Am I Good For Nothing

Anyone who does not use his God-given talents for the kingdom, is the image of salt that has lost its savour. Unfruitful servants are good examples of salt that has lost its savour. Jesus said, an unprofitable servant is good for nothing. It is important that salt makes its presence felt. There may be salt in your food but it must be enough if it is to have any effect. You are the salt of the earth, so you must make your presence felt in this earth! Are you good for nothing in the kingdom? This prophetic book about salt and its mysterious influence and prophetic usefulness to the kingdom of God, will have you deeply contemplate on your usefulness or lack thereof, to God. You will learn in this thought-provoking book what it means to be good for nothing by analysing and understanding the role of salt in our lives. May you NOT be good for nothing!

Winner of the Geoffrey Bilson Award for Historical Fiction The year is 1959, and fifteen-year-old Nipishish returns to his reserve in northern Quebec after being kicked out of residential school, where the principal tells him he's a good-for-nothing who, like all Indians, can look forward to a life of drunkenness, prison and despair. The reserve, however, offers nothing to Nipishish. He remembers little of his late mother and father. In fact, he seems to know less about himself than the people at the band office. He must try to rediscover the old ways, face the officials who find him a threat, and learn the truth about his father's death.

The little trash of the Exorcist Family had been packaged and given to someone else to be his wife. After he was deceived and humiliated. Married to his most hated enemy. Only a husband is good in this world. His family treated him like a root and his enemies treated him like a treasure.

In fairness to Captain Vyell be it added that heÑa young English blood, bearing kinship with two or three of the great Whig families at home, and sceptical as became a person of qualityÑwas capable as any one of relishing the comedy, had it been pointed out to him. With equal readiness he would have scoffed at Man's pretensions in this world and denied him any place at all in the next. Nevertheless on a planet the folly of which might be taken for granted he claimed at least his share of the reverence paid by fools to rank and wealth. He was travelling this lonely coast on a tour of inspection, to visit and report upon a site where His Majesty's advisers had some design to plant a fort; and a fine ostentation coloured his progress here as through life. He had brought his coach because it conveyed his claret and his batterie de cuisine (the seaside inns were detestable); but being young and extravagantly healthy and, with all his faults, very much of a man, he preferred to ride ahead on his saddle-horse and let his pomp follow him. Six horses drew the coach, and to each pair of leaders rode a postillion, while a black coachman guided the wheelers from the box-seat; all three men in the Collector's livery of white and scarlet. On a perch behind the vehicleÑwhich, despite its weight, left but the shallowest of wheel-ruts on the hard sandÑsat Manasseh, the Collector's cook and body-servant; a huge negro, in livery of the same white and scarlet but with heavy adornments of bullion, a cockade in his hat, and a loaded blunderbuss laid across his thighs. Last and alone within the coach, with a wine-case for footstool, sat a five-year-old boy. Master Dicky VyellÑthe Collector's only child, and motherlessÑsat and gazed out of the windows in a delicious terror. For hours that morning the travellers had ploughed their way over a plain of blown sand, dotted with shrub-oaks, bay-berries, and clumps of Indian grass; then, at a point where the tall cliffs began, had wound down to the sea between low foothills and a sedge-covered marsh criss-crossed by watercourses that spread out here and there into lagoons. At the head of this descent the Atlantic had come into sight, and all the way down its echoes had grown in the boy's ears, confusing themselves with a delicious odour which came in fact from the fields of sedge, though he attributed it to the ocean.

'A gripping portrait of three very different teenagers and one divided northern town, Ansar's moving, funny YA debut feels entirely true to life' - Guardian When three teens are landed with a community service order after an incident involving a spray can and an inconveniently timed patrol car, their stories start to converge. Amir is the angry boy who won't talk about the brother he lost - but he won't let his name be forgotten either. Eman is the awkward girl whose favourite evenings are spent at home watching TV with her Nani. Kemi is the determined athlete who knows she deserves as good a shot as anyone else - if only she can get to the starting line. As they spend more time together they learn more about themselves, and in the process realise the true cause of Amir's brother's death... This is one summer they will never forget.

"Lady Good-for-Nothing: A Man's Portrait of a Woman" by Arthur Quiller-Couch is a compelling exploration of gender roles and societal expectations in the 19th century. Through the eyes of the male protagonist, Quiller-Couch delves into the complexities of female identity and challenges conventional notions of femininity. With rich character development and intricate plotlines, the author navigates themes of love, ambition, and self-discovery. "Lady Good-for-Nothing" offers a nuanced portrayal of a woman's journey in a patriarchal society, shedding light on the limitations imposed on women and the potential for personal growth and empowerment. Quiller-Couch's masterful storytelling captivates readers and prompts them to reflect on the intricacies of gender dynamics and the pursuit of individuality.