An Oasis Of Horror

Does Bolaño's masterpiece hint at his own life, or is the author himself a literary invention? Literary Nonfiction. After Devouring 2666 by Roberto Bola�o on the New York City subway, Jonathan Russell Clark does what any good literary critic would do�he reads everything by Bola�o he can get his hands on. But the more he learns about the writer's unlikely life, the less it makes sense. Bola�o cultivated ambiguities and false identities, almost as if he were laying a trap for his future biographers. Clark's investigation into Bola�o's magnum opus is a stumble through a labyrinth where fiction and self-mythologizing converge. This book is part of a new series from Fiction Advocate called Afterwords. "A Sontag-worthy encapsulation of another writer."--Christopher Wood, The Quarterly Conversation "If you have read 2666 and loved it, like most people who've read 2666, then AN OASIS OF HORROR IN A DESERT OF BOREDOM is something of a must-read."--D. F. Lovett

Long after he was dead, French poet Charles Baudelaire inspired a Decadent Movement in France, which became definitive of fin de siecle sensibility. One of the historical and influential links between Baudelaire and the new Decadents was the Comte de Villiers de l'Isle Adam, who called the first of his own collections of Decadent prose Contes cruels, because they spurned conventional means of attaining literary closure by celebrating 'the irony of fate' -- the capacity that the course of events has for thwarting human ambition in a frankly mocking fashion. "Because it became so firmly linked to the notion of the fin de siecle, the Decadent Movement did not survive the end of the nineteenth century in France and Decadent literature became increasingly unfashionable thereafter -- but it was, by definition, a literary species guaranteed to thrive on its own unfashionability. The stories collected here have been woefully unappreciated, even when they have succeeded in reaching print -- as some have not until now -- but I have never been tempted to abandon the production of such items, and am far fonder of them than I am of many works that proved more economically viable." -- from the author's Introduction. The tales in this collection include: "An Oasis of Horror," "Justice," "The Copper Cauldron," "Nobody Else to Blame," "Heartbeat," "Upon the Gallows-Tree," "The Devil's Men," "The Elixir of Youth," "The Lamia's Soliloquy," "And the Hunter Home from the Hill," "The Riddle of the Sphinx," "My Mother, the Hag," "The Devil's Comedy," and "The Power of Prayer." Never before collected into book form.

A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW) Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.

In this young adult thriller for fans of Lost and The Twilight Zone, a group of teens are saved when they come across a mysterious oasis. But who will save them from the oasis? Alif had exciting summer plans: working on her father’s archeological dig site in the desert with four close friends ... and a very cute research assistant. Then the sandstorm hit. Their camp wiped away, Alif and the others find themselves lost on the sands, seemingly doomed ... until they find the oasis. It has everything they need: food, water, and shade—and mysterious ruins that hide a deadly secret. As reality begins to shift around them, they question what’s real and what’s a mirage. The answers turn Alif and her friends against each other, and they begin to wonder if they’ve truly been saved. And while it was easy to walk into the oasis, it may be impossible to leave ... An Imprint Book “Will stick to readers’ skin long after the final page is turned.” —Booklist (starred review) “de Becerra successfully builds a fraught tension throughout the book that mirrors the characters’ feelings as reality leaves them behind . . . well worth the payoff.” —The Bulletin

Ecofictions, Ecorealities and Slow Violence in Latin America and the Latinx World brings together critical studies of Latin American and Latinx writing, film, visual, and performing arts to offer new perspectives on ecological violence. Building on Rob Nixon’s concept of "slow violence," the contributions to the volume explore processes of environmental destruction that are not immediately visible yet expand in time and space and transcend the limits of our experience. Authors consider these forms of destruction in relation to new material contexts of artistic creation, practices of activism, and cultural production in Latin American and Latinx worlds. Their critical contributions investigate how writers, cultural activists, filmmakers, and visual and performance artists across the region conceptualize, visualize, and document this invisible but far-reaching realm of violence that so tenaciously resists representation. The volume highlights the dense web of material relations in which all is enmeshed, and calls attention to a notion of agency that transcends the anthropocentric, engaging a cognition envisioned as embodied, collective, and relational. Ecofictions, Ecorealities and Slow Violence measures the breadth of creative imaginings and critical strategies from Latin America and Latinx contexts to enrich contemporary ecocritical studies in an era of heightened environmental vulnerability.

The final volume of Singer's trilogy discusses ideas about love in the work of writers ranging from Kierkegaard, Nietzsche, and Tolstoy to Freud, Proust, D. H. Lawrence, Shaw, and others in the contemporary world. Irving Singer's trilogy The Nature of Love has been called "majestic" (New York Times Book Review), "monumental" (Boston Globe), "one of the major works of philosophy in our century" (Nous), "wise and magisterial" (Times Literary Supplement), and a "masterpiece of critical thinking [that] is a timely, eloquent, and scrupulous account of what, after all, still makes the world go round" (Christian Science Monitor). In the third volume, Singer examines the pervasive dialectic between optimistic idealism and pessimistic realism in modern thinking about the nature of love. He begins by discussing "anti-Romantic Romantics" (focusing on Kierkegaard, Nietzsche, and Tolstoy), influential nineteenth-century thinkers whose views illustrate much of the ambiguity and self-contradiction that permeate thinking about love in the last hundred years. He offers detailed studies of Freud, Proust, Shaw, D. H. Lawrence, and Santayana, and he maps the ideas about love in Continental existentialism, particularly those of Sartre and de Beauvoir. Singer finally envisages a future of cooperation between pluralistic humanists and empirical scientists. This last volume of Singer's trilogy does not pretend to offer the final word on the subject, any more than do most of the philosophers he discusses, but his masterful work can take its place beside their earlier investigations into these vast and complex questions.

A breakout bestseller in France and the U.K. and a transformative guide to growing older with confidence, courage, and even optimism How should we accept aging? It’s inevitable, and yet in Western society the very subject of growing older is shrouded in anxiety and shame. Aging brings us face to face with our sacred and our mundane, our imperfections and our failures. Here internationally renowned clinical psychologist and bestselling French author Marie de Hennezel shows us how to see the later stages of life through a prism that celebrates our accomplishments and gives us fulfillment in our present. Combining personal anecdotes with psychological theory, philosophy, and eye-opening scientific research from around the world, this thought-provoking and refreshing book provides a brave and uplifting meditation on our later years as they should be lived.