Alternative Alices

Lewis Carroll's Alice in Wonderland (1865) and Through the Looking Glass (1871) are among the most enduring works in the English language. In the decades following their publication, writers on both sides of the Atlantic produced no fewer than two hundred imitations, revisions, and parodies of Carroll's fantasies for children. Carolyn Sigler has gathered the most interesting and original of these responses to the Alice books, many of them long out of print. Produced between 1869 and 1930, these works trace the extraordinarily creative, and often critical, response of diverse writers. These writers—male and female, radical and conservative—appropriated Carroll's structures, motifs, and themes in their Alice-inspired works in order to engage in larger cultural debates. Their stories range from Christina Rossetti's angry subversion of Alice's adventures, Speaking Likenesses (1874), to G.E. Farrow's witty fantasy adventure, The Wallypug of Why (1895), to Edward Hope's hilarious parody of social and political foibles, Alice in the Delighted States (1928). Anyone who has ever followed Alice down the rabbit hole will enjoy the adventures of her literary siblings in the wide Wonderland of the human imagination.

Emerging in several different versions during the author's lifetime, Lewis Carroll's Alice novels have a publishing history almost as magical and mysterious as the stories themselves. Zoe Jaques and Eugene Giddens offer a detailed and nuanced account of the initial publication of Alice's Adventures in Wonderland and Through the Looking-Glass and investigate how their subsequent transformations through print, illustration, film, song, music videos, and even stamp-cases and biscuit tins affected the reception of these childhood favourites. The authors consider issues related to the orality of the original tale and its impact on subsequent transmission, the differences between the manuscripts and printed editions, and the politics of writing and publishing for children in the 1860s. In addition, they take account of Carroll's own responses to the books' popularity, including his writing of major adaptations and a significant body of meta-textual commentary, and his reactions to the staging of Alice in Wonderland. Attentive to the child reader, how changing notions of childhood identity and needs affected shifting narratives of the story, and the representation of the child's body by various illustrators, the authors also make a significant contribution to childhood studies.

150 years after Alice's Adventures in Wonderland was first published, Lewis Carroll's eponymous heroine has become one of the most familiar figures in the cultural landscape. The enduringly iconic figure of the Victorian child, Alice has inspired countless fashion designers, illustrators and stylists. The 'Alice Look' has been embraced across the world, by young and old alike, and by both the feted and the forgotten. Fashioning Alice is the first book to chart the emergence of Alice as a style icon. Kiera Vaclavik traces the evolution of Alice's visual identity in the nineteenth century and explores the myriad ways in which she was dressed – on the page, on the stage, and in the home. The book also draws on historical sources to examine amateur performance and play not just in the UK but in the USA, Japan and Australia. Illustrated throughout, Fashioning Alice is a ground-breaking exploration of Alice's visual career that offers a compelling case study of the intersections between fashion and fiction.

Alice's Wonderland dives down the rabbit hole and looks at the dazzling ways that Wonderland has been imagined by artists, filmmakers, writers, and more. Get a behind-the-scenes looks at how the books were created, meet Alice Liddell, the inspiration for the fictional Alice, and view the original manuscript copy of Alice in Wonderland, illustrated in Carroll's own hand. The fantastical world imagined by Charles Dodgson (aka Lewis Carroll) - where a white rabbit carries a pocket watch, a crying baby morphs into a squealing pig, and a flamingo is used as a croquet mallet - has inspired countless artists to produce some of their best work. Illustrators such as John Tenniel, chose to tackle the work directly, producing illustrations, films, and shows that strive to accurately depict Wonderland. Others, such as artist Salvador Dali and director Tim Burton, freely adapted Dodgson's creation, using it as a springboard for their own incredible interpretations. Lushly illustrated paintings, artwork, and sketches, Alice's Wonderland explores how artists in different fields like art, music, theater, film, and more have interpreted Carroll's works through the ages. A must-have book for any Alice fan.

The author of "Batman Unmasked" and "Using the Force", turns his attention to Lewis Carroll and Alice taking the reader through a revealing tour of late 20th Century popular culture, following Alice and her creator wherever they go. The result is an in-depth analysis of how one original creation symbolizes different things to different people.

Delve into this stunning collectors edition boasting the complete and unabridged versions of Alice's Adventures in Wonderland and Through the Looking-Glass. The next elegant edition in the clothbound Knickerbocker Classic series, Alice's Adventures in Wonderland and Through the Looking-Glass is unabridged and complete, and comprised of both Alice books. Follow Alice on her fanciful journey down the rabbit hole and through the mirror where she meets friends and foes like the Mad Hatter, Cheshire Cat, the Jabberwock, and the Caterpillar! For Lewis Carroll fans worldwide, complete and unabridged, this elegantly designed, clothbound edition features an elastic closure and a new introduction by Jennifer Garlen. Alice's Adventures in Wonderland and Through the Looking-Glass contains every bit of fantasy that have been delighting adults and children alike for over 150 years.

This book examines the many reincarnations of Carroll’s texts, illuminating how the meaning of the original books has been re-negotiated through adaptations, appropriations, and transmediality. The volume is an edited collection of eighteen essays and is divided into three sections that examine the re-interpretations of Alice in Wonderland and Through the Looking-Glass in literature, film, and other media (including the branches of commerce, music videos, videogames, and madness studies). This collection is an addition to the existing work on Alice in Wonderland and its sequels, adaptations, and appropriations, and helps readers to have a more comprehensive view of the extent to which the Alice story world is vast and always growing.