And Red Is The Colour Of Our Flag

This text is a translation of Und unsere Fahn'ist rot.

The definitive guide to Canada's flag for young readers, Our Flag explores fun facts about the national banner and its provincial ones, as well as flags from around the world and throughout history. From the story behind the iconic maple leaf design to step-by-step instructions on making your own flag, this is a must-read for Canadian children.

Sixty million people died in the Second World War, and still they tell us it was the Peoples War. The official history of the Second World War is Victors History. This is the history of the Second World War without the patriotic whitewash. The Second World War was not fought to stop fascism, or to liberate Europe. It was a war between imperialist powers to decide which among them would rule over the world, a division of the spoils of empire, and an iron cage for working people, enslaved to the war production drive. The unpatriotic history of the Second World War explains why the Great Powers fought most of their war not in their own countries, but in colonies in North Africa, in the Far East and in Germanys hoped-for Empire in the East. Find out how wildcat strikes, partisans in Europe and Asia, and soldiers mutinies came close to ending the war. And find out how the Allies invaded Europe and the Far East to save capitalism from being overthrown. James Heartfield challenges the received wisdom of the Second World War. ,

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

Introduces the history of the American flag, national anthem, and pledge of allegiance, as well as, flag-tying etiquette.

A visually striking intercultural exploration of the use of mobile phones in Aboriginal communities in Australia. Yuta is the Yolngu word for new. Phone & Spear: A Yuta Anthropology is a project inspired by the gloriously cheeky and deeply meaningful audiovisual media made with and circulated by mobile phones by an extended Aboriginal family in northern Australia. Building on a ten-year collaboration by the community-based arts collective Miyarrka Media, the project is an experiment in the anthropology of co-creation. It is a multivoiced portrait of an Indigenous society using mobile phones inventively to affirm connections to kin and country amid the difficult and often devastating circumstances of contemporary remote Aboriginal life. But this is not simply a book about Aboriginal art, mobile phones, and social renewal. If old anthropology understood its task as revealing one world to another, yuta anthropology is concerned with bringing different worlds into relationship. Following Yolngu social aesthetics—or what Miyarrka Media translate as “the law of feeling”—the book is a relational technology in its own right: an object that combines color, pattern, and story to bring once distant worlds into new sensuously mediated connections.