Angels Demons And Savages

Published on the occasion of the exhibition Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet, co-organized by The Phillips Collection and the Parrish Art Museum.

Book two in The Earth Angels Feel nothing. Sara Savitch's personal mantra has been hard to live by ever since her torrid one-night stand with army doctor Gideon Mandeville. Descended from the Seraphim, angels known as heaven's soldiers, Sara may be an expert fighter, but she's an amateur when it comes to relationships. Physically unharmed, but still battle-scarred, Gideon has returned to Dallas in the hopes of regaining his faith in humanity—and in himself. Instead he's walked into a nightmare. His father is on a serial killer's hit list, and has hired a personal bodyguard—the very woman who has haunted Gideon's dreams for a year. As Sara works to build an impenetrable fortress around her client, she yearns to tear down the one around Gideon's heart. With his bitter rejection of warriors, will he ever be able to accept her true nature? Sara must find a way to trust Gideon with her secret as the killer closes in… Find out how it all began in Nobody's Angel, available now! 55,000 words

Fae. Vampires. Mages. Demons. A Federal Paranormal Unit. Savagery and Skills will hook you! The final book in the Savagery and Skills series! Seneca Savage is so much more than a bad ass with skills. But learning of her heritage has put her on a path bound for hell. Draven’s a vampire, the son of a former leader of a coven, he spent years in the torture dungeons of another vampire. Now, he’s out for revenge. And he’s fallen in love with the only fae vampire hybrid, a tortured soul who wavers between falling into the abyss of evil and landing on the side of good. Warning: Unputdownable action-packed fantasy, with fae, vampires, mages, demons, and a Federal Paranormal Unit

The untold story of Hitler’s war on “degenerate” artists and the mentally ill that served as a model for the “Final Solution.” “A penetrating chronicle . . . deftly links art history, psychiatry, and Hitler’s ideology to devastating effect.”—The Wall Street Journal As a veteran of the First World War, and an expert in art history and medicine, Hans Prinzhorn was uniquely placed to explore the connection between art and madness. The work he collected—ranging from expressive paintings to life-size rag dolls and fragile sculptures made from chewed bread—contained a raw, emotional power, and the book he published about the material inspired a new generation of modern artists, Max Ernst, André Breton, and Salvador Dalí among them. By the mid-1930s, however, Prinzhorn’s collection had begun to attract the attention of a far more sinister group. Modernism was in full swing when Adolf Hitler arrived in Vienna in 1907, hoping to forge a career as a painter. Rejected from art school, this troubled young man became convinced that modern art was degrading the Aryan soul, and once he had risen to power he ordered that modern works be seized and publicly shamed in “degenerate art” exhibitions, which became wildly popular. But this culture war was a mere curtain-raiser for Hitler’s next campaign, against allegedly “degenerate” humans, and Prinzhorn’s artist-patients were caught up in both. By 1941, the Nazis had murdered 70,000 psychiatric patients in killing centers that would serve as prototypes for the death camps of the Final Solution. Dozens of Prinzhorn artists were among the victims. The Gallery of Miracles and Madness is a spellbinding, emotionally resonant tale of this complex and troubling history that uncovers Hitler’s wars on modern art and the mentally ill and how they paved the way for the Holocaust. Charlie English tells an eerie story of genius, madness, and dehumanization that offers readers a fresh perspective on the brutal ideology of the Nazi regime.

The murder of a world-famous physicist raises fears that the Illuminati are operating again after centuries of silence, and religion professor Robert Langdon is called in to assist with the case.

Angels, demons, and