An Old Woman S Reflections

Known affectionately as "the Queen of Gaelic Storytellers," Peig Sayers here offers reminiscences of the daily events that made up her life (such as seal catching, collecting turf for roofs, preparing for a funeral wake) alongside the tragedies of drownings at sea, pilgrimages, and the news of the 1916 revolution in Dublin City. It is a unique record of an essential part of the oral Gaelic tradition.

For several years Harriet Walter has been collecting images of older women whose faces and lives have inspired and moved her. Some of these faces are well-known, some are facing the glasre of public scrutiny for the first time".

Records the academic paths of ground-breaking women psychologists in their own words: their triumphs, decisions, obstacles, and legacies.

Peig Sayers was ‘the Queen, of Gaelic story-tellers’. She was born in the parish of Dunquin in Kerry and married into a neighbouring island, the Great Blasket, where she spent most of her life. Students and scholars of the Irish language came from far and wide to visit her. She was, as Robin Flower wrote in The Western Island, ‘a natural orator, with so keen a sense of the turn of phrase and the lifting rhythm appropriate to Irish that her words could be written down as they leave her lips, and they would have the effect of literature with no savour of the artificiality of composition’. Her Reflections are a collection of her fireside stories, most of them tales of her friends and neighbours on the Great Blasket, the island that also produced Maurice O’Sullivan’s Twenty Tears A-Growing and Tόmas ό Crohan’s The Islandman.

Convery's reflections on mythic themes in images and text. His paintings, which cover a 25-year period, represent a combination of these themes with personal experience. Many of the paintings "draw references from specific, well-known stories", but are intended to express "meaning related to contemporary life, rather than storytelling."--The Introduction, p. 4.

In the 1820s, several years before Braille was invented, Therese-Adele Husson, a young blind woman from provincial France, wrote an audacious manifesto about her life, French society, and her hopes for the future. Through extensive research and scholarly detective work, authors Catherine Kudlick and Zina Weygand have rescued this intriguing woman and the remarkable story of her life and tragic death from obscurity, giving readers a rare look into a world recorded by an unlikely historical figure. Reflections is one of the earliest recorded manifestations of group solidarity among people with the same disability, advocating self-sufficiency and independence on the part of blind people, encouraging education for all blind children, and exploring gender roles for both men and women. Resolutely defying the sense of "otherness" which pervades discourse about the disabled, Husson instead convinces us that that blindness offers a fresh and important perspective on both history and ourselves. In rescuing this important historical account and recreating the life of an obscure but potent figure, Weygand and Kudlick have awakened a perspective that transcends time and which, ultimately, remaps our inherent ideas of physical sensibility