An Introduction To Music And Art In The Western World

An Introduction to Music and Art in the Western World, 10th edition, is a clear and attractive guide to the great artists and composers of the West and the societies in which they lived and worked.

An Introduction to Music and Art in the Western World, 10th edition, is a clear and attractive guide to the great artists and composers of the West and the societies in which they lived and worked.

With fresh insight into what the great works meant when they were created and why they appeal to us now, here is a vivid tour of painting, sculpture, and architecture, past and present. "Illuminating . . . a notable accomplishment".--The New York Times. Illustrated.

Take students in grades 5 and up on a field trip without leaving the classroom using Great Artists and Musicians! In this 80-page book, students explore artistic and musical movements and personalities through fun activities and worksheets. The book covers topics such as medieval art and music, da Vinci, Bach, Mozart, the Romantic period, Brahms, Courbet, impressionism, and Picasso. The book presents and reinforces information through captivating reading passages and a variety of reproducible activities. It also includes a time line, biographical sketches, and a complete answer key.

We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music.