Allied Works Architecture Dwelling

Drawing on examples of his own instantly recognizable user-friendly modern design, Brad Cloepfil, principal of celebrated firm Allied Works Architecture, demonstrates how to create serene havens for modern living. Allied Works Architecture: Dwelling is dedicated to the renowned firm’s residential works, which are laboratories for experiments in form and building craft informing the firm’s growing portfolio of large-scale projects around the globe. Guided by principles of craft and innovation, Allied Works creates designs that resonate with their specificity of place and purpose. Using a research-based approach, Allied Works distills the elemental principles that drive each of their projects and transforms these into material, shape, and structure. This book presents new and recent innovative spaces for living, either in breathtaking rustic settings or the urban centers of the Pacific Northwest and New York City. Here is a portrait of the most forward-looking spaces for contemporary living, all perfectly suited to twenty-first-century lifestyles.

This exhaustive publication documents all of the projects to date of American architect Brad Cloepfil (*1956). The first monograph on Cloepfil and his office, Allied Works Architecture, it presents in-depth accounts of his works, many of which include photographs, architectural drawings, models, as well as project descriptions. Featured projects include the Seattle Art Museum, the Museum of Art and Design in New York, the University of Michigan Museum of Art, the Clyfford Still Museum, and the National Music Centre of Canada. Architectural historians Kenneth Frampton and Sandy Isenstadt contribute texts that include detailed analyses of several of the buildings. An important element of the book is a series of extended conversations between Cloepfil and artists Doug Aitken, Ann Hamilton, and Ben Rubin, landscape designer Douglas Reed, ecologist Eric Sanderson, theologian and philosopher Mark Taylor, and engineer and manufacturer Jan Tichelaar.

An authoritative volume on the most innovative and environmentally sensitive new residential design. This carefully curated presentation of new and recent houses represents the vanguard of architects creating innovative structures that maintain a sensitive relationship to their natural contexts. Ron Broadhurst has selected projects on five continents demonstrating the inexhaustible potential of the modern house to enter into a dialogue with nature, either as an extraordinary object within the landscape or as an essay in environmental sustainability, or both. Featured here is work by such design luminaries as Kengo Kuma in China, Sean Godsell in Australia, and Allied Works Architecture in the United States. With exceptional color photography, the book presents houses created with sustainability and carbon footprint in mind, as well as houses constructed on spectacular sites. Some houses incorporate the cutting edge of environmentally sensitive design; some radically rethink the use of "traditional" materials such as wood and stone. A comprehensive collection, Houses: Modern Natural/Natural Modern demonstrates uniquely of-the-moment architecture and interiors and offers a vision of how we will think of the relationship between houses and the natural landscape in the decades to come.

Across the world, the housing crisis is escalating. Mass migration to cities has led to rapid urbanisation on an unprecedented scale, while the withdrawal of public funding from social housing provision in Western countries, and widening income inequality, have further compounded the situation. In prosperous US and European cities, middle- and low-income residents are being pushed out of housing markets increasingly dominated by luxury investors. The average London tenant, for example, now pays an unaffordable 49 per cent of his or her pre-tax income in rent. Parts of the developing world and areas of forced migration are experiencing insufficient affordable housing stock coupled with rapidly shifting ways of life. In response to this context, forward-thinking architects are taking the lead with a collaborative approach. By partnering with allied fields, working with residents, developing new forms of housing, and leveraging new funding systems and policies, they are providing strategic leadership for what many consider to be our cities’ most pressing crisis. Amidst growing economic and health disparities, this issue of AD asks how housing projects, and the design processes behind them, might be interventions towards greater social equity, and how collaborative work in housing might reposition the architectural profession at large. Recommended by Fast Company as one of the best reads of 2018 and included in their list of 9 books designers should read in 2019! Contributors include: Cynthia Barton, Deborah Gans, and Rosamund Palmer; Neeraj Bhatia and Antje Steinmuller; Dana Cuff; Fatou Dieye; Robert Fishman; Na Fu; Paul Karakusevic; Kaja Kühl and Julie Behrens; Matthew Gordon Lasner; Meir Lobaton Corona; Marc Norman; Julia Park; Brian Phillips and Deb Katz; Pollyanna Rhee; Emily Schmidt and Rosalie Genevro Featured architects: Architects for Social Housing, Shigeru Ban Architects, Tatiana Bilbao ESTUDIO, cityLAB, Frédéric Druot Architecture, ERA Architects, GANS studio, Garrison Architects, HOWOGE, Interface Studio Architects, Karakusevic Carson Architects, Lacaton & Vassal, Light Earth Designs, NHDM, PYATOK architecture + urban design, Urbanus, and Urban Works Agency

Bridges the gap between the history and theory of twentieth-century architecture and cultural theories of modernity. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge the gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other, she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. Besides presenting a theoretical discussion of the relation between architecture, modernity, and dwelling, the book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently for this purpose.

During periods of close collaboration, championed by figures like John Ruskin and William Morris, architecture and craft were referred to as "the allied arts." By the mid-twentieth century, however, it was more common for the two disciplines to be considered distinct professional fields, with architecture having little to do with studio craft. The Allied Arts investigates the history of the complex relationship between craft and architecture by examining the intersection of these two areas in Canadian public buildings. Sandra Alfoldy explains the challenges facing the development of the field of public craft and documents the largely ignored public craft commissions of the post-war era in Canada. The book highlights the global concerns of material, scale, form, ornament, and identity shared by architects and craftspeople. It also examines the ways in which the allied arts are mediated by institutions and the fragility of craft commissions once considered an integral part of the built environment. Considering a wide range of craftspeople, materials, and forms - from the ceramics of Jack Sures and Jordi Bonnet to the textile work of Mariette Rousseau Vermette and Carole Sabiston - Alfoldy celebrates the successes of architectural craftsmanship. The first work of its kind, The Allied Arts develops ideas about the complex relationship between architecture and craft that reach well beyond national boundaries.

In every major city in the world there is a housing crisis. How did this happen and what can we do about it? Everyone needs and deserves housing. But today our homes are being transformed into commodities, making the inequalities of the city ever more acute. Profit has become more important than social need. The poor are forced to pay more for worse housing. Communities are faced with the violence of displacement and gentrification. And the benefits of decent housing are only available for those who can afford it. In Defense of Housing is the definitive statement on this crisis from leading urban planner Peter Marcuse and sociologist David Madden. They look at the causes and consequences of the housing problem and detail the need for progressive alternatives. The housing crisis cannot be solved by minor policy shifts, they argue. Rather, the housing crisis has deep political and economic roots—and therefore requires a radical response.