An Expert In Murder

'Highly original and elegantly-written ... The first of what promises to be a distinguished series.' P.D. James Death is not a rehearsal... It's March 1934, and Golden Age crime writer Josephine Tey is travelling from Scotland to London to celebrate what should be the triumphant final week of her celebrated play, Richard of Bordeaux. However, a seemingly senseless murder puts her reputation, and even her life, under threat. An Expert in Murder is both a tribute to one of the most enduringly popular writers of crime and an atmospheric detective novel in its own right.

Listening to Killers offers an inside look at twenty years' worth of murder files from Dr. James Garbarino, a leading expert psychological witness who listens to killers so that he can testify in court. The author offers detailed accounts of how killers travel a path that leads from childhood innocence to lethal violence in adolescence or adulthood. He places the emotional and moral damage of each individual killer within a larger scientific framework of social, psychological, anthropological, and biological research on human development. By linking individual cases to broad social and cultural issues and illustrating the social toxicity and unresolved trauma that drive some people to kill, Dr. Garbarino highlights the humanity we share with killers and the role of understanding and empathy in breaking the cycle of violence.

In this memoir-turned-cookbook, Alice B. Toklas describes her life with partner Gertrude Stein and their famed Paris salon, which entertained the great avant-garde and literary figures of their day. With dry wit and characteristic understatement Toklas ponders the ethics of killing a carp in her kitchen before stuffing it with chestnuts; decorating a fish to amuse Picasso at lunch; and travelling across France during the First World War in an old delivery truck, gathering local recipes along the way. She includes a friend's playful recipe for 'Haschiche Fudge', which promises 'brilliant storms of laughter and ecstatic reveries', much like her book.

**A Guardian 'Best Thriller of the Year!'** The New York Times bestselling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues. A woman crosses a London street. It is just after 11am on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric man as quick with an insult as he is to crack a case. And Hawthorne has a partner, the celebrated novelist Anthony Horowitz, curious about the case and looking for new material. As brusque, impatient, and annoying as Hawthorne can be, Horowitz—a seasoned hand when it comes to crime stories—suspects the detective may be on to something, and is irresistibly drawn into the mystery. But as the case unfolds, Horowitz realizes he’s at the center of a story he can’t control . . . and that his brilliant partner may be hiding dark and mysterious secrets of his own. A masterful and tricky mystery which plays games at many levels, The Word Is Murder is Anthony Horowitz at his very best.

From the author of "Sarah Hughes: Skating to the Stars" comes the first title in a new mystery series. Set in the cutthroat world of figure skating, "Murder on Ice" introduces amateur sleuth Rebecca "Bex" Levy, a researcher for a 24-hour skating network. Original.

They were the most horrific crimes of a new century: the murders of newborn innocents for which two British women were hanged at Holloway Prison in1903. Decades later, mystery writer Josephine Tey has decided to write a novel based on Amelia Sach and Annie Walters, the notorious “Finchley baby farmers,” unaware that her research will entangle her in the desperate hunt for a modern-day killer. A young seamstress—an ex-convict determined to reform—has been found brutally slain in the studio of Tey’s friends, the Motley sisters, amid preparations for a star-studded charity gala. Despite initial appearances, Inspector Archie Penrose is not convinced this murder is the result of a long-standing domestic feud—and a horrific accident involving a second young woman soon after supports his convictions. Now he and his friend Josephine must unmask a sadistic killer before more blood flows—as the repercussions of unthinkable crimes of the past reach out to destroy those left behind long after justice has been served.

May, 1937. Josephine Tey is in London to oversee a BBC radio production of her play, Queen of Scots. Meanwhile, the country is preparing to crown a new king. At the height of the Coronation celebrations, Detective Chief Inspector Archie Penrose is called in to investigate the murder of one of the BBC's best-known broadcasters. A second victim - his mistress, and the play's leading actress - suggests that the motive lies close to home, but Josephine suspects that the killings are linked to a decade-old scandal. With Archie's hands tied by politics, and his attention taken by another, seemingly unrelated death, it is left to Josephine to get to the truth - and to confront at first-hand the deadly consequences of love, deceit and betrayal.

Two can keep a secret - if one of them is dead... Inspector Archie Penrose invites crime writer Josephine Tey down to his family home in Cornwall so she can recover from a recent trauma. Josephine welcomes the opportunity, but her hopes of experiencing a period of rest are dashed when her arrival coincides with the mysterious death of a young man in the village. Soon, more people are going missing or turning up dead, and Josphine and Archie begin to suspect the involvement a cold-blooded murderer. As Josephine and Archie try to unravel the mystery, they begin to see death as an angel with two faces - one gazing at the violence in the present, the other looking back to the crimes hidden in the past.