Ana Isabel A Respectable Girl

This is the first English translation of one of the key works of 20th-century Venezuelan fiction. Published in 1949, Ana Isabel: A Respectable Girl by Antonia Palacios is a classic coming-of-age story set in Caracas in the 1920s, exploring issues of race, class, and gender and exposing the colonial and patriarchal legacy of the country in the era before urban development and the dependence on an oil economy. A modern Latin American classic and the Venezuelan counterpart of Sandra Cisneros’ The House on Mango Street(1984), Ana Isabel: A Respectable Girl broke with the symbolic realist genre in vogue in Latin American narrative works and inaugurated a new form of expression with poetic overtones.

A Stanford University Press classic.

The contemporary popular cultural space has leveraged the queer in the same format of representation as its presentation in the 1990s. Although the queer is portrayed in a less perverse light than a decade ago, popular cultural representations of the queer in the visual culture genres are still on the level of the banal. While popular culture has become more encouraging towards the queer, the broader cultural opinion about the queer has been progressively more skeptical, compromised by the idea that the queer is encroaching on spaces reserved exclusively for heteronormative recreation. The essays in this volume look closely at how the queer is portrayed across media and throughout the world.

The present monograph looks closely at and identifies a new subgenre, histopias. A (late) postmodernist phenomenon, histopias are fictional retellings of the history of the world. They often use utopian/dystopian scenarios, which are necessary as “world-historical effect”: the end and/or rebirth of the world offer the possibility of narrating the fate of all mankind. Whether novelists or playwrights, histopian authors use a structural pattern that mirrors the way in which the world tells itself: both continuous and discontinuous, in turn linear, cyclical, or radial.

The experience of watching films – entertaining, moving, instructive, frightening or exciting as they may be – can be enriched by the opportunity to reflect upon them from unconventional perspectives.Psychoanalytic Reflections on Film: Moving Images offers its readers in an accessible language one such viewpoint, informed by Andrea Sabbadini's psychoanalytic insights and therapeutic experience. Using a psychoanalytic interpretative approach, some twenty-five important feature films are discussed as the artistic vehicles of new, unsuspected meanings. The first chapter looks at films which represent psychoanalytic work itself, having therapists and their patients as their main characters. The remaining five chapters cover movies on themes of central concern to analytic theorists and clinicians, such as childhood and adolescent development, and varieties of intimate relationships among adults. The latter include romantic love and its disturbing association to death fantasies; eroticism and prostitution; and voyeuristic desire – a significant phenomenon in this context given its parallels with the activity of watching films. Andrea Sabbadini's psychoanalytic approach, which explores the part played by unconscious factors in shaping the personality and behaviour of film characters, is used to interpret their internal world and the emotional conflicts engendered by the vicissitudes they live through. The book is completed by a filmography and biographical notes on film directors. Psychoanalytic Reflections on Film presents the relationship between cinema and psychoanalysis as a complex one. These two most different of cultural phenomena are shown to share a wish on the part of their practitioners to uncover profound truths about the human condition, and to provide a language with which to describe them. Going beyond futile ‘psycho-historical’ attempts to analyse filmmakers through their products, or a superficial application of psychoanalytic concepts to film, Sabbadini shows how both cinema and psychoanalysis can benefit from a meaningful interdisciplinary dialogue between them. The book will be of special interest to practicing psychoanalysts and students, scholars and historians of film studies.

Gabi’s a girl in pieces. She wants a lot of things. Will she find the thing she needs most?

How is sexuality studied methodologically? How are we innovating, methodologically, in the study of sexuality? What impact, if any, has the increase in mixed methodologies had on the study of sexuality? Sexualities Research brings together original contributions by emerging and world-leading scholars of sexuality. Through this volume the authors seek to address how theoretical and methodological choices enable wider dissemination and social impact of sexualities research. Indeed, covering a diverse range of theoretical perspectives and methodologies to provide important new insights into human sexuality, the chapters cover an array of topics from the experience of researching sexuality, to using theories in new and innovative ways. With an international scope, Sexualities Research also builds on the re-emergence of the European Sociological Association Sexuality Research Network and asks important questions about the study of sexuality in contemporary societies against the background of political upheaval and economic troubles. Certainly, this collection shows the importance and vitality of sociological understandings of human sexuality in the twenty-first century. An enlightening volume consisting of a variety of case studies and theoretical research, Sexualities Research will appeal to undergraduate and postgraduate students, as well as postdoctoral researchers who are interested in fields such as Sociology, LGBT/Queer Studies and Gender Studies.