America On The World Stage

A fresh perspective on United States history, emphasizing a global context

This edited collection delves into the key aspects of the Trump campaign promises around immigration, trade, social and foreign policy, and unpicks how the first year of the presidency has played out in delivering them. It charts his first year from both historical and contemporary political standpoints, and in the context of comparative pieces stacking Trump’s performance against Gold-standard presidents such as Reagan, Kennedy and the last ‘outsider’, Eisenhower. Focusing in on a number of key elements of the presidency in depth, it offers a unique perspective on a presidency like no other, drawing on the overriding themes of populism, nativist nationalism and the battle for disengagement from the neoliberal power generation.

Recognizing the urgent need for students to understand the emergence of the United States' power and prestige in relation to world events, Gary W. Reichard and Ted Dickson reframe the teaching of American history in a global context. Each essay covers a specific chronological period and approaches fundamental topics and events in United States history from an international perspective, emphasizing how the development of the United States has always depended on its transactions with other nations for commodities, cultural values, and populations. For each historical period, the authors also provide practical guidance on bringing this international approach to the classroom, with suggested lesson plans and activities. Ranging from the colonial period to the civil rights era and everywhere in between, this collection will help prepare Americans for success in an era of global competition and collaboration. Contributors are David Armitage, Stephen Aron, Edward L. Ayers, Thomas Bender, Stuart M. Blumin, J. D. Bowers, Orville Vernon Burton, Lawrence Charap, Jonathan Chu, Kathleen Dalton, Betty A. Dessants, Ted Dickson, Kevin Gaines, Fred Jordan, Melvyn P. Leffler, Louisa Bond Moffitt, Philip D. Morgan, Mark A. Noll, Gary W. Reichard, Daniel T. Rodgers, Leila J. Rupp, Brenda Santos, Gloria Sesso, Carole Shammas, Suzanne M. Sinke, Omar Valerio-Jimenez, Penny M. Von Eschen, Patrick Wolfe, and Pingchao Zhu.

Lashkar-e-Taiba is among the most powerful militants groups in South Asia and increasingly viewed as a global terrorist threat on par with al-Qaeda. Considered Pakistan's most powerful proxy against India, the group gained public prominence after its deadly ten-person suicide assault on Mumbai in November 2008. By the time the last Lashkar terrorist was dead after nearly 60 hours, it appeared the world was facing a new menace. Boasting transnational networks stretching across several continents, there has been serious debate since 9/11 of whether Lashkar is an al-Qaeda affiliate. The deliberate targeting of Westerners and Jews during the Mumbai attacks raised questions about whether Lashkar was moving deeper into al-Qaeda's orbit and perhaps on a trajectory to displace Osama bin Laden's network as the next major global jihadi threat. Lashkar's expansion has serious security implications for India, Pakistan, Europe and the United States and its activities threaten to damage US-Pakistan relations. Despite growing calls for action, Pakistan is yet to take any serious steps toward dismantling Lashkar for fear of drawing it further into the insurgency raging there and because of its continued utility against India. More than a militant outfit, Lashkar also controls a vast infrastructure that delivers necessary social services to the Pakistani populace, making it all the more difficult to dismantle. Storming the World Stage traces the evolution of Lashkar-e-Taiba over more than two decades to illustrate how the group grew so powerful and to assess the threat it poses to India, the West and to Pakistan itself. The first English-language book ever written about Lashkar, it draws on in-depth field research, including interviews with senior Lashkar leaders, rank-and-file members, and officials of the Pakistani security services--some of who have helped nurture the group over the years.

How America's political divisions influence our foreign policy

Explores the wide-ranging impact of the Mexican Revolution on global cinema and Western intellectual thought. The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution. Adela Pineda Franco is Professor of Latin American Literature and Film at Boston University. She is the coeditor (with Jaime Marroquin Arredondo and Magdalena Mieri) of Open Borders to a Revolution: Culture, Politics, and Migration.

Through astonishing force of will and exertion of talent, a young Lucy Hickenlooper of South Texas reinvented herself as Olga Samaroff, international virtuoso concert pianist and one of the most influential musicians during the first half of the twentieth century, when music was still dominated by men and Old World prejudices. For those unfamiliar with her career, Olga Samaroff Stokowski may be known primarily for her tumultuous marriage to renowned conductor Leopold Stokowski. She was much more than a conductor's wife, however. Donna Staley Kline's biography reveals Olga as the driving and shaping force behind her husband's genius and offers the first considered look at a pioneering woman whose own career was marked by improbable firsts. She was the first American woman to win entrance into the piano class at Paris's prestigious Conservatoire Nationale de Musique; the first American female pianist to make her concert debut at Carnegie Hall, as well as to perform all thirty-two Beethoven sonatas; the first woman to serve as the music critic for a New York daily newspaper; the first American-born member of the piano faculty at the Juilliard School of Music; and among the first to make recordings and break ground in radio and television broadcasting. Carefully researched and drawing on interviews with her contemporaries and students, as well as on heretofore neglected letters and documents, An American Virtuoso on the World Stage will appeal to both music lovers and scholars in the field who seek a lively and penetrating look at one of American music's most important women. Olga's life story is of an American progressive who sought innovation and excellence and refused to yield to themusical establishment - and it is a story that has waited to be told.

Mission Failure argues that, in the past 25 years, the U.S. military has turned to missions that are largely humanitarian and socio-political - and that this ideologically-driven foreign policy generally leads to failure.