American War Stories

American War Stories asks readers to contemplate what traditionally constitutes a “war story” and how that constitution obscures the normalization of militarism in American culture. The book claims the traditionally narrow scope of “war story,” as by a combatant about his wartime experience, compartmentalizes war, casting armed violence as distinct from everyday American life. Broadening “war story” beyond the specific genres of war narratives such as “war films,” “war fiction,” or “war memoirs,” American War Stories exposes how ingrained militarism is in everyday American life, a condition that challenges the very democratic principles the United States is touted as exemplifying.

Shortlisted for the Rogers Writers' Trust Fiction Prize A Globe and Mail Best Book A New York Times Notable Book of the Year A Quill & Quire Best Book of 2017 An audacious and powerful debut novel: a second American Civil War, a devastating plague, and one family caught deep in the middle -- a story that asks what might happen if America were to turn its most devastating policies and deadly weapons upon itself. Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, that unmanned drones fill the sky. And when her father is killed and her family is forced into Camp Patience for displaced persons, she quickly begins to be shaped by her particular time and place until, finally, through the influence of a mysterious functionary, she is turned into a deadly instrument of war. Telling her story is her nephew, Benjamin Chestnut, born during war as one of the Miraculous Generation and now an old man confronting the dark secret of his past -- his family's role in the conflict and, in particular, that of his aunt, a woman who saved his life while destroying untold others.

"Trust in media and political institutions is at an all-time low in America, yet veterans enjoy an unmatched level of credibility and moral authority. Their war stories have become crucial testimony about the nation's leadership, foreign policies, and wars. Veterans' memoirs are not simply self-revelatory personal chronicles but contributions to political culture-to the stories circulated and incorporated into national myths and memories. American War Stories centers on an extensive selection of memoirs written by veterans of the Vietnam, Iraq, and Afghanistan conflicts-including Brian Turner's My Life as a Foreign Country, Marcus Luttrell's Lone Survivor, and Camilo Mejia's Road from ar Ramadi-to explore the complex relationship between memory and politics in the context of postmodern war. Placing veterans' stories in conversation with broader cultural and political discourses, Myra Mendible analyzes the volatile mix of agendas, identities, and issues informing veteran-writers' narrative choices to argue that their work plays an important, though underexamined, political function in how Americans remember and judge their wars"--

This “layered, nuanced, and focused study” of Civil War era writings reveals a popular sense of patriotism and hope in the midst of loss (Journal of American History). The American Civil War is often seen as the first modern war, not least because of the immense suffering it inflicted. Yet unlike later conflicts, it did not produce an outpouring of disillusionment or cynicism in public or private discourse. In fact, most people portrayed the war in highly sentimental and patriotic terms. While scholars typically dismiss this everyday writing as simplistic or naïve, Frances M. Clarke argues that we need to reconsider the letters, diaries, songs, and journalism penned by Union soldiers and their caregivers to fully understand the war’s impact and meaning. In War Stories, Clarke revisits the most common stories that average Northerners told in hopes of redeeming their suffering and hardship—stories that enabled people to express their beliefs about religion, community, and personal character. From tales of Union soldiers who died heroically to stories of tireless volunteers who exemplified the Republic’s virtues, War Stories sheds new light on this transitional moment in the history of war, emotional culture, and American civic life.

On Friday, November 10, 1775, the Continental Congress approved a resolution for the organization of the Corps, creating what would become the hallowed few, the proud--the Marines. Since then, the men and women of the United States Marine Corps have created the finest traditions of service and honor, and supplied a pantheon of heroes who have upheld them. In The Greatest U.S. Marine Stories Ever Told, editor Iain Martin has accumulated these marines' most amazing true tales of service and sacrifice, from the Halls of Montezuma, to the shores of Tripoli, to the conflicts where they serve today.

War stories are mostly innocent fables and understood as such by both the teller and the hearer. However, they have long been used for political and national purposes, and those about the war in Vietnam were no exception, as painfully evidenced in the 2004 presidential campaign. John Kerry campaigned as a war hero. His opponents cast him as a liar and a traitor and their war story prevailed. ""War Stories"" delves into the myths associated with the Vietnam veteran s experience and looks at them through the war stories they told and continue to tell. Kulik conducts an extremely thorough review of the Vietnam literature and interviews participants wherever possible, poking holes in the war myths of people throughout the political spectrum. War Stories discusses how returning Vietnam vets were treated and delves into the myths that atrocities were commonplace, that all veterans of that war suffer from PTSD, and that all are guilt ridden. Kulik s research and analysis of such stories lies at the heart of this book s originality and provides a new perspective on the Vietnam War for scholars, students, and general readers. His purpose in exposing such stories is not to deny or minimize American war crimes in Vietnam but to cut through the cant of false stories so that we retain our outrage at those that are true. As we are faced with future war stories from Iraq and Afghanistan and their likely exploitation, the moral stance and the lessons learned in this book will be especially important."

From the moment his first novel was published, Larry Heinemann joined the ranks of the great chroniclers of the Vietnam conflict--Philip Caputo, Tim O’Brien, and Gustav Hasford.In the stripped-down, unsullied patois of an ordinary soldier, draftee Philip Dosier tells the story of his war. Straight from high school, too young to vote or buy himself a drink, he enters a world of mud and heat, blood and body counts, ambushes and firefights. It is here that he embarks on the brutal downward path to wisdom that awaits every soldier. In the tradition of Naked and the Dead and The Thin Red Line, Close Quarters is the harrowing story of how a decent kid from Chicago endures an extraordinary trial-- and returns profoundly altered to a world on the threshold of change.

The United States is embroiled in conflicts in Iraq and Afghanistan—wars that seem as far from Americans’ understanding as they are distant from our shores. With American Veterans on War, Elise Forbes Tripp brings our current wars and their predecessors home in the words of 55 veterans aged 20 to 90. The veterans raise questions about when wars are worth fighting, what missions can and can’t be won, and the costs and benefits of US intervention, both around the world and domestically. Recent veterans tell wrenching stories of coping with hostile forces without uniforms, of not knowing who is friend or foe, and of the lasting traces of combat once they’ve returned home. American Veterans on War provides a sweeping overview of three-quarters of a century of American wars, properly grounding that history in the words of the men and women whose bodies were on the line.