Alive In Necropolis

A "dark and funny debut"(Seattle-Times) about a young police officer struggling to maintain a sense of reality in a town where the dead outnumber the living. Colma, California, the "cemetery city" serving San Francisco, is the resting place of the likes of Joe DiMaggio, Wyatt Earp, and William Randolph Hearst. It is also the home of Michael Mercer, a by-the-book rookie cop struggling to settle comfortably into adult life. Instead, he becomes obsessed with the mysterious fate of his predecessor, Sergeant Wes Featherstone, who spent his last years policing the dead as well as the living. As Mercer attempts to navigate the drama of his own daily life, his own grip on reality starts to slip-either that, or Colma's more famous residents are not resting in peace as they should be.

From the author of Alive in Necropolis "a brazen, roiling, confident collection." (Los Angeles Times). This is a book of brilliant, adventurous stories from award-winning author Doug Dorst, widely celebrated as one of the most creative, original literary voices of his generation-an heir to T.C. Boyle and Denis Johnson, or a Northern Californian Haruki Murakami. Here in The Surf Guru, Dorst's full talent is on display.

"Someone is cutting off victims' fingers in New Delhi and vampires and lycans are suspects in this ambitious mix of detection and the supernatural from Singh." --Publishers Weekly "Sajan Dayal, a Delhi detective, pursues a serial (though nonlethal) collector of human fingers. Dayal's team encounters would-be vampires and werewolves, plus a woman named Razia who may or may not be centuries old." --Publishers Weekly, Spring 2016 Announcements "An intriguing mix of history, myth and the realities of contemporary New Delhi...Astonishing and satisfying." --Reviewing the Evidence "Superbly gothic...The novel is a compelling one and certain to be a great addition to courses on detective fiction and noir, especially given its focus on a city that has not necessarily or traditionally been attached to mystery and mayhem. Singh is giving places like Los Angeles and San Francisco a run for their money in this re-envisioning of the urban noir." --Asian American Literature Fans "Necropolis is a ravishing beauty of prose that is as sumptuous as it is gripping...Imagine a cocktail of V.S. Naipaul, Agatha Christie, Elmore Leonard, and E.M. Forster, and you have the essence of this haunting and ferociously charming novel." --Ken Bruen, author of Green Hell "I tore though Necropolis with great pleasure and a fair measure of unease. It's a grisly, wonderfully written novel that interweaves disparate genres and styles into a whole that satisfies thoroughly. As fine a crime novel as I've read in the last year." --Scott Phillips, author of The Ice Harvest "Avtar Singh's Necropolis is an ode to ancient, medieval, and Old Delhi, a romantic ballad that cuts across time, if not place, and melds features of classic detective fiction with those of the hard-boiled and roman noir in a style that is exquisitely the author's." --Sumana Mukherjee, Mint Necropolis follows Sajan Dayal, a detective in pursuit of a serial (though nonlethal) collector of fingers. He encounters would-be vampires and werewolves, and a woman named Razia who may or may not be centuries old. Guided by Singh's gorgeous and masterful writing, the novel peels back layers of a city in thrall to its past, hostage to its present, and bitterly divided as to its future. Delhi went from being an imperial capital to provincial backwater in a few centuries: the journey back to exploding commercial metropolis has been compressed into a few decades. Combining elements of crime, fantasy, and noir, Necropolis tackles the questions of origin, ownership, and class that such a revolution inevitably raises. The world of Delhi, the sweep of its history--its grandeur, grimness, and criminality--all of it comes alive in Necropolis.

An author visiting Jerusalem is pulled into a stranger’s mysterious death in this gripping, moving novel by one of Colombia’s major literary voices. Winner of the La Otra Orilla Literary Award Upon recovering from a prolonged illness, an author is invited to a literary gathering in Jerusalem that turns out to be a most unusual affair. In the conference rooms of a luxury hotel, as war rages outside, he listens to a series of extraordinary life stories: the saga of a chess-playing duo, the tale of an Italian porn star with a socialist agenda, the drama of a Colombian industrialist who has been waging a longstanding battle with local paramilitaries, and many more. But it is José Maturana—evangelical pastor, recovering drug addict, ex-con—with his story of redemption at the hands of a charismatic tattooed messiah from Miami, Florida, who fascinates the author more than any other. Maturana’s language is potent and vital, and his story captivating. Hours after his stirring presentation to a rapt audience, however, Maturana is found dead in his hotel room. At first it seems likely that he has taken his own life. But there are a few loose ends that don’t support the suicide hypothesis, and the author is moved by Maturana’s life story to discover the truth about his death, in a literary mystery from “one of the most interesting Latin American writers . . . his most ambitious novel yet” (La Nación). “A modern Decameron.” —La Liberté

