American Photography And The American Dream

Looks at how documentary photographers have contested the idea of the American dream, and discusses the work of Francis Benjamin Johnston, Lewis Hine, Walker Evans, Dorothea Lange, William Klein, Diane Arbus, and Robert Frank

Perhaps no nation has been so thoroughly shaped by its dreams as has America, and perhaps no other dreams have been captured on camera as often and as diversely as America's. The mythic American Dream has been the subject of photographic documentation since the 1840s, when photographers first began traveling to the New World in search of subjects. From an unknown photographer's picture of newborn George B. Billings Rego, scion of an immigrant Portuguese family and the first child ever born at Boston Long Wharf, to Lewis Hine's wrenching image of a young cotton mill worker in Georgia, to Alfred Stieglitz's awesome New York cityscapes, the photographs collected here reveal the multiple facets of 100 of the most decisive years of American development. Between 1840 and 1940, immigrants became homeowners, untouched lands exploded in superhuman industrial growth, tourists replaced pioneers, and the American metropolis grew taller and shinier--and the camera caught it all.

A powerful, moving collection of 170 portraits of Americans and their handwritten statements about what the American dream means to them. Shot by one photographer over twelve years, fifty states, and eighty thousand miles, American Dreams is a poignant, defining look at people from every walk of life and a remarkable exploration of what it means to be an American. Long fascinated by the idea of the “American Dream,” Canadian photographer Ian Brown set out to document, in photographs and words, what that dream means to Americans of all ages, races, identities, classes, religions, and ideologies. Over the course of twelve years, Brown traveled more than eighty thousand miles in an old truck, visiting all fifty states and connecting with hundreds of Americans. He knocked on people's doors; met them at town halls, diners, and factories; and approached them on main streets in small towns. He shot their portraits and asked them to write down their own American dreams. Their dreams and stories—which range from hopeful, moving, and optimistic to defiant, bitter, and heartbreaking—offer a fascinating, unparalleled perspective of the striking diversity and deep nuance of the American experience.

A powerful, moving collection of 170 portraits of Americans and their handwritten statements about what the American dream means to them. Shot by one photographer over twelve years, fifty states, and eighty thousand miles, American Dreams is a poignant, defining look at people from every walk of life and a remarkable exploration of what it means to be an American. Long fascinated by the idea of the “American Dream,” Canadian photographer Ian Brown set out to document, in photographs and words, what that dream means to Americans of all ages, races, identities, classes, religions, and ideologies. Over the course of twelve years, Brown traveled more than eighty thousand miles in an old truck, visiting all fifty states and connecting with hundreds of Americans. He knocked on people's doors; met them at town halls, diners, and factories; and approached them on main streets in small towns. He shot their portraits and asked them to write down their own American dreams. Their dreams and stories—which range from hopeful, moving, and optimistic to defiant, bitter, and heartbreaking—offer a fascinating, unparalleled perspective of the striking diversity and deep nuance of the American experience.

Overzicht van het werk van de Amerikaanse architectuurfotograaf (1900-1976).

“A portrait of growing up in America, and a portrait of family, that pulls off the feat of being both intimately specific and deeply universal at the same time. I adored this book.”—Jonny Sun “[A] high-spirited graphical memoir . . . Gharib’s wisdom about the power and limits of racial identity is evident in the way she draws.”—NPR WINNER OF THE ARAB AMERICAN BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • The New York Public Library • Kirkus Reviews I Was Their American Dream is at once a coming-of-age story and a reminder of the thousands of immigrants who come to America in search for a better life for themselves and their children. The daughter of parents with unfulfilled dreams themselves, Malaka navigated her childhood chasing her parents' ideals, learning to code-switch between her family's Filipino and Egyptian customs, adapting to white culture to fit in, crushing on skater boys, and trying to understand the tension between holding onto cultural values and trying to be an all-American kid. Malaka Gharib's triumphant graphic memoir brings to life her teenage antics and illuminates earnest questions about identity and culture, while providing thoughtful insight into the lives of modern immigrants and the generation of millennial children they raised. Malaka's story is a heartfelt tribute to the American immigrants who have invested their future in the promise of the American dream. Praise for I Was Their American Dream “In this time when immigration is such a hot topic, Malaka Gharib puts an engaging human face on the issue. . . . The push and pull first-generation kids feel is portrayed with humor and love, especially humor. . . . Gharib pokes fun at all of the cultures she lives in, able to see each of them with an outsider’s wry eye, while appreciating them with an insider’s close experience. . . . The question of ‘What are you?’ has never been answered with so much charm.”—Marissa Moss, New York Journal of Books “Forthright and funny, Gharib fiercely claims her own American dream.”—Booklist “Thoughtful and relatable, this touching account should be shared across generations.”– Library Journal “This charming graphic memoir riffs on the joys and challenges of developing a unique ethnic identity.”– Publishers Weekly

This beautiful and informative photographic history includes images from 1900 to 1999. Many are often seen (bullet piercing the apple, splashing crown of milk, Sophia Loren looking askance at Jayne Mansfield's plunging decollete, and Dorothea Lange's Migrant Mother); but most are probably unknown, because the photos were selected not only for their visual and cognitive qualities but also for their importance to the history and development of photographic technique and usage. The century is divided into thirds for explanation's sake, and there is at least one photograph for every year. While this is a picture book, the accompanying text provides informative introductions to the uses and abuses of perhaps the century's most important medium. The book is companion to the PBS series. Oversize: 12.5x9.5". Annotation copyrighted by Book News Inc., Portland, OR

For millions of Americans, Solomon D. Butcher's photographs epitomize the sod-house frontier. His images from western Nebraska constitute the most extensive photographic record of the generation that settled the Great Plains. Their faces are imprinted on our minds: jaunty bachelors and earnest husbands (Civil War veterans of both armies), spinster sodbusters, determined mothers, cowhands, farmhands, and former slaves--all in search of land of their own. This first book devoted to Butcher and his photos presents a unique visual chronicle of that epoch, firmly establishing Butcher's place in frontier photography. In a substantial introduction, John E. Carter traces the variegated career of this Virginia-born photographer who was himself an immigrant to the Nebraska plains. Combining critical analysis with biography, Carter situates Butcher in western history as well as in the history of photography and assesses his achievements in both. Exploring the nature of Butcher's works and their scope, content, and significance, Carter offers a perspective for evaluating the historical evidence found in his work and new insights into the evolution of Butcher's style and subject matter. In this new paperback edition, more than 125 photographs are superbly reproduced in duotone from high-resolution scans of glass negatives. This edition also includes a new afterword by Carter, tracing the fascinating history of the photographs themselves after Butcher sold them to the Nebraska State Historical Society in 1912. Everyone interested in the plains pioneers or historical American photography will prize this splendid book.