Analysis Of The Poetic Text

The book presents methods for the objective analysis of poetic language. Common objects of literary studies such as rhythm, semantic explications, interpretation and personal impressions are avoided. Only those properties of poetic texts are taken into account that could be quantified. For all methods both statistical tests, theoretical derivations, and examples are presented.

The book presents methods for the objective analysis of poetic language. Common objects of literary studies such as rhythm, semantic explications, interpretation and personal impressions are avoided. Only those properties of poetic texts are taken into account that could be quantified. The major chapters contain the analysis of phonic phenomena (frequency, euphony, assonance, alliteration, aggregation, rhyme), word properties (aspects of frequency, length, richness, word classes, sequences of word properties, characterisations). The synergetic control cycle is the result of the study of mutual links between properties. For all methods both statistical tests (evaluation, comparison), theoretical derivations (models), and examples are presented. The book is dedicated to the work of the famous Romanian poet Mihai Eminescu whose complete work was analysed, which made detailed illustrations of the method possible. The methods can be used mutatis mutandis for any language and text. It is the first comprehensive quantitative analysis of a poetic work.

Language and World Creation in Poems and Other Texts introduces an interdisciplinary and practical approach to the analysis of poetry which focuses on text worlds, namely the contexts, scenarios or types of reality that readers construct in their interaction with the language of texts. The book demonstrates in detail three ways of approaching poetic text worlds, namely as discourse situations, possible worlds, and mental constructs. Clear and detailed introductions to linguistic theories of definiteness and deixis, possible world theory and schema theory are included, making the book accessible to readers who are unfamiliar with these frameworks.

This study offers a fresh approach to the theory and practice of poetry criticism from a narratological perspective. Arguing that lyric poems share basic constituents of narration with prose fiction, namely temporal sequentiality of events and verbal mediation, the authors propose the transgeneric application of narratology to the poetic genre with the aim of utilizing the sophisticated framework of narratological categories for a more precise and complex modeling of the poetic text. On this basis, the study provides a new impetus to the neglected field of poetic theory as well as to methodology. The practical value of such an approach is then demonstrated by detailed model analyses of canonical English poems from all major periods between the 16th and the 20th centuries. The comparative discussion of these analyses draws general conclusions about the specifics of narrative structures in lyric poetry in contrast to prose fiction.