Aldous Huxley Annual Volume 12 13 2012 2013

Volume 12/13 of the Aldous Huxley Annual begins with a discussion of a lecture Huxley gave in Italian, an appraisal of his never-completed project of a novel on Catherine of Siena, and his recently re-discovered drawings for "Leda." Further critical articles on particular aspects of Huxley's work follow, together with the second Peter Edgerly Firchow Memorial Prize Essay by Hisashi Ozawa of King's College London. A painting by Carolyn Mary Kleefeld ushers in the second part of the book, which contains a selection of papers from the Oxford Symposium held in 2013. (Series: Aldous Huxley Annual - Vol. 12/13) [Subject: Literary Criticism, Art]

Aldous Huxley Annual is the official organ of the Aldous Huxley Society at the Centre for Aldous Huxley Studies in Munster, Germany. It publishes essays on the life, times, and interests of Aldous Huxley and his circle. It aspires to be the sort of periodical that Huxley would have wanted to read and to which he might have contributed. This issue features Aldous Huxley's and Beth Wendel's dramatization of The Genius and the Goddess never before published. It also includes several rather unknown travel essays by Aldous Huxley as well as Peter E. Firchow's opening lecture at the Third International Aldous Huxley Symposium held in Riga in July 2004.

Aldous Huxley Annual is the official organ of the Aldous Huxley Society at the Centre for Aldous Huxley Studies in Munster, Germany. It publishes essays on the life, times, and interests of Aldous Huxley and his circle. It aspires to be the sort of periodical that Huxley would have wanted to read and to which he might have contributed. This issue is dedicated to Prof Peter Edgerly Firchow (18 October 2008) in appreciation of his merits as an outstanding Huxley scholar and as a Founding Member and Curator of the Aldous Huxley Society. It opens with Prof Firchow's keynote lecture at the Fourth International Aldous Huxley Symposium in Los Angeles in July 2008 and then presents a rich anthology of Huxley's uncollected prose from 1919 to 1963, edited by James Sexton. Two more lectures from the Los Angeles Symposium close this issue, one on death in Lawrence's and Huxley's fiction, and the other on Erwin Schrodinger's and Huxley's views on the final end of human life.

Aldous Huxley Annual is the official publication of the Aldous Huxley Society at the Center for Aldous Huxley Studies in MÃ?1⁄4nster, Germany. The Society publishes essays on the life, times, and interests of Aldous Huxley and his circle. It aspires to be the sort of periodical that Huxley would have wanted to read and to which he might have contributed. Aldous Huxley Annual celebrates its 10th anniversary with a special double numbered issue. The chief contributor on this momentous occasion is Aldous Huxley himself. Volume 10/11 contains a treasure trove of new Huxley items - such as letters, poems, stories, talks, proposals, introductions, and playlets - all arranged in chronological order. The contributions date from 1916 and run through 1963, the year of Huxley's death. Moreover, for the first time, Huxley is presented as an accomplished painter - the book's editors are proud to have procured reproductions of five Huxley paintings owned by his grandchildren Teresa and Mark Trevenen Huxley. The concluding section of the book consists of several articles on particular aspects of Huxley's work. (Series: Aldous Huxley Annual - Vol. 10)

This and the next Annual feature a collection of Aldous Huxley's early essays in art criticism, for the most part published anonymously. The present issue focuses on Huxley's critical approach to painting, particularly to Modernist works (Part I); The forthcoming Annual will concentrate on Huxley's appraisal of architecture, applied arts and sculpture in the 1920s (Part II). Bernfried Nugel is head of the Centre for Aldous Huxley Studies at the English Seminar of the University of Muenster (Germany). Jerome Meckier is a researcher at the University of Kentucky and at the Centre for Aldous Huxley Studies at the English Seminar of the University of Muenster.

Aldous Huxley Annual is the official organ of the Aldous Huxley Society at the Centre for Aldous Huxley Studies in Munster, Germany. It publishes essays on the life, times, and interests of Aldous Huxley and his circle. It aspires to be the sort of periodical that Huxley would have wanted to read and to which he might have contributed.

Throughout his writing career, and especially in the last thirty years of his life, Aldous Huxley exhibited a deep interest in human potentialities, which he often described as our greatest unused natural resource. The present volume is the first book to focus on this Huxleyan core concern. It is based on presentations given at the Sixth International Aldous Huxley Symposium held in 2017 at the University of Almería (Spain). This volume collects essays by eleven scholars from eight countries that discuss Huxley's concept of human potentialities from an interdisciplinary perspective. This is another innovative feature of this book, since today Huxley is mainly remembered as a novelist, although only eleven of his fifty published works belong to that genre. The topics of this volume span Huxley's mature philosophy, including his theories relating to the expansion of consciousness, the development of nonverbal humanities, the need to improve bio-ethics, the role of nature, the role of beliefs and prejudice, and other subjects. These essays review Huxley's various positions, shedding light on their possible significance for today. Huxley marshalled his remarkable intellect to the project of improving the human condition, and here we find an up-to-date report card of his theories and their efficacy.