American Counterculture Of The 1960s

Amidst the recent flourishing of Sixties scholarship, Imagine Nation is the first collection to focus solely on the counterculture. Its fourteen provocative essays seek to unearth the complexity and rediscover the society-changing power of significant movements and figures.

Restricted to the shorthand of “sex, drugs, and rock ‘n’ roll,” the counterculture would seem to be a brief, vibrant stretch of the 1960s. But the American counterculture, as this book clearly demonstrates, was far more than a historical blip and its impact continues to resonate. In this comprehensive history, Damon R. Bach traces the counterculture from its antecedents in the 1950s through its emergence and massive expansion in the 1960s to its demise in the 1970s and persistent echoes in the decades since. The counterculture, as Bach tells it, evolved in discrete stages and his book describes its development from coast to heartland to coast as it evolved into a national phenomenon, involving a diverse array of participants and undergoing fundamental changes between 1965 and 1974. Hippiedom appears here in relationship to the era’s movements—civil rights, women’s and gay liberation, Red and Black Power, the New Left, and environmentalism. In its connection to other forces of the time, Bach contends that the counterculture’s central objective was to create a new, superior society based on alternative values and institutions. Drawing for the first time on documents produced by self-described “freaks” from 1964 through 1973—underground newspapers, memoirs, personal correspondence, flyers, and pamphlets—his book creates an unusually nuanced, colorful, and complete picture of a time often portrayed in clichéd or nostalgic terms. This is the counterculture of love-ins and flower children, of the Grateful Dead and Jefferson Airplane, but also of antiwar demonstrations, communes, co-ops, head shops, cultural feminism, Earth Day, and antinuclear activism. What Damon R. Bach conjures is the counterculture in all of its permutations and ramifications as he illuminates its complexity, continually evolving values, and constantly changing components and adherents, which defined and redefined it throughout its near decade-long existence. In the long run, Bach convincingly argues that the counterculture spearheaded cultural transformation, leaving a changed America in its wake.

Senator John F. Kennedy's 1960 presidential victory signaled a time of renewed hope and opportunity amid a bleak landscape of international tension. Within a few short years, however, Americans would find themselves coping with his untimely death, and fiercely divided over America's role in growing battles, both at home and abroad. A decade that many hoped would bring peace and prosperity began to morph into one of the most complex reactionary periods in history, with popular culture shifting and subverting the status quo in ways that would forever influence fashion, modern thought, philosophy, politics, and art. This volume focuses on the background, history, and effects of the American counterculture of the 1960s and features insights into public documents such as diaries, public records, and contemporary chronicles of the era.

This short overview of the United States hippie social movement examines hippie beliefs and practices.

In The ABC-CLIO Companion to the 1960s Counterculture in America, author Neil A. Hamilton systematically illuminates the social, cultural, and political revolution with entries covering groups such as the hippies, Diggers, Yippies, and Weathermen; individuals including Abbie Hoffman, Andy Warhol, Russell Means, and Stokely Carmichael; and events such as Watts, the Tripps festival, Woodstock, and various "be-ins". Broadly defining the counterculture as any cultural or political challenge to mainstream values and practices of the day, Hamilton traces the counterculture's spread across America, far beyond its San Francisco Bay Area origins. He also examines the sweeping changes in the period's music, art, clothing, language, and personal practices. Perfect for high school, college, and public libraries, this unique encyclopedia's complete compilation of the 1960s upheaval will also be of special use to students of sociology, recent U.S. history, and popular culture.

This collection brings together new and original critical essays by eleven established European American Studies scholars to explore the 1960s from a transatlantic perspective. Intended for an academic audience interested in globalized American studies, it examines topics ranging from the impact of the American civil rights movement in Germany, France and Wales, through the transatlantic dimensions of feminism and the counterculture movement. It explores, for example, the vicissitudes of Europe's status in US foreign relations, European documentaries about the Vietnam War, transatlantic trends in literature and culture, and the significance of collective and cultural memory of the era.

A collection of essays analyzing America's counterculture during the 1960s and 1970s. Topics include sixties-era communes, films, attitudes towards sex, and issues facing Indians, blacks, and homosexuals.

Looks at advertising during the 1960s, focusing on the relationship between the counterculture movement and commerce.