Anderson Anderson Architecture And Construction

Brothers Mark and Peter Anderson have been building things together since their boyhood days in Tacoma, Washington. Their work as architects, carpenters, builders, and general contractors encompasses the design and construction of residential, commercial, and public art projects. Anderson Anderson is noted for its highly customized work and its prefabricated systems for large-scale production. Informed by their experiences as carpenters and influenced by place and landscape—mud, clouds, and rain, in the case of the Pacific Northwest—the work of Mark and Peter Anderson highlights experimentation and adventure. Anderson Anderson: Architecture and Construction delves into the process of construction as a source of creative imagination and discovery—from the hands-on material process of making things, to the lessons learned from large-scale projects, to the development of new construction technologies. This book explores the simple beauty of their finished products as much as the process of getting there—the unglossed stories of young architects working, learning, traveling, and having fun. The book features over 25 projects in the Pacific Northwest, Hawaii, Alaska, Texas, and Japan.

Since its founding in 1977, Cutler Anderson Architects has evolved to understand that the ultimate objective of any architectural design is to reveal what is true about all of the circumstances of a project. From place to program, from materials to shape, all components need to be understood and designed into a harmonious whole that reveals each component's nature. This genuinely rigorous task has been both the focus and the intellectual stimulant of our practice and, it is hoped, will continue to be our passion in the future. This single-minded attitude has led to successful and award winning projects on three continents. The firm's staff of fourteen is currently engaged in both residential and commercial projects throughout ten states, plus Poland and the Czech Republic. Our ultimate goal on every project is to produce projects that are not only beautiful but also emotionally enlightening.

Focusing primarily on Rome and other cities of central Italy, James C. Anderson, jr., describes the training, career path, and social status of both architects and builders. He explains how the construction industry was organized -- from marble and timber suppliers to bricklayers and carpenters. He examines the political, legal, and economic factors that determined what would be built, and where. And he shows how the various types of public and private Roman buildings relate to the urban space as a whole. Drawing on ancient literary sources as well as on contemporary scholarship, Roman Architecture and Society examines the origins of the architectural achievements, construction techniques, and discoveries that have had an incalculable influence on the postclassical Western world. This detailed and concise account will appeal not only to students and scholars of Roman history, but to all with an interest in ancient architecture and urban society.

The Architecture of Stanley D. Anderson, with James Ticknor and William Bergmann By: Paul Bergmann Stanley D. Anderson's standard of architecture has sustained the test of time. His designs for residences, commercial buildings, schools, and Gentlemen's Farms are still praised today for his attention to detail, solid design work, and high-quality standards. This picture book illustrates through historic photos and drawings from the firm's archive the classical styles that the firm members drew upon over many decades of work. Through his signature Country Georgian style, Anderson and his associates transformed Lake Forest. Designed for local history buffs, amateur and professional architects, and the simply curious, this book provides biographies and interior perspectives on the production of Anderson and his associates, William Bergmann and James Ticknor, and their distinctive interpretation of a transformative architectural style.

Fascinated by change, architectural historians of the modernist generation generally filled their studies with accounts of new developments and innovations. In her book, Sally A. Kitt Chappell focuses instead on the subtler but more pervasive change that took place in the mainstream of American architecture in the period. Graham, Anderson, Probst and White, one of the leading American firms of the turn of the century, transformed traditional canons and made creative adaptations of standard forms to solve some of the largest architectural problems of their times—in railroad stations, civic monuments, banks, offices, and department stores. Chappell's study shows how this firm exemplified the changing urban hierarchy of the American city in the early twentieth century. Their work emerges here as both an index and a reflection of the changing urban values of the twentieth century. Interpreting buildings as cultural artifacts as well as architectural monuments, Chappell illuminates broader aspects of American history, such as the role of public-private collaboration in city making, the image of women reflected in the specially created feminine world of the department store, the emergence of the idea of an urban group in the heyday of soaringly individual skyscrapers, and the new importance of electricity in the social order. It is Chappell's contention that what people cherish and preserve says more about them than what they discard in favor of the new. Working from this premise, she considers the values conserved by architects under the pressures of ever changing demands. Her work enlarges the scope of inquiry to include ordinary buildings as well as major monuments, thus offering a view of American architecture of the period at once more intimate and more substantial than any seen until now. Richly illustrated with photographs and plans, this volume also includes handsome details of such first-rate works as the Thirtieth Street Station in Philadelphia, the Cleveland Terminal Group, and the Wrigley Building in Chicago.

Extraordinary projects from one of the world's best architecture firms The work of James Cutler, FAIA, and Bruce Anderson, AIA, of Cutler Anderson Architects is internationally renowned for its environmental awareness and meticulous attention to detail. Each project begins with an investigation of place and materials and culminates in a finely crafted building that fits seamlessly into the landscape. This is an entirely modern architecture, which, through multilayered transitions between inside and out and an ecologically conscious choice of materials, orchestrates a heightened connection between people and nature. The Best of Cutler Anderson Architectspresents the firm's outstanding designs from two previous Rockport volumes, James Cutler (from the Contemporary World Architects series) and Cutler Anderson Architects, as well as new and equally compelling projects from around the world that expand the firm's vocabulary. Also included in this book are examples of Cutler Anderson Architects' progression into the design of furniture and hardware, which complement and complete their superior design work. Cutler Anderson Architects has received six National Honor Awards from the American Institute of Architects and over forty other national and regional awards. The firm's work has been published in books and magazines around the globe.

- Go behind the sciences of one of the world's most prestigious architectural firms for an insider's view of projects that span the globe- Perfect for the architect and lover of great architectural design- Beautifully designed with dozens of inspirational color photographs

This book offers a comprehensive account of Russia’s architectural production from the late nineteenth century to the present, explaining how its architecture was both shaped by and came to embody Russia’s rapid cultural, economic, and social revolutions over the past century. Richard Anderson looks at Russia’s complex relationship to global architectural culture, exploring the country’s central presence in the Rationalism and Constructivism movements of the 1920s, as well as its role as a key protagonist during the Cold War. Looking deeply at Soviet Russia, he brings the relationship between architecture and socialism into focus through detailed case studies that situate buildings and architectural concepts within the socialist milieu of Soviet society. He tracks the way Russian architectural institutions departed from the course of modernism being developed in capitalist countries, and he reappraises the architecture of the Stalin era and the final decades of the USSR. Finally, he traces the influence of Soviet conventions on contemporary Russian architecture—which is now a more heterogeneous mix of approaches and styles— and how it made a lasting and little-known impact on territories extending from the Middle East, to Central Asia, and into China. A bold new assessment of Russia’s architectural legacy and contemporary contributions, this book is a fascinating exploration of a tumultuous place—and the creativity that has come from it.