Amaryllis Fleming

Born in 1885 in Porto, Portugal, to a middle-class musical family, Guilhermina Suggia began playing cello at the age of five. A child prodigy, she was already a seasoned performer when she won a scholarship to study with Julius Klengel in Leipzig at the age of sixteen. Suggia lived in Paris with fellow cellist Pablo Casals for several years before World War I, in a professional and personal partnership that was as stormy as it was unconventional. When they separated Suggia moved to London, where she built a spectacularly successful solo career. Suggia's virtuosity and musicianship, along with the magnificent style and stage presence famously captured in Augustus John's portrait, made her one of the most sought-after concert artists of her day. In 1927 she married Dr Josasimiro Carteado Mena and settled down to a comfortable life divided between Portugal and England. Throughout the 1930s, Suggia remained one of the most respected musicians in Europe. She partnered on stage with many famous instrumentalists and conductors and completed numerous BBC broadcasts. The war years kept her at home in Portugal, where she focused on teaching, but she returned to England directly after the war and resumed performing. When Suggia died in 1950, her will provided for the establishment of several scholarship funds for young cellists, including England's prestigious Suggia Gift. Mercier's study of Suggia's letters and other writings reveal an intelligent, warm and generous character; an artist who was enormously dedicated, knowledgeable and self-disciplined. Suggia was one of the first women to make a career of playing the cello at a time when prejudice against women playing this traditionally 'masculine' instrument was still strong. A role model for many other musicians, she was herself a fearless pioneer.

Amaryllis Fleming was born in secret on 10 December 1925 and grew up believing herself to be the adopted daughter of Eve Fleming, the widowed mother of the writers Peter and Ian. It came as a profound shock when, at the age of 23, she learned that Eve was her real mother, that she did after all have a father, and that he was Augustus John. differing family backgrounds. Amaryllis became particularly close to Ian Fleming and makes an appearance in his story The Living Daylights, in which James Bond is captivated by a girl cellist. scholarship to the Royal College of Music in 1943 and went on to study with Pierre Fournier, Guilhermina Suggia and Pablo Casals. She rose to become England's leading solo cellist of the 1950s, making her debut in a 1953 Promenade Concert with Sir John Barbarolli. She has since become renowned for her performances of Bach's Cella Suites, playing the sixth Suite on the instrument it was written for, the rare five-string cello. Her beauty and Celtic temperament ensured that her emotional life would be as dramatic as her professional. performing.

The book centres on Ian Fleming the man, his contradictions and his public and private personality. It examines the man behind the myth and how in particular he managed (unsuccessfully at first) to create a film franchise that has lasted over fifty years. It considers Fleming’s reputation as a writer, the ‘formula method’ he perfected and the formula’s reliance on the recycling of real individuals and events as well as the occasional reliance on plagiarism. It uniquely accesses a number of closed and recently opened government files that shed light on previously unknown wartime operations such as the Air Ministry’s top secret ‘Operation Grand Slam’, which was used in Goldfinger.

The definitive biography of author Ian Fleming and the perfect read for anyone enjoying the Sky Atlantic biopic starring Dominic Cooper. Ian Fleming's life was just as dramatic as that of his fictional creation, James Bond. Andrew Lycett's direct access to Fleming's family, friends and contemporaries has enabled him to reveal the truth behind the complicated facade of this enigmatic and remarkable man. With an extraordinary cast of characters, this is biography at is best - part history, part gossip and part an informed reassessment of one of this century's most celebrated yet mysterious personalities.

The definitive history of the flamboyant life of Ian Fleming and his most famous creation, James Bond. This new biography of Ian Fleming presents a fresh and illuminating portrayal of the iconic creator of James Bond. Oliver Buckton provides the first in-depth exploration of the entire process of Ian Fleming’s writing—from initial conception, through composition, to his involvement in the innovative publication methods of his books. He also investigates the vital impact of Fleming’s work in naval intelligence during World War Two on his later writings, especially the wartime operations he planned and executed and how they drove the plots of the James Bond novels. Buckton considers the vital role of wartime deception, disinformation, and propaganda in shaping Fleming’s later techniques and imaginative creations. Offering a radically new view of Fleming’s relationships with women, Buckton traces the role of strong, independent, and intelligent women such as Maud Russell, Phyllis Bottome, and his wife, Ann, on Fleming’s portrayal of female characters. The book concludes with a thorough analysis of the James Bond films from Eon productions, and their influence in promoting, while also distorting, the public’s recognition of Fleming’s writing.

This book is an analysis of the most significant elements that compose the "Bond formula," such as names, binary oppositions and narrative patterns. It tackles Ian Fleming's novels as well as the 22 films of the Eon Productions series and follows the evolution of certain determining features (paradigms) from the text to the screen, to determine their function within the narration. This study reveals how the James Bond universe goes well beyond mere spy adventures to become a genre in itself as well as, now, a standard cultural reference. The book also shows that the underlying ideology of the James Bond narration is not as conservative as it might appear, for it promotes ideals of the Enlightenment period such as secularity, pragmatism and the common good.

****Updated and expanded including many illustrations by George Almond. Plus clearer translations of foreign terms. Ian Fleming's James Bond: Annotations and Chronologies for Ian Fleming's Bond Stories officially approved by Ian Fleming Publications Ltd (formerly Glidrose), with a Preface by Andrew Lycett and Forewords by Zoë Watkins, Publishing Manager, Ian Fleming Publications Ltd.; Raymond Benson, author of The James Bond Bedside Companion, six original 007 novels, and numerous non-Bond novels. This book is the result of analysis of each of Fleming's James Bond novels. Within are glossaries of applicable terminology and references with detailed chronologies of events including annotations. Detailed chronologies of events are represented at a day-of-week, month, day, year, and time-of-day level. Glossaries contain translations of foreign terms, annotations, and other information of interest such as detailed information on the origin of Saramanga's name (The Man with the Golden Gun). Maps have been created for many of the novels along with in-depth information concerning specific topics such as, the Moonraker bridge game and the Goldfinger golf game. In many instances, monetary amounts have been converted to their 2001 purchasing power equivalent. Differences found between published versions and the original Fleming manuscripts archived at Indiana University's Lilly Library have been noted.

Taking an in-depth look at the causes of homelessness in the United States, Joel Blau disproves the convenient myths that most homeless are crazy, drug addicts, or lazy misfits who brought their suffering upon themselves. He shows that the current crisis was an inevitable result of economicand political changes in recent decades, systematically reviewing the explanations offered by researchers, politicians and pundits, from the deinstitutionalization of mental patients in the 1960s to the gentrification of urban neighborhoods in the 1970s to the evisceration of federal spending onsocial welfare in the 1980s. Blau argues that current government policies at every level are mired in pointless headcounting and quick-fix solutions that only push the homeless out of sight without touching the underlying causes. He advocates social reforms ranging form a national standard forwelfare benefits, a higher minimum wage, and establishment of a social sector for non-profit, affordable housing. A powerful contribution to public debate on homelessness, The Visible Poor must be read by concerned citizens as well as by policy-makers and advocates.