Among The Rugged Peaks An Intimate Biography Of Carla Laemmle

Carla Laemmle has led numerous lives during her 90 plus years. She appeared with Lon Chaney in The Phantom of the Opera, as was a passenger in the coach traveling the Borgo Pass in 1931's Dracula. This bio presents an intriguing portrait of a life lived in the strange place that is Hollywood.

The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories and novellas by both contemporary masters of the macabre and exciting newcomers. As ever, this acclaimed anthology also offers the most comprehensive annual overview of horror around the world in all its incarnations; a comprehensive necrology of famous names; and a list of indispensable contact addresses for the dedicated horror fan and writer alike. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction. Praise for Stephen Jones: 'The best horror anthologist in the business is, of course, Stephen Jones, whose Mammoth Book of Best New Horror is one of the major bargains of this as of any other year.' Roz Kavaney 'An essential volume for horror readers.' Locus 'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.' Lisa Tuttle, The Times Books

Matthew Coniam, author of 'The Annotated Marx Brothers' and 'Egyptomania Goes To The Movies' would dearly love to dedicate his energies to the higher things in life. But alas, cinephilia infected him at a young age and, as yet, there is no cure. In this collection of essays on movies and moviemakers culled from several years' worth of blog posts, magazine articles and book chapters, he shares some of the symptoms in the hope of spreading it further.

A lovely book that tells the true story of how the classic Universal Studios Monsters were born from a centenarian who was there when it happened. Enjoy Carla's tale of growing up on her uncles Universal Studio Lot from 1921 to 1937 and not only witnessing the filming of such early classics as The Hunchback of Notre Dame in 1923, but actually being in The Phantom of the Opera in 1925 and Dracula in 1931, where her "bit" part was that of having the first line of spoken dialogue in that perennial classic vampire film. Beware of vampires and hearses, but enjoy her story's verses! Wonderfully illustrated by MAD Magazines Jack Davis and Hermann Mejia. Foreword provided by master of horror and sci-fi, Ray Bradbury.

At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.

Zita Johann graced the New York stages beginning in the summer of 1922. With her advanced intuitive professionalism in drama and the help of two great men of the theatre, Basil Sydney and Arthur Hopkins, Zita became a Broadway star in 1928. Hollywood came calling twice, and during a brief period in the early 1930s, Zita Johann became a Hollywood movie star. This would later be much to her chagrin. The Mummy (Universal Pictures, 1932), with Boris Karloff, and The Sin of Nora Moran (Majestic Pictures, 1933) with Paul Cavanaugh, are her two best-known motion pictures of eight. Guest Parking allotted Zita Johann eighty-nine years of life. Zita shared her life story with author Rick Atkins during their nineteen-year friendship. She told of her tumultuous family, with whom she immigrated at age six to America, her long love of the stage, her experiences in Hollywood, her failed marriages, and the reawakening that later changed her life. Zita's unpublished play, And Then It Was Morning, is within these covers, and the book concludes with an inspired Afterword written by actor Liesl Ehardt, a cousin to Zita Johann.

Includes full descriptions of all Donald Duck, Mickey Mouse, Pluto, and Goofy cartoons; the story of Mickey's birth; the Disney Channel Premiere films and Disney television shows; the Disney parks; Disney Academy Awards and Emmy Awards; the Mouseketeers throughout the years; and details of Disney company personnel and primary actors.