An Anglo Saxon Cemetery At Petersfinger Near Salisbury Wilts

Excavations at Collingbourne Ducis revealed almost the full extent of a late 5th–7th century cemetery first recorded in 1974, providing one of the largest samples of burial remains from Anglo-Saxon Wiltshire. The cemetery lies 200 m to the north-east of a broadly contemporaneous settlement on lower lying ground next to the River Bourne.

A vivid and detailed reconstruction of the costume worn in England before the arrival of the Norman conquerers.

The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.

Artefacts made from skeletal materials since the Roman period were, before this book, neglected as a serious area of study. This is a comprehensive account which reviews over fifty categories of artefact. The book starts with a consideration of the formation, morphology and mechanical properties of the materials and illuminates characteristics concerning working with them. Following chapters discuss the organisation of the industry and trade in such items, including the changing status of the industry over time. Archaeological evidence is combined with that from historical and ethnological sources, with many illustrations providing key visual reference. Originally published in 1985.

An Archaeology of the Early Anglo-Saxon Kingdoms is a volume which offers an unparalleled view of the archaeological remains of the period. Using the development of the kingdoms as a framework, this study closely examines the wealth of material evidence and analyzes its significance to our understanding of the society that created it. From our understanding of the migrations of the Germanic peoples into the British Isles, the subsequent patterns of settlement, land-use, trade, through to social hierarchy and cultural identity within the kingdoms, this fully revised edition illuminates one of the most obscure and misunderstood periods in European history.