America The Farewell Tour

If you thought you knew Chris Hedges--be surprised. The globally renowned Pulitzer Prize-winner gives us an entirely new view of a nation in crisis in a stunning book that holds both liberals and conservatives to account--as rousingly pertinent for Canada as for the disoriented US. Beautifully written, it clarifies vividly and unforgettably the forces at play in our times. In astonishing, tough, first-hand reportage, Chris Hedges draws on stories from inside communities across America and reveals how the hurricanes of change have allowed an array of pathologies to arise: the opioid crisis, the retreat into gambling, the corporate coup d'état of government, the pornification of culture, the rise of magical thinking, the emboldening of violence and hate, the plagues of suicides, and the global upheaval caused by catastrophic climate change. These are just some of the physical manifestations of a society unravelling. Such ills presage a frightening reconfiguration of our lives--particularly in the face of our neighbour's degeneration as a world power. Donald Trump rode this disenchantment to power. Hedges--who was unsurprised by Trump's victory--shows how neither the left nor the right are addressing the systemic problems. Until the corporate coup d'état is reversed, these diseases will grow and ravage the country. A humane cry for a decent future, this remarkable book is our wake-up call to reality.

The liberal class plays a vital role in a democracy. It gives moral legitimacy to the state. It makes limited forms of dissent and incremental change possible. The liberal class posits itself as the conscience of the nation. It permits us, through its appeal to public virtues and the public good, to define ourselves as a good and noble people. Most importantly, on behalf of the power elite the liberal class serves as bulwarks against radical movements by offering a safety valve for popular frustrations and discontentment by discrediting those who talk of profound structural change. Once this class loses its social and political role then the delicate fabric of a democracy breaks down and the liberal class, along with the values it espouses, becomes an object of ridicule and hatred. The door that has been opened to proto-fascists has been opened by a bankrupt liberalism The Death of the Liberal Class examines the failure of the liberal class to confront the rise of the corporate state and the consequences of a liberalism that has become profoundly bankrupted. Hedges argues there are five pillars of the liberal establishment — the press, liberal religious institutions, labor unions, universities and the Democratic Party — and that each of these institutions, more concerned with status and privilege than justice and progress, sold out the constituents they represented. In doing so, the liberal class has become irrelevant to society at large and ultimately the corporate power elite they once served.

As a veteran war correspondent, Chris Hedges has survived ambushes in Central America, imprisonment in Sudan, and a beating by Saudi military police. He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: “It gives us purpose, meaning, a reason for living.” Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies—corrupting politics, destroying culture, and perverting basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force that Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.

Chris Hedges’s profound and unsettling examination of America in crisis is “an exceedingly…provocative book, certain to arouse controversy, but offering a point of view that needs to be heard” (Booklist), about how bitter hopelessness and malaise have resulted in a culture of sadism and hate. America, says Pulitzer Prize­–winning reporter Chris Hedges, is convulsed by an array of pathologies that have arisen out of profound hopelessness, a bitter despair, and a civil society that has ceased to function. The opioid crisis; the retreat into gambling to cope with economic distress; the pornification of culture; the rise of magical thinking; the celebration of sadism, hate, and plagues of suicides are the physical manifestations of a society that is being ravaged by corporate pillage and a failed democracy. As our society unravels, we also face global upheaval caused by catastrophic climate change. All these ills presage a frightening reconfiguration of the nation and the planet. Donald Trump rode this disenchantment to power. In his “forceful and direct” (Publishers Weekly) America: The Farewell Tour, Hedges argues that neither political party, now captured by corporate power, addresses the systemic problem. Until our corporate coup d’état is reversed these diseases will grow and ravage the country. “With sharply observed detail, Hedges writes a requiem for the American dream” (Kirkus Reviews) and seeks to jolt us out of our complacency while there is still time.

These are challenging times for leaders who believe schools must teach history honestly, be laboratories of democracy, and honor differences while finding common cause. This book, grounded in two decades of work in diverse school settings, provides guidance to help us remain steadfast in the work. Racial justice: Beyond proclamations, how can school leaders reallocate resources to support substantive anti-racist school reforms? Democratic practice: How can school leaders who have significant authority in a hierarchical system wield their power in support of democracy? Restorative justice: With time in short supply, how can schools truly embrace restorative practice, which calls for slowing down to repair and prevent harm? Student activism: How can school leaders uphold rules while also supporting students who disrupt in the name of justice? Counter-extremism: White supremacist threats are a danger to our communities. How can school leaders carefully confront the extremism of these troubled times? Compelling stories drawn from contemporary school contexts help illuminate each of these questions in fine detail. Each chapter concludes with a list of concrete actions every school leader can take in pursuit of answers. Administrators, teacher leaders, and those who support school reform with justice in mind will find both practical guidance and inspiration.

This book explores how polarised interpretations of America’s past influence the present and vice versa. A focus on competing Protestant reactions to President Trump’s ‘Make America Great Again’ slogan evidences a fundamental divide over how America should remember historical racism, sexism and exploitation. Additionally, these Protestants disagree over how the past influences present injustice and equality. The 2020 killing of George Floyd forced these rival histories into the open. Rowley proposes that recovering a complex view of the past, confessing the bad and embracing the good, might help Americans have a shared memory that can bridge polarisation and work to secure justice and equality. An accessible and timely book, this is essential reading for those concerned with the vexed relationship of religion and politics in the United States, including students and scholars in the fields of Protestantism, history, political science, religious studies and sociology.

"The period of 1880 to 1929 is the richest theater era in American history, certainly in the number of plays produced and significant artists, as well as in the centrality of theater in the lives of Americans. As the impact of European modernism gradually seeped into American theater during the 1880s and 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. Such playwrights as Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the golden age of American drama." "The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by modernism in Europe and by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays, music, playwrights, performers, producers, critics, architects, designers, and costumes." --Book Jacket.

This volume provides a history and catalog of the portraits by Charles Willson Peale, who painted heroes of the American revolution, founders of American government, statesmen, jurists, men of science, and individuals who contributed art and letters. The three chapters by Fanelli (Cultural Resources Management, Independence National Historical Park) discuss the collection from its inception through the period in which the shrine that housed it became a museum. Each of the 250 entries (mostly b&w, with a few in color) in the catalog includes a brief biography of the subject, a physical description of the painting, the circumstances under which it was created, and its provenance. They are arranged alphabetically by sitter. Edited by Karie Diethorn, chief curator, Independence National Historical Park, Philadelphia, Pennsylvania. Annotation copyrighted by Book News, Inc., Portland, OR