An Illustrated History Of Late Medieval England

The late Middle Ages (c.1200-1500) was an age of transition. The major events of this period - the Black Death, the Hundred Years War, the rise of Parliament, the depositions of five English kings between 1327 and 1483 - are examined in detail in this book.

A comprehensive introduction to medieval England surveying the years from the departure of the Roman legions to the Battle of Bosworth.

A brisk narrative of battles and plagues, monastic orders, heroic women, and knights-errant, barbaric tortures and tender romance, intrigue, scandals, and conquest, The Middle Ages: An Illustrated History mixes a spirited and entertaining writing style with exquisite, thorough scholarship. Barbara A. Hanawalt, a renowned medievalist, launches her story with the often violent amalgamation of Roman, Christian, and Germanic cultures following the destruction and pillaging of the crown jewel of the Roman Empirethe great city of Rome. The story moves on to the redrawn map of Europe, in which power players like Byzantium and the newly-established Frankish kingdom begin a precarious existence in a "sea of tribes" (in the words of a contemporary). Savage peoplesthe bloodthirsty Germans, the wild Visigoths and Ostrogoths, the fierce Anglo-Saxons, and the Slavs to the Eastas well as the sophisticated and ever-expanding Arabs threaten each others borders, invade cities and have their own cities sacked, fight victorious battles and get conquered in turn. Hanawalt charts the spread of Christianity in Europe, maps out the trail of misery and mayhem the Crusades left in their wake, explains feudalism and Church reform, familiarizes us with the astrolabe and the masterpieces of Romanesque and Gothic architecture, tracks the progress of the Hundred Years' War, and brings great historical figures--such as Charlemagne, King Henry II, Joan of Arc, Dante, and Justinian--to life. Spanning the millennium between the fifth and the fifteenth centuries, The Middle Ages: An Illustrated History captures the major historical and political events in great depth and clarity, but never loses sight of the plain and often-overlooked facts of lifelife as lived by peasants and townsfolk, kings and monks, men and women. Hanawalt offers fascinating tidbits on diverse facets of medieval society, from herbal medical cures to table etiquette and drinking habits, from tabloid-worthy court scandals to a unique listing of the rules of a monastic order. She examines rare textsfrom illuminated manuscripts to Carolingian minusculeand takes us inside the awe-inspiring Hagia Sofia in Constantinople. Barbara Hanawalt makes use of eclectic source material, including inscriptions, chronicles, artifacts, and literature, from the Koran to the Scriptures, and from Omar Khayam to the Goliardic poems. Fascinating stories--like that of the discovery of the burial site of an Anglo-Saxon chieftain which contained, among other treasures, an entire 86-foot long shipare interspersed among the chronicles of great historical upheavals. The author takes a sweeping approach to the subject, building a comprehensive, animated portrait of every aspect of life in that period by including material on women's place in medieval society, agriculture, art and literature, religion and superstitions, philosophy, and weaponry. Lavishly illustrated with art, photographs, documents, artifacts, and maps, The Middle Ages also includes a glossary, index, chronology, and suggestions for further reading. A collection of lavishly illustrated single-volume histories, Oxford Illustrated Histories present well-documented chronologies on topics like Britain, theater, Greece, opera, English literature, modern Europe, and more. Each history includes color and black and white illustrations, as well as photographs, and is compiled by a taskforce of leading scholars in its respective field of interest. These titles are ideal for any casual reader and also, because of the scholarship, serve as companions to any budding researcher's reference collection.

This is the second volume of one of the finest general introductions to the medieval world of recent times, first published in French by Armand Colin. Volume II begins at the turn of the millennium and covers the extraordinary rebirth of Europe, in terms of demographic expansion, agrarian settlement and organisation, the establishment of towns and villages, the ascendancy of the feudal system, the appearance of formal states and kingdoms, and the dramatic controlling ascendancy of the western Church. In the east, despite the external appearance of grandeur, the Islamic countries were being torn apart by mutual rivalry, while the Byzantime empire lost massive border territories through political and economic incompetence. Full coverage is given to both east and west, and their artistic heritage is displayed lavishly in many of the colour plates. A comprehensive bibliography is also included.

'The individual chapters are scholarly and up to the minute, without loss of accessibility or pace. The illustrations are many, apposite and refreshingly unhackneyed.' -Times Literary Supplement

Just as twenty-first-century technologies like blogs and wikis have transformed the once private act of reading into a public enterprise, devotional reading experiences in the Middle Ages were dependent upon an oscillation between the solitary and the communal. In Reading in the Wilderness, Jessica Brantley uses tools from both literary criticism and art history to illuminate Additional MS 37049, an illustrated Carthusian miscellany housed in the British Library. This revealing artifact, Brantley argues, closes the gap between group spectatorship and private study in late medieval England. Drawing on the work of W. J. T. Mitchell, Michael Camille, and others working at the image-text crossroads, Reading in the Wilderness addresses the manuscript’s texts and illustrations to examine connections between reading and performance within the solitary monk’s cell and also outside. Brantley reimagines the medieval codex as a site where the meanings of images and words are performed, both publicly and privately, in the act of reading.

From a social context and using contemporary sources, this text explains how the medical profession (physicians, surgeons and apothecaries) developed and functioned in late medieval England. Against a backdrop of high morality, widespread disease and persistent problems of public health, it considers what alternatives were available to the patient, from society doctors to wise women, quacks and hospitals for the sick poor. Medical theories and practices of the time are investigated, along with the often satirical and sometimes hostile attitudes of the man on the street.