American Landscapes

American Landscapes: Meditations on Art and Literature in a Changing World is a major contemporary survey of landscapes in art and literature of the United States, especially the American South. Inspired by William Dunlap’s extraordinary landscape Meditations on the Origins of Agriculture in America and a collection of forty paintings and photographs by Southern artists, this volume brings together artists, authors, and scholars to present new perspectives on art and literature both past and present. The volume includes art and text from artists John Alexander, Jason Bouldin, William Dunlap, Carlyle Wolfe Lee, Ke Francis, Linda Burgess, Randy Hayes; photographers Sally Mann, Ed Croom, and Huger Foote; museum directors Betsy Bradley, Jane Livingston, and Julian Rankin; and authors W. Ralph Eubanks, John Grisham, J. Richard Gruber, Jessica B. Harris, Lisa Howorth, Julia Reed, Natasha Trethewey, Curtis Wilkie, Joseph M. Pierce, and Drew Gilpin Faust. This diverse group explores major eras of American history portrayed in Dunlap’s painting, a landscape that evokes the displacement and genocide of Native Americans, the enslavement of Africans, the Civil War, and William Faulkner’s fiction. They examine the history of landscape art in America, connecting art with the works of major writers like William Faulkner, Eudora Welty, Natasha Trethewey, and Jesmyn Ward. In eighteen new essays written during the pandemic and since the events of January 6, 2021, the essayists emphasize how the key issues Dunlap addressed in his 1987 artwork have become part of the national discourse and make his work even more vital today.

How conflicting ideas of nature threaten to fracture America's identity. Amber waves of grain, purple mountain majesties: American invest much of their national identity in sites of natural beauty. And yet American lands today are torn by conflicts over science, religion, identity, and politics. Creationists believe that the Biblical flood carved landscapes less than 10,000 years ago; environmentalists protest pipelines; Western states argue that the federal government's land policies throttle free enterprise; Native Americans demand protection for sacred sites. In this book, David Nye looks at Americans' irreconcilably conflicting ideas about nature. A landscape is conflicted when different groups have different uses for the same location—for example, when some want to open mining sites that others want to preserve or when suburban development impinges on agriculture. Some landscapes are so degraded from careless use that they become toxic “anti-landscapes.” Nye traces these conflicts to clashing conceptions of nature—ranging from pastoral to Native American to military–industrial—that cannot be averaged into a compromise. Nye argues that today’s environmental crisis is rooted in these conflicting ideas about land. Depending on your politics, global warming is either an inconvenient truth or fake news. America’s contradictory conceptions of nature are at the heart of a broken national consensus.

Honorable Mention, Southern Anthropological Society James Mooney Award Native American populations both accommodated and resisted the encroachment of European powers in southeastern North America from the arrival of Spaniards in the sixteenth century to the first decades of the American republic. Tracing changes to the region’s natural, cultural, social, and political environments, Charles Cobb provides an unprecedented survey of the landscape histories of Indigenous groups across this critically important area and time period.  Cobb explores how Native Americans responded to the hardships of epidemic diseases, chronic warfare, and enslavement. Some groups developed new modes of migration and travel to escape conflict while others built new alliances to create safety in numbers. Cultural maps were redrawn as Native communities evolved into the groups known today as the Cherokee, Choctaw, Creek, Chickasaw, Catawba, and Seminole peoples. Cobb connects the formation of these coalitions to events in the wider Atlantic World, including the rise of plantation slavery, the growth of the deerskin trade, the birth of the consumer revolution, and the emergence of capitalism.  Using archaeological data, historical documents, and ethnohistorical accounts, Cobb argues that Native inhabitants of the Southeast successfully navigated the challenges of this era, reevaluating long-standing assumptions that their cultures collapsed under the impact of colonialism. A volume in the series the American Experience in Archaeological Perspective, edited by Michael S. Nassaney

The Routledge Companion to the American Landscape provides a comprehensive overview of the American landscape in a way fit for the twenty-first century, not only in its topical and regional scope but also in its methodological and disciplinary diversity. Critically surveying the contemporary scholarship on the American landscape, this companion brings together scholars from the social sciences and humanities who focus their work on understanding the polyphonic evolution of the United States’ landscape. It simultaneously assesses the development of the US landscape as well as the scholarly thought that has driven innovation and continued research about that landscape. Four broad sections focus on key areas of scholarship: environmental landscapes, social, cultural, and popular identities in the landscape, political landscapes, and urban/economic landscapes. A special essay, "American Landscapes Under Siege" and accompanying short case studies call attention to the legacies and realities of race in the American landscape, bridging the discussion of social and political landscapes. This companion offers an invaluable and up-to-date guide for scholars and graduate students to current thinking across the range of disciplines which converge in the study of place, including Geography, Cultural Studies, and History as well as the interdisciplinary fields of American Studies, Environmental Studies, and Planning.

The only compact yet comprehensive survey of environmental and cultural forces that have shaped the visual character and geographical diversity of the settled American landscape. The book examines the large-scale historical influences that have molded the varied human adaptation of the continent’s physical topography to its needs over more than 500 years. It presents a synoptic view of myriad historical processes working together or in conflict, and illustrates them through their survival in or disappearance from the everyday landscapes of today.

American landscapes are some of the best-known images in the world: we recognize Niagara Falls, the Grand Canyon, the Manhattan skyline, and the streets of San Francisco in a thousand advertisements and TV shows. But how have these places come to be as they are, and why are some places familiar while others are quite unknown? The American Landscape introduces the reader to the changing face of the American environment, tracing the way in which the present array of forests and farms, parks and superhighways, cities and suburbs have come about, and how these changes have been thought about, painted, turned into movie sets, etc.

A dual portrait of America’s first great architect, Henry Hobson Richardson, and her finest landscape designer, Frederick Law Olmsted—and their immense impact on America As the nation recovered from a cataclysmic war, two titans of design profoundly influenced how Americans came to interact with the built and natural world around them through their pioneering work in architecture and landscape design. Frederick Law Olmsted is widely revered as America’s first and finest parkmaker and environmentalist, the force behind Manhattan’s Central Park, Brooklyn’s Prospect Park, Biltmore’s parkland in Asheville, dozens of parks across the country, and the preservation of Yosemite and Niagara Falls. Yet his close friend and sometime collaborator, Henry Hobson Richardson, has been almost entirely forgotten today, despite his outsized influence on American architecture—from Boston’s iconic Trinity Church to Chicago’s Marshall Field Wholesale Store to the Shingle Style and the wildly popular “open plan” he conceived for family homes. Individually they created much-beloved buildings and public spaces. Together they married natural landscapes with built structures in train stations and public libraries that helped drive the shift in American life from congested cities to developing suburbs across the country. The small, reserved Olmsted and the passionate, Falstaffian Richardson could not have been more different in character, but their sensibilities were closely aligned. In chronicling their intersecting lives and work in the context of the nation’s post-war renewal, Hugh Howard reveals how these two men created original all-American idioms in architecture and landscape that influence how we enjoy our public and private spaces to this day.