All The Houses I Ve Ever Lived In

A memoir of searching for home amid Britain's housing crisis from an exciting new voice in non-fiction

‘I tore through the pages. A book I’ll read over and over again’ CANDICE CARTY-WILLIAMS, author of Queenie ____________________________________________ We've all had our share of dodgy landlords, mould and awkward house shares. But journalist Kieran Yates has had more than most: by the age of twenty-five she'd lived in twenty different houses across the country, from council estates in London to car showrooms in rural Wales. In prose that sparkles with humour and warmth, Yates charts the heartbreaks and joys of a life spent navigating the chaos of the housing system. Drawing on interviews with marginalised tenants across the country and the stories behind our interiors, she explores the unexpected ways we can fight back – finding beauty in the wreckage of a broken system, friendships in cramped housing conditions, and home even in the most fragile circumstances. All the Houses I’ve Ever Lived In is at once a rallying cry for change, a gorgeous coming-of-age story and a love letter to home in all its forms. ____________________________________________ ‘Illuminating, thoughtfully written, damning’ OBSERVER ‘I read this in two sittings . . . so incisive it's hard to put down’ PANDORA SYKES ‘A beautiful exposition of home and what it means. Stunning’ BOLU BABALOLA, author of Honey & Spice ‘So relatable . . . injects a glorious dose of love and joy and hope' BIG ISSUE ‘Yates manages the unthinkable: she makes the housing crisis funny’ i

Ever thought about all the people who lived in your house before you? Julie Myserson did, and set out to learn as much as she could about their often fascinating lives. house, an ordinary home, and ordinary people have lived in it for over a century. But start to explore what they did, who they were, what they believed in, what they desired and they soon become as remarkable, as complicated, as fascinating as anyone. Victorian terraced family house, of average size, in a typical Victorian suburb (Clapham) and she loves it. She wanted to find out how much those who preceded her loved living there, so she spent hours and hours in the archives at the Family Record Office, the Public Record Office at Kew, local council archives and libraries across the country. Like an archaeologist, she found herself blowing the dust off files that no-one had touched since the last sheet of paper in them was typed. detective hunt as, bit by bit, she started to piece together the story of her house, built in 1877, as told by its former occupants in their own words and deeds. And so she met the bigamist, the Tottenham Hotspur fanatic, the Royal Servent, the Jamaican family and all the rest of the eccentric and entertaining former occupents of 34 Lillieshall Road. The book uncovers a lost 130-year history of happiness and grief, change and prudence, poverty and affluence, social upheaval and technological advance. our front door lock, yet we rarely confront the shadows that inhabit our homes. But once you do -- and Julie Myerson shows you how -- you will never bear to part from their company again. This is your home's story too.

‘I was born on 25th May, 1938, in the front bedroom of a house in Orton Road, a house on the outer edges of Raffles, a council estate. I was a lucky girl.’ So begins Margaret Forster’s journey through the houses she’s lived in, from that sparkling new council house, to her beloved London home of today. This is not a book about bricks and mortar though. This is a book about what houses are to us, the effect they have on the way we live our lives and the changing nature of our homes: from blacking grates and outside privies; to cities dominated by bedsits and lodgings; to the houses of today converted back into single dwellings. Finally, it is a gently insistent, personal inquiry into the meaning of home.

The Duplex - The Duplex may be home, but for Ryan Paulson it represents poverty and a sense of shame he aches to leave behind. Ryan and his best friends Jeff and Barbie follow different paths of exit, wary that any escape could lead someplace far worse. They bear suffering and emotional turmoil and find that even if they leave the duplex behind, their lives are forever connected. Covering thirty years of heartaches and triumphs, Ryan paints a portrait of hope, endurance and the value of special friendships. The House on River Road - When Gena first hears Jacob singing at a college bar, she believes he'll be her husband someday. While she attempts to pry out the details of his life, she's thrust into a world of parties, fist fights and tangled relationships with Jacob and his housemates. She learns how easily personalities clash and friendships strain when nine college kids live under one roof. Gena describes her whirlwind year at the house on River Road, navigating the dynamics of this lifestyle.

Human Nature, Irrationality and Why We Do What We Do UNDERSTAND, AVOID AND DEFEAT THE SUBCONSCIOUS CAUSES OF YOUR IRRATIONAL AND SELF-DEFEATING BEHAVIORS. Seize control of your impulses and make better decisions. Psychological Triggers is an introduction to yourself —your impulses, your desires and everything in your subconscious that drives you to action. This book answers the question: “Why did I just make a terrible choice when I know I shouldn't have?" We are all slaves to our triggers, and this book seeks to identify them to better battle them. MASTER YOUR PSYCHOLOGY, MASTER YOUR LIFE.

Pulitzer Prize Finalist | New York Times Bestseller | A Read with Jenna Today Show Book Club Pick | A New York Times Book Review Notable Book | TIME Magazine's 100 Must-Read Books of the Year Named one of the Best Books of the Year by NPR, The Washington Post; O: The Oprah Magazine, Real Simple, Good Housekeeping, Vogue, Refinery29, and Buzzfeed From Ann Patchett, the #1 New York Times bestselling author of Commonwealth, comes a powerful, richly moving story that explores the indelible bond between two siblings, the house of their childhood, and a past that will not let them go. The Dutch House is the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness, of how we want to see ourselves and of who we really are. At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakeable bond between them that both saves their lives and thwarts their futures. Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

A wise, lyrical memoir about the power of literature to help us read our own lives—and see clearly the people we love most. “Transcendent.”—The Washington Post • “You’d be hard put to find a more moving appreciation of Woolf’s work.”—The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TOWN & COUNTRY Katharine Smyth was a student at Oxford when she first read Virginia Woolf’s modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death—a calamity that claimed her favorite person—she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Smyth’s story moves between the New England of her childhood and Woolf’s Cornish shores and Bloomsbury squares, exploring universal questions about family, loss, and homecoming. Through her inventive, highly personal reading of To the Lighthouse, and her artful adaptation of its groundbreaking structure, Smyth guides us toward a new vision of Woolf’s most demanding and rewarding novel—and crafts an elegant reminder of literature’s ability to clarify and console. Braiding memoir, literary criticism, and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author. Praise for All the Lives We Ever Lived “This searching memoir pays homage to To the Lighthouse, while recounting the author’s fraught relationship with her beloved father, a vibrant figure afflicted with alcoholism and cancer. . . . Smyth’s writing is evocative and incisive.”—The New Yorker “Like H Is for Hawk, Smyth’s book is a memoir that’s not quite a memoir, using Woolf, and her obsession with Woolf, as a springboard to tell the story of her father’s vivid life and sad demise due to alcoholism and cancer. . . . An experiment in twenty-first century introspection that feels rooted in a modernist tradition and bracingly fresh.”—Vogue “Deeply moving – part memoir, part literary criticism, part outpouring of longing and grief… This is a beautiful book about the wildness of mortal life, and the tenuous consolations of art.”—The Times Literary Supplement “Blending analysis of a deeply literary novel with a personal story... gently entwining observations from Woolf's classic with her own layered experience. Smyth tells us of her love for her father, his profound alcoholism and the unpredictable course of the cancer that ultimately claimed his life.”—Time