American Fire Love Arson And Life In A Vanishing Land

A New York Times Notable Book of the Year A Washington Post Notable Book of the Year One of Amazon’s 20 Best Books of the Year Named one of the Best Books of the Year by Buzzfeed, Bustle, NPR, NYLON, and Thrillist Finalist for the Goodreads Book Award (Nonfiction) Finalist for the Edgar Award (Best Fact Crime) A Book of the Month Club Selection A New York Times Book Review Editors’ Choice Selection “A brisk, captivating and expertly crafted reconstruction of a community living through a time of fear.... Masterful.” —Washington Post The arsons started on a cold November midnight and didn’t stop for months. Night after night, the people of Accomack County waited to see which building would burn down next, regarding each other at first with compassion, and later suspicion. Vigilante groups sprang up, patrolling the rural Virginia coast with cameras and camouflage. Volunteer firefighters slept at their stations. The arsonist seemed to target abandoned buildings, but local police were stretched too thin to surveil them all. Accomack was desolate—there were hundreds of abandoned buildings. And by the dozen they were burning. “One of the year’s best and most unusual true-crime books” (Christian Science Monitor), American Fire brings to vivid life the reeling county of Accomack. “Ace reporter” (Entertainment Weekly) Monica Hesse spent years investigating the story, emerging with breathtaking portraits of the arsonists—troubled addict Charlie Smith and his girlfriend, Tonya Bundick. Tracing the shift in their relationship from true love to crime spree, Hesse also conjures the once-thriving coastal community, decimated by a punishing economy and increasingly suspicious of their neighbors as the culprits remained at large. Weaving the story into the history of arson in the United States, the critically acclaimed American Fire re-creates the anguished nights this quiet county lit up in flames, evoking a microcosm of rural America—a land half-gutted before the fires began.

Set primarily in India and spanning the twentieth century, Filming tells a series of stories, including that of one-time prostitute Durga, who is persuaded to give away her young son, Ashok, and that of Saleem, the son of a prostitute and two-times star of the silver screen. As these stories intertwine and overlap, they combine to create a novel that is simultaneously about the small details and the bigger picture, weaving together major historical events – including Partition, the assassination of Gandhi, the rise of photography and the Bombay film industry, and the development of barbed wire – with the everyday moments that make up the fabric of our lives. ‘Its plot, like a Bollywood melodrama, teems with characters and incident’ Guardian ‘Elegantly structured and taut with understated passion, Filming is a brilliant recreation of the lost world of early cinema and the continuing tragedy of religious hatred . . . Its delights as well as its message should find admiring readers everywhere’ Independent ‘Absorbing . . . Filming is distinguished by its ambition, its structural inventiveness and its highly evocative prose’ TLS ‘Underpinning this intriguing novel is a concern for the truth . . . In keeping with Khair’s pertinent and thought-provoking musings on self-deception, its skill lies in making us question our assumptions about what we do and why we do it’ New Statesman

Fire blazes from heaven, and a stone altar erupts in flame. So begins a spiritual awakening, the kindling of a revival fire still burning today. Beginning with Elijah and God's tremendous one-day revival of Israel, Wesley Duewel tells stories of revivals spanning the globe from America to China to Africa, all brought by obedience and heartfelt prayer. He illustrates how God has used revival fire through the centuries to revive the church and reveal the glorious presence of the Holy Spirit.

Mark Girouard describes the 'Queen Anne' movement in all its manifestations, tracing its origin in the 1860s, the spread of its subsequent vogue from London to the provinces, and from England to America, and is fall from grace in the 1890s when it was taken up by architects of pubs and waterside villas.

One of NPR's Best Books of 2017 A New York Times Book Review Notable Book of the Year A breathtaking feat of reportage, American Fire combines procedural with love story, redefining American tragedy for our time. The arsons started on a cold November midnight and didn’t stop for months. Night after night, the people of Accomack County waited to see which building would burn down next, regarding each other at first with compassion, and later suspicion. Vigilante groups sprang up, patrolling the rural Virginia coast with cameras and camouflage. Volunteer firefighters slept at their stations. The arsonist seemed to target abandoned buildings, but local police were stretched too thin to surveil them all. Accomack was desolate—there were hundreds of abandoned buildings. And by the dozen they were burning. The culprit, and the path that led to these crimes, is a story of twenty-first century America. Washington Post reporter Monica Hesse first drove down to the reeling county to cover a hearing for Charlie Smith, a struggling mechanic who upon his capture had promptly pleaded guilty to sixty-seven counts of arson. But as Charlie’s confession unspooled, it got deeper and weirder. He wasn’t lighting fires alone; his crimes were galvanized by a surprising love story. Over a year of investigating, Hesse uncovered the motives of Charlie and his accomplice, girlfriend Tonya Bundick, a woman of steel-like strength and an inscrutable past. Theirs was a love built on impossibly tight budgets and simple pleasures. They were each other’s inspiration and escape…until they weren’t. Though it’s hard to believe today, one hundred years ago Accomack was the richest rural county in the nation. Slowly it’s been drained of its industry—agriculture—as well as its wealth and population. In an already remote region, limited employment options offer little in the way of opportunity. A mesmerizing and crucial panorama with nationwide implications, American Fire asks what happens when a community gets left behind. Hesse brings to life the Eastern Shore and its inhabitants, battling a punishing economy and increasingly terrified by a string of fires they could not explain. The result evokes the soul of rural America—a land half gutted before the fires even began.

This book is not about poetry, even though the title and limericks sprinkled within might lead you to that notion. This book is not about sports, though many of the characters connect as coaches or teammates. This book is not even about a father and son, even though it deals with a man and his recently deceased father. This is a familiar tale of family, friendship, community, loss, and the renewal of faith. Even though the book takes place over the course of only one week, its message delves deeply into life and living. We all question the usefulness of our past, the course of our present, and—on our more challenging days—the point of our future. We wonder about the significance of our efforts. In other words, this book poses the question we often ignore through activity, defy with arrogance, or accept as unanswerable: “What’s the point?” In the vein of film classic It’s a Wonderful Life, author Antony Saragas reminds you that life is worth living and that sometimes your friends and family are your angels.

The fire station is an important place in our communities. Kids will learn about why fire stations are needed, who works there, and what kinds of things happen there. Aligned to Common Core Standards and correlated to state standards. Abdo Kids is a division of ABDO.

Based on an Athabascan Indian legend passed along for many generations from mothers to daughters of the upper Yukon River Valley in Alaska, this is the suspenseful, shocking, ultimately inspirational tale of two old women abandoned by their tribe during a brutal winter famine. Though these women have been known to complain more than contribute, they now must either survive on their own or die trying. In simple but vivid detail, Velma Wallis depicts a landscape and way of life that are at once merciless and starkly beautiful. In her old women, she has created two heroines of steely determination whose story of betrayal, friendship, community and forgiveness "speaks straight to the heart with clarity, sweetness and wisdom" (Ursula K. Le Guin).