Akissi

"utterly unputdownable"—The New York Times A Kirkus Best Book of 2018, Akissi: Tales of Mischief brings together the first volume of the hilarious and heartfelt Akissi comics by Marguerite Abouet, the award winning author of Aya of Yop City. Poor Akissi! The neighborhood cats are trying to steal her fish, her little monkey Boubou almost ends up in a frying pan, and she's nothing but a pest to her older brother Fofana. But Akissi is a true adventurer, and nothing scares her away from hilarious escapades in her modern African city. Jump into the laugh-out-loud misadadventures of Akissi in these girls-will-be-girls comics, based on author Margeurite Abouet's childhood on the Ivory Coast.

Join Binky in all of his imaginary adventures.

It's a race to the concert! Will Jonesy and Susan make it to Stuff? Or will Jonesy's love powers be their undoing?

The three fates-Riata, Cait, and Smertae-have always been guiding and protecting Scotland unseen, indirectly controlling the line of kings according to the old religion. When there is a disagreement in the sisterhood, Riata and Smertae will use men as pawns, and Smertae will direct Macbeth to a crown he was never meant to have.

It's time for the not-so-classic story of "The Lasagna Monster That Stole Christmas," where the Lasagna Monster steals ALL the lasagna in the world on Christmas Day!

Ivory Coast, 1978. It’s a golden time, and the nation, too—an oasis of affluence and stability in West Africa—seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet’s youth in Yop City. It is the story of the studious and clear-sighted 19-year old Aya, her easy-going friends Adjoua and Bintou, and their meddling relatives and neighbors. It’s wryly funny, breezy account of the simple pleasures and private troubles of everyday life in Yop City. Clément Oubrerie’s warm colors and energetic, playful line connect expressively with Marguerite Abouet’s vibrant writing. This reworked edition offers readers the chance to immerse themselves in the lively world of Aya and her friends, bringing together the first three volumes of the series in Book One. Drawn & Quarterly has release volumes four through six of the original French series (as yet unpublished in English) in Aya: Love in Yop City. Aya is the winner of the Best First Album award at the Angouleme International Comics Festival, the Children’s Africana Book Award, and the Glyph Award; was nominated for the Quill Award, the YALSA’s Great Graphic Novels list, and the Eisner Award; and was included on “best of” lists from The Washington Post, Booklist, Publishers Weekly, and School Library Journal. Aya: Life in Yop City has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as Hostage by Guy Delisle and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

"Originally published in single magazine form as Mighty Morphin Power Rangers No. 9-12"--Indicia.

With more than two thousand languages spread over its territory, multilingualism is a common reality in Africa. The main official languages of most African countries are Indo-European, in many instances Romance. As they were primarily brought to Africa in the era of colonization, the areas discussed in this volume are thirty-five states that were once ruled by Belgium, France, Italy, Portugal, or Spain, and the African regions still belonging to three of them. Twenty-six states are presented in relation to French, four to Italian, six to Portuguese, and two to Spanish. They are considered in separate chapters according to their sociolinguistic situation, linguistic history, external language policy, linguistic characteristics, and internal language policy. The result is a comprehensive overview of the Romance languages in modern-day Africa. It follows a coherent structure, offers linguistic and sociolinguistic information, and illustrates language contact situations, power relations, as well as the cross-fertilization and mutual enrichment emerging from the interplay of languages and cultures in Africa.