All The Houses

A bittersweet, biting, sharply observed family drama from the author of Waterloo After her father has a heart attack and subsequent surgery, Helen Atherton returns to her hometown of Washington, D.C., to help take care of him and, perhaps more honestly, herself. She's been living in Los Angeles, trying to work in Hollywood, slowly spiraling into a depression fueled by hours spent watching C-SPAN-her obsession with politics a holdover from a childhood interrupted by her father's involvement in the Iran-Contra scandal. "I don't know whether to think of him as a coconspirator or a complicit bystander or just someone who was in the wrong place at the wrong time." Though the rest of the world has forgotten that scandal, the Atherton family never quite recovered. While living with her father in her childhood home, Helen tries to piece together the political moves that pulled her family apart. All the Houses is, at its heart, a father-daughter story. With razor-sharp prose, an alluring objectivity, and a dry sense of humor, Karen Olsson writes about the shape-shifting of our family relationships when outside forces work their way in-how Washington turns people into unnatural versions of themselves, how problematic and overbearing sisters can be, and how familial nostalgia that sets in during early adulthood can prove counterproductive to actually becoming an adult.

Journey with architects Michael Meredith and Hilary Sample through the history of architecture on their quest to find a perfect home In Houses for Sale, architects Michael Meredith and Hilary Sample of MOS Architects invite readers on their family's quest for a new home through the annals of architectural history, exploring details and peculiarities from some of the greatest names in architecture. When they realize that there isn't any one house that suits them perfectly, they decide to design their own. In doing so, Meredith and Sample come to the conclusion that no building is perfect and that architecture is an exciting, ever-evolving project in which the process of bringing a new building to life through design and construction can be even more satisfying than the final product itself.Published in collaboration with the Canadian Centre for Architecture, Houses for Sale is a charming and thoughtful introduction to architecture's varied history, with full-color illustrations and simple text that are suitable for aspiring young designers and experienced architects alike.

Many of the historic houses in and around the town of Victoria, Texas, were built between 1875 and 1910 by immigrant owners. From 1973 to 1975, with the support of a grant from the National Endowment for the Arts, Rick Gardner traveled throughout the region, taking photographs of these historic homes. Gardner relied on his own instincts and guidance from knowledgeable locals as to where he should aim his lens. This book is an appreciative glimpse at what these vernacular houses looked like a century after their construction. Gardner has teamed up with Victoria historian and preservationist Gary Dunnam to present these rich images along with brief historical sketches of the houses and, where possible, the persons who occupied them when they were newly constructed. The result is an understated and elegant suggestion of what life may have been like for the merchants, bankers, agriculturalists, and others who built and lived in these homes during the late nineteenth and early twentieth centuries. Designed to appeal to those with a love for old houses and especially for the preservation of historic structures, All the Houses Were Painted White offers its readers a stately appreciation of these homes and their place in the South Texas landscape. It is also a tribute to the architects, owners, and anonymous craftspeople who built the houses—to their vision, skill, ingenuity, imagination, creativity, and endurance.

‘I tore through the pages. A book I’ll read over and over again’ CANDICE CARTY-WILLIAMS, author of Queenie ____________________________________________ We've all had our share of dodgy landlords, mould and awkward house shares. But journalist Kieran Yates has had more than most: by the age of twenty-five she'd lived in twenty different houses across the country, from council estates in London to car showrooms in rural Wales. In prose that sparkles with humour and warmth, Yates charts the heartbreaks and joys of a life spent navigating the chaos of the housing system. Drawing on interviews with marginalised tenants across the country and the stories behind our interiors, she explores the unexpected ways we can fight back – finding beauty in the wreckage of a broken system, friendships in cramped housing conditions, and home even in the most fragile circumstances. All the Houses I’ve Ever Lived In is at once a rallying cry for change, a gorgeous coming-of-age story and a love letter to home in all its forms. ____________________________________________ ‘Illuminating, thoughtfully written, damning’ OBSERVER ‘I read this in two sittings . . . so incisive it's hard to put down’ PANDORA SYKES ‘A beautiful exposition of home and what it means. Stunning’ BOLU BABALOLA, author of Honey & Spice ‘So relatable . . . injects a glorious dose of love and joy and hope' BIG ISSUE ‘Yates manages the unthinkable: she makes the housing crisis funny’ i

The borough of Queens has long been celebrated as the melting pot of America. It was the birthplace of North American religious freedom in the seventeenth century, hosted two World's Fairs in the twentieth, and is currently home to over a million foreign-born residents participating in the American experience. In 2013, Spanish-born artist and architect Rafael Herrin-Ferri began to paint a portrait of the "World's Borough"--not with images of its diverse population, or its celebrated international food scene, but with photographs of its highly idiosyncratic housing stock. While All the Queens Houses is mainly a photography book celebrating the broad range of housing styles in New York City's largest and most diverse county, it is also a not-so-subtle endorsement of a multicultural community that mixes global building traditions into the American vernacular, and by so doing breathes new life into its architecture and surrounding urban context.

Features detailed, bas-relief collage spreads of dwellings in other world regions and historical times to explain how different people live and have lived, from a village house in South Africa to a floating green house in the Netherlands.