Algonquin Elegy

Neil J. Lehtos Algonquin Elegy: Tom Thomsons Last Spring, is both a labor of love and a labor of gargantuan effort to come to some understanding, nine decades on, of exactly what happened that summer of 1917. Perhaps no one has ever worked as hard to know the unknowable and, in doing so, he has contributed invaluably to the greatest story in all of Canadian art. Neils passion for Tom Thomson shines through as passionately on each page as Thomsons passion for Algonquin Park shines though on each painting he left behind that last Spring. Roy MacGregor, Columnist for the Globe & Mail.

NATIONAL BESTSELLER FINALIST FOR THE OTTAWA BOOK AWARD FOR NON-FICTION Roy MacGregor's lifelong fascination with Tom Thomson first led him to write Canoe Lake, a novel inspired by a distant relative's affair with one of Canada's greatest painters. Now, MacGregor breaks new ground, re-examining the mysteries of Thomson's life, loves and violent death in the definitive non-fiction account. Why does a man who died almost a century ago and painted relatively little still have such a grip on our imagination? The eccentric spinster Winnie Trainor was a fixture of Roy MacGregor's childhood in Huntsville, Ontario. She was considered too odd to be a truly romantic figure in the eyes of the town, but the locals knew that Canada's most famous painter had once been in love with her, and that she had never gotten over his untimely death. She kept some paintings he gave her in a six-quart basket she'd leave with the neighbours on her rare trips out of town, and in the summers she'd make the trip from her family cottage, where Thomson used to stay, on foot to the graveyard up the hill, where fans of the artist occasionally left bouquets. There she would clear away the flowers. After all, as far as anyone knew, he wasn't there: she had arranged at his family's request for him to be exhumed and moved to a cemetery near Owen Sound. As Roy MacGregor's richly detailed Northern Light reveals, not much is as it seems when it comes to Tom Thomson, the most iconic of Canadian painters. Philandering deadbeat or visionary artist and gentleman, victim of accidental drowning or deliberate murder, the man's myth has grown to obscure the real view—and the answers to the mysteries are finally revealed in these pages.

A National Post Bestseller! How did Tom Thomson die in the summer of 1917? Was landscape painter Tom Thomson shot by poachers, or by a German-American draft dodger? Did a blow from a canoe paddle knock him unconscious and into the water? Was he fatally injured in a drunken fight? Did he end his life out of fear of being forced to marry his pregnant girlfriend? Commemorating the one-hundredth anniversary of the death of the renowned Canadian landscape painter, The Many Deaths of Tom Thomson offers an authoritative review of the historical record, as well as some theories you might not have thought of in a hundred years. Cultural historian Gregory Klages surveys first-hand testimony and archival records about Thomson’s tragic demise, attempting to sort fact from legend in the death of this Canadian icon.

The first book on the Canadian poetic elegy challenges all previous ideas about the purpose of mourning.

In master engraver George A. Walker's newest work, The Mysterious Death of Tom Thomson, the circumstances surrounding the death and disappearance of the iconic Canadian artist are explored through some one hundred and nine wood engravings, creating a work that eulogizes not only the artist himself, but the struggle of the artist's attempt to express himself while constrained by society, the reality of the moment, and mortality.

A poem celebrating Algonquin Provincial Park on the occasion of its centennial, with outstanding historic illustrations.

“Set in New Orleans, this important and powerful novel follows the Boisdoré family . . . in the months after Katrina. A profound, moving and authentically detailed picture of the storm’s emotional impact on those who lived through it.” —People In this dazzling debut about family, home, and grief, C. Morgan Babst takes readers into the heart of Hurricane Katrina and the life of a great city. As the storm is fast approaching the Louisiana coast, Cora Boisdoré refuses to leave the city. Her parents, Joe Boisdoré, an artist descended from freed slaves who became the city’s preeminent furniture makers, and his white “Uptown” wife, Dr. Tess Eshleman, are forced to evacuate without her, setting off a chain of events that leaves their marriage in shambles and Cora catatonic—the victim or perpetrator of some violence mysterious even to herself. This mystery is at the center of Babst’s haunting and profound novel. Cora’s sister, Del, returns to New Orleans from the successful life she built in New York City to find her hometown in ruins and her family deeply alienated from one another. As Del attempts to figure out what happened to her sister, she must also reckon with the racial history of the city and the trauma of a disaster that was not, in fact, some random act of God but an avoidable tragedy visited on New Orleans’s most vulnerable citizens. Separately and together, each member of the Boisdoré clan must find the strength to remake home in a city forever changed. The Floating World is the Katrina story that needed to be told—one with a piercing, unforgettable loveliness and a vivid, intimate understanding of this particular place and its tangled past.