An Apocryphal Dictionary Of Psychoanalysis

An Apocryphal Dictionary of Psychoanalysis is a book of transpositions, collecting together the author’s clinical vignettes, enigmatic objects, stray thoughts, projects, images, notes from readings, and musings; but also remarks on films and exhibitions, memories, episodes from daily life, summaries of papers to write, questions, doubts and obsessions - all of which have shaped the author’s understanding of psychoanalysis. Born from moments in which the author has sensed a solution for problems encountered in daily work or for obscure but exciting points of the theory, the entries are ordered in an apocryphal manner, offering a personal and challenging view of psychoanalysis. Like small epiphanies in which there is always an emotion - be it that of amusement, astonishment, gratitude, sadness, joy – they express the style of the analyst and of the person in treating mental suffering and give a glimpse into the imaginary which nurtures it. Ideas for psychoanalysis are outlined where at centre stage is the ability to wait, to be surprised; to operate from the place of the unconscious, which by definition is a place of negativity, and to exercise a form of soft scepticism – ultimately, a mode of hospitality. An Apocryphal Dictionary of Psychoanalysis will be of great use to psychoanalysts and psychoanalytic psychotherapists.

Pragmatic-Psychoanalytic Interpretations of Amos Oz’s Writings: Words Significantly Uttered presents intermediate links between three intellectual domains: the literary works of Amos Oz, American Pragmatism, and object-relations psychoanalysis. The interdisciplinary method employed here involves a presentation of Oz’s writings as the starting point for an existential debate that addresses a mental-conceptual struggle. This conceptual conflict, which has been given aesthetic shape in the literary work, inspires the presentation of central pragmatic and psychoanalytic concepts which contribute to a new and richer understanding of the conceptual tension or existential challenge. The chapters interpret Oz’s works not only as literary masterpieces but as existential-philosophical expressions. Dorit Lemberger’s argues that Oz reconceptualizes psychological, personal, familial, and often national, processes in a way that allows readers to understand such processes in general life from a retrospective perspective.

By inviting a ‘conversation’ between them, this book offers a nuanced introduction both to Cézanne—the ‘father of modern art’—and perhaps the most vital body of theory in contemporary psychoanalysis, ‘post-Bionian field theory’, as it has been evolving in Italy in the hands of Antonino Ferro, Giuseppe Civitarese, and others. Cézanne and Bion, each insisting on his own truths, spearheaded quite new directions in painting and in psychoanalysis. Both point us towards a crucial insight: far from being isolated, self-contained ‘subjects’, we fundamentally exist only within a larger interpersonal ‘field’. Cézanne’s painting can give us a direct experience of this. For the Italian field analysts, building on Bion’s work, the field is accessed through reverie, metaphor, and dream, which now come to occupy the heart of psychoanalysis. Here primitive ‘proto-emotions’ that link us all might be transformed—as Cézanne transformed his ‘sensations’—into aesthetic form, into feelings-linked-to-thoughts that in turn enrich and expand the field. The book draws on the words of artists (Cézanne himself, Mann), philosophers (Merleau-Ponty, Bergson), art historians and theorists (Clark, Smith, Shaw), as well as psychoanalysts (Bion, Ferro, Civitarese, and others), and it is the first to focus on one particular—and seminal—painter as a way of exploring this aesthetic and ‘field’ dimension in depth and detail. Aimed at psychoanalysts, psychotherapists, artists, art historians, and the general reader, it suggests how far art and contemporary psychoanalysis are mutually generative.

This dictionary provides helpful and incisive definitions which together create a commentary on psychoanalysis. The text has been thoroughly revised, with an extended introduction, 36 new entries and an enlarged and undated bibliography.

This is a book that should satisfy a longfelt need. Freud’s writings comprise a small library. To know how the founder of psychoanalysis defined his original terms, how he changed or amplified them in his later writings; to have his exact statements at hand on all possible psychoanalytic questions will be of considerable assistance to students and practitioners alike. Some analysts, known as specialists in Freudian quotations, have been receiving constant requests to supply references to those who sorely needed them. This book will safeguard them from the penalty of specialization, and will place all Freudiana within easy reach of professional and non-professional researchers.