"A feverish gaslight gothic that's as rich in Sherlock Holmes-like atmosphere as it is in ghoulish doings." - Kirkus Reviews "A dark, exotic Gothic thriller . . . Excellent!" - Booklist "A gothic mystery in the truest sense. . . . Copper has written in the grand tradition of A. Conan Doyle and created a spellbinding narrative of mystery and suspense." - The Press-Courier Set in an alternate Victorian London, where Sherlock Holmes and Dr. Watson are not just fictional characters, Basil Copper's Necropolis (1980) is a tale of mystery and intrigue worthy of Arthur Conan Doyle or Wilkie Collins. Private detective Clyde Beatty, a rival of the great Holmes, has been hired by the lovely Angela Meredith to inquire into her father's suspicious death. As Beatty's investigation unfolds, the danger intensifies: more murders ensue, and attempts are made on his life. It is clear there is more to Mr. Meredith's death than meets the eye, and it may have something to do with the brazen robbery of a fortune in gold bullion. The clues lead Beatty to the eerie Brookwood Cemetery, where fatal secrets lie hidden in the catacombs beneath a city of the dead. . . . This edition of Copper's chilling Victorian Gothic mystery is the first in more than three decades and includes the original illustrations by Stephen E. Fabian and a new introduction by Stephen Jones. Copper's tale of Lovecraftian horror, The Great White Space (1974) is also available from Valancourt Books.

A classic ghost story with twists and turns: a spooky house, a malevolent spirit and two plucky heroines. In 1960s Toronto, two girls retreat to their attics to escape the loneliness and isolation of their lives. Polly lives in a house bursting at the seams with people, while Rose is often left alone by her busy parents. Polly is a down-to-earth dreamer with a wild imagination and an obsession with ghosts; Rose is a quiet, ethereal waif with a sharp tongue. Despite their differences, both girls spend their days feeling invisible and seek solace in books and the cozy confines of their respective attics. But soon they discover they aren't alone--they're actually neighbors, sharing a wall. They develop an unlikely friendship, and Polly is ecstatic to learn that Rose can actually see and talk to ghosts. Maybe she will finally see one too! But is there more to Rose than it seems? Why does no one ever talk to her? And why does she look so ... ghostly? When the girls find a tombstone with Rose's name on it in the cemetery and encounter an angry spirit in her house who seems intent on hurting Polly, they have to unravel the mystery of Rose and her strange family... before it's too late.

In 1970s New York, a forensic pathologist must use his professional skills to save his own daughter in this “harrowing” award-winning crime novel (The New York Times). In the gritty seventies, Manhattan is a dark, dangerous, and threatening place. One of the bright spots in this decaying metropolis is Paul Konig. As the city’s chief medical examiner, he has developed an impressive reputation for his skills in forensic pathology—skills that will be put to the ultimate test when a dangerous psychopath kidnaps Konig’s daughter. Awakened by phone calls featuring his daughter’s desperate screams each night, Konig finds his life unraveling, not only personally but professionally. Between the case of a serial killer who leaves a trail of severed body parts in his wake, an investigation into the forensic work on an alleged prison suicide, and a nakedly ambitious deputy medical examiner, he is at the end of his rope, and it will take every ounce of his strength to save his own life—as well as his family’s. Perfect for fans of Patricia Cornwell or Kathy Reichs, City of the Dead is a chilling thriller by the author of Crawlspace and a winner of the Grand Prix de Littérature Policière, featuring “a massive amount of authoritative detail” about the life of a coroner (Kirkus Reviews).

“An elegant page-turner of nineteenth-century detective fiction.” –The Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow’s skilled hands, The Waterworks becomes, in the words of The New York Times, “a dark moral tale . . . an eloquently troubling evocation of our past.” “Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of [Doctorow’s] poetic imagination.” –The New York Times Book Review “Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator.” –The Philadelphia Inquirer “A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders.” –Boston Sunday Herald “Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last.” –Chicago Sun-Times “An immense, extraordinary achievement.” –San Francisco Chronicle