Anatomy Of A Lynching

"A sensitive and forthright analysis of one of the most gruesome episodes in Florida history... McGovern has produced a richly detailed case study that should enhance our general understanding of mob violence and vigilantism." -- Florida Historical Quarterly "[McGovern] has succeeded in writing more than a narrative account of this bloodcurdling story; he has explored its causes and ramifications." -- American Historical Review "A finely crafted historical case study of one lynching, its antecedents, and its aftermath." -- Contemporary Sociology First published in 1982, James R. McGovern's Anatomy of a Lynching unflinchingly reconstructs the grim events surrounding the death of Claude Neal, one of the estimated three thousand blacks who died at the hands of southern lynch mobs in the six decades between the 1880s and the outbreak of World War II. Neal was accused of the brutal rape and murder of Lola Cannidy, a young white woman he had known since childhood. On October 26, 1934, a well-organized mob took Neal from his jail cell. The following night, the mob tortured Neal and hanged him to the point of strangulation, repeating the process until the victim died. A large crowd of men, women, and children who gathered to witness, celebrate, and assist in the lynching further mutilated Neal's body. Finally, the battered corpse was put on display, suspended as a warning from a tree in front of the Jackson County, Florida, courthouse. Based on extensive research as well as on interviews with both blacks and whites who remember Neal's death, Anatomy of a Lynching sketches the social background of Jackson County, Florida -- deeply religious, crushed by the Depression, accustomed to violence, and proud of its role in the Civil War -- and examines which elements in the county's makeup contributed to the mob violence. McGovern offers a powerful dissection of an extraordinarily violent incident.

This biographical recollection goes behind the scenes of a very public copyright and civil rights lawsuit that took place in New York between the author and Con Edison. The ensuing litigation details and media accounts shared within the pages act as a motivational guide to people going through a similar corporate crisis. From Ford's experiences, readers can extract something which will help them persevere and reinforce their desire to fight back and stand their ground when they feel exploited.

On January 20, 1942, black oil mill worker Cleo Wright assaulted a white woman in her home and nearly killed the first police officer who tried to arrest him. An angry mob then hauled Wright out of jail and dragged him through the streets of Sikeston, Missouri, before burning him alive. Wright's death was, unfortunately, not unique in American history, but what his death meant in the larger context of life in the United States in the twentieth-century is an important and compelling story. After the lynching, the U.S. Justice Department was forced to become involved in civil rights concerns for the first time, provoking a national reaction to violence on the home front at a time when the country was battling for democracy in Europe. Dominic Capeci unravels the tragic story of Wright's life on several stages, showing how these acts of violence were indicative not only of racial tension but the clash of the traditional and the modern brought about by the war. Capeci draws from a wide range of archival sources and personal interviews with the participants and spectators to draw vivid portraits of Wright, his victims, law-enforcement officials, and members of the lynch mob. He places Wright in the larger context of southern racial violence and shows the significance of his death in local, state, and national history during the most important crisis of the twentieth-century.

Reconstructs the case of Mack Charles Parker, a young African-American man who was lynched by a white mob in 1959 after being charged with the rape of a white woman in Poplarville, Mississippi

Here is the full, shocking story of the lynching that exposed the true brutality of the nation's tradition of racism to a confident prosperous post-World War II America and helped ignite the 1960s civil rights movement.

In this brilliantly combative study, Robyn Wiegman challenges contemporary clichés about race and gender, a formulation that is itself a cliché in need of questioning. As part of what she calls her "feminist disloyalty," she turns a critical, even skeptical, eye on current debates about multiculturalism and "difference" while simultaneously exposing the many ways in which white racial supremacy has been reconfigured since the institutional demise of segregation. Most of all, she examines the hypocrisy and contradictoriness of over a century of narratives that posit Anglo-Americans as heroic agents of racism's decline. Whether assessing Uncle Tom's Cabin, lynching, Leslie Fiedler's racialist mapping of the American novel, the Black Power movement of the 60s, 80s buddy films, or the novels of Richard Wright and Toni Morrison, Wiegman unflinchingly confronts the paradoxes of both racism and antiracist agendas, including those advanced from a feminist perspective. American Anatomies takes the long view: What epistemological frameworks allowed the West, from the Renaissance forward, to schematize racial and gender differences and to create social hierarchies based on these differences? How have those epistemological regimes changed--and not changed--over time? Where are we now? With painstaking care, political passion, and intellectual daring, Wiegman analyzes the biological and cultural bases of racial and gender bias in order to reinvigorate the discussion of identity politics. She concludes that, for very different reasons, identity proves to be dangerous to minority and majority alike.

Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.

In the tradition of Melissa Faye Greene and her award-winning Praying for Sheetrock, extraordinarily talented debut author Laura Wexler tells the story of the Moore's Ford Lynching in Walton County, Georgia in 1946—the last mass lynching in America, fully explored here for the first time. July 25, 1946. In Walton County, Georgia, a mob of white men commit one of the most heinous racial crimes in America's history: the shotgun murder of four black sharecroppers—two men and two women—at Moore's Ford Bridge. Fire in a Canebrake, the term locals used to describe the sound of the fatal gunshots, is the story of our nation's last mass lynching on record. More than a half century later, the lynchers' identities still remain unknown. Drawing from interviews, archival sources, and uncensored FBI reports, acclaimed journalist and author Laura Wexler takes readers deep into the heart of Walton County, bringing to life the characters who inhabited that infamous landscape—from sheriffs to white supremacists to the victims themselves—including a white man who claims to have been a secret witness to the crime. By turns a powerful historical document, a murder mystery, and a cautionary tale, Fire in a Canebrake ignites a powerful contemplation on race, humanity, history, and the epic struggle for truth.