an awkward comment about rape. Although he had just won a hard-fought Republican primary in Missouri for US Senate, party bosses tried to coerce him to yield the nomination to their preferred candidate. When Akin refused, the bosses turned their back on him and let Democrat Claire McCaskill win. In Firing Back, Akin tells the story of how the Republican leadership not only threw him under the bus but also ran over him a few times for good measure. Not one of them explained what it was about Akin's remarks that so deeply offended them. Akin names names and takes numbers in Firing Back, but this book is much more than a tell-all. It is a battle-tested guide to Republicans and conservatives to help them find their courage, reclaim their integrity, and, by doing so, help preserve America's faith and freedom.

In Fatih Akın's Cinema and the New Sound of Europe, Berna Gueneli explores the transnational works of acclaimed Turkish-German filmmaker and auteur Fatih Akın. The first minority director in Germany to receive numerous national and international awards, Akın makes films that are informed by Europe's past, provide cinematic imaginations about its present and future, and engage with public discourses on minorities and migration in Europe through his treatment and representation of a diverse, multiethnic, and multilingual European citizenry. Through detailed analyses of some of Akın's key works—In July, Head-On, and The Edge of Heaven, among others—Gueneli identifies Akın's unique stylistic use of multivalent sonic and visual components and multinational characters. She argues that the soundscapes of Akın's films—including music and multiple languages, dialects, and accents—create an "aesthetic of heterogeneity" that envisions an expanded and integrated Europe and highlights the political nature of Akın's decisions regarding casting, settings, and audio. At a time when belonging and identity in Europe is complicated by questions of race, ethnicity, religion, and citizenship, Gueneli demonstrates how Akın's aesthetics intersect with politics to reshape notions of Europe, European cinema, and cinematic history.

This book is a political history of the island of Malaita in the British Solomon Islands Protectorate from 1927, when the last violent resistance to colonial rule was crushed, to 1953 and the inauguration of the island’s first representative political body, the Malaita Council. At the book’s heart is a political movement known as Maasina Rule, which dominated political affairs in the southeastern Solomons for many years after World War II. The movement’s ideology, kastom, was grounded in the determination that only Malaitans themselves could properly chart their future through application of Malaitan sensibilities and methods, free from British interference. Kastom promoted a radical transformation of Malaitan lives by sweeping social engineering projects and alternative governing and legal structures. When the government tried to suppress Maasina Rule through force, its followers brought colonial administration on the island to a halt for several years through a labor strike and massive civil resistance actions that overflowed government prison camps. David Akin draws on extensive archival and field research to present a practice-based analysis of colonial officers’ interactions with Malaitans in the years leading up to and during Maasina Rule. A primary focus is the place of knowledge in the colonial administration. Many scholars have explored how various regimes deployed “colonial knowledge” of subject populations in Asia and Africa to reorder and rule them. The British imported to the Solomons models for “native administration” based on such an approach, particularly schemes of indirect rule developed in Africa. The concept of “custom” was basic to these schemes and to European understandings of Melanesians, and it was made the lynchpin of government policies that granted limited political roles to local ideas and practices. Officers knew very little about Malaitan cultures, however, and Malaitans seized the opportunity to transform custom into kastom, as the foundation for a new society. The book’s overarching topic is the dangerous road that colonial ignorance paved for policy makers, from young cadets in the field to high officials in distant Fiji and London. Today kastom remains a powerful concept on Malaita, but continued confusion regarding its origins, history, and meanings hampers understandings of contemporary Malaitan politics and of Malaitan people’s ongoing, problematic relations with the state.