America S Wartime Scrapbook

Provides an insight into life on the American homefront that will be fascinating to people of all ages.

This new edition of the Wartime Scrapbook revives memories of this evocative time in Britain's

From the first edition of The Fannie Farmer Cookbook to the latest works by today's celebrity chefs, cookbooks reflect more than just passing culinary fads. As historical artifacts, they offer a unique perspective on the cultures that produced them. In Manly Meals and Mom's Home Cooking, Jessamyn Neuhaus offers a perceptive and piquant analysis of the tone and content of American cookbooks published between the 1790s and the 1960s, adroitly uncovering the cultural assumptions and anxieties—particularly about women and domesticity—they contain. Neuhaus's in-depth survey of these cookbooks questions the supposedly straightforward lessons about food preparation they imparted. While she finds that cookbooks aimed to make readers—mainly white, middle-class women—into effective, modern-age homemakers who saw joy, not drudgery, in their domestic tasks, she notes that the phenomenal popularity of Peg Bracken's 1960 cookbook, The I Hate to Cook Book, attests to the limitations of this kind of indoctrination. At the same time, she explores the proliferation of bachelor cookbooks aimed at "the man in the kitchen" and the biases they display about male and female abilities, tastes, and responsibilities. Neuhaus also addresses the impact of World War II rationing on homefront cuisine; the introduction of new culinary technologies, gourmet sensibilities, and ethnic foods into American kitchens; and developments in the cookbook industry since the 1960s. More than a history of the cookbook, Manly Meals and Mom's Home Cooking provides an absorbing and enlightening account of gender and food in modern America.

A full-colour illustrated booklet of a varied and entertaining collection of informative snippets and photographs recording the joyful and sad circumstances of Britain's inhabitants during World War II, comprising reminiscences, extracts from literature and diaries. A Welsh version, Amser Rhyfel, is available.

Using a very wide range of detailed sources, the book surveys the many different experiences of women during the Second World War.

One of the most celebrated women of her time, a spellbinding speaker dubbed the Queen of the Lyceum and America's Joan of Arc, Anna Elizabeth Dickinson was a charismatic orator, writer, and actress, who rose to fame during the Civil War and remained in the public eye for the next three decades. J. Matthew Gallman offers the first full-length biography of Dickinson to appear in over half a century. Gallman describes how Dickinson's passionate patriotism and fiery style, coupled with her unabashed abolitionism and biting critiques of antiwar Democrats--known as Copperheads--struck a nerve with her audiences. In barely two years, she rose from an unknown young Philadelphia radical, to a successful New England stump speaker, to a true national celebrity. At the height of her fame, Dickinson counted many of the nation's leading reformers, authors, politicians, and actors among her friends. Among the dozens of famous figures who populate the narrative are Susan B. Anthony, Whitelaw Reid, William Lloyd Garrison, Frederick Douglass, Elizabeth Cady Stanton, and Harriet Beecher Stowe. Gallman shows how Dickinson's life illuminates the possibilities and barriers faced by nineteenth-century women, revealing how their behavior could at once be seen as worthy, highly valued, shocking, and deviant.

A comprehensive analysis of Second World War dress practice and appearance, this study places dress at the forefront of a complex series of cultural chain reactions. As lives were changed by the conditions of war, dress continued to reflect important visual narratives regarding class, gender and taste that would impact significantly on public consciousness of equality, fairness and morale. Using new archival and primary source evidence, Wartime Fashion clarifies how and why clothing was rationed, and repositions style and design during the war in relation to past expectations and ideas about clothes and fabrics. The book explores the impact of war on the dress and appearance of civilian women of all classes in the context of changing social and economic infrastructures created by the national emergency. The varied research elements combined in this book form a rounded and definitive account of the dress history of British women during the Second World War. This is essential reading for anyone with an active interest in the field, whether personal or professional.

This anthology gathers selected papers from the 2006 and 2007 meetings of the Cooperstown Symposium on Baseball and American Culture, the long-running academic conference held annually at the National Baseball Hall of Fame. Essays in the first of the volume's six sections, "The African American Experience," examine Negro League playing styles as cultural expression, media coverage of Curt Flood's battle against MLB, and autobiographical accounts by Flood and Jackie Robinson that recall slave-narrative tradition. In "The Women's Game" the legacy of Title IX is explored, along with gender constructions at the time of the All-American Girls Professional Baseball League. Teams and their towns are the focus of "Baseball and Community"; essays deal with Dodgertown and Vero Beach, baseball and advertising in Brooklyn, and the baseball identity of a mining town in New Mexico. In "Baseball Ideology" the game's films, wartime rhetoric, and the approaches to its ethnic history are investigated. Essays in "Biography: Baseball Lives" relate the true stories of a Depression-era felon treated to a World Series game at Wrigley and the post-Katrina struggles of pitching great Mel Parnell. Finally, in "The Business of Baseball," essayists gauge the effects of the recent steroids scandal, three decades of free agency, and MLB's new global perspective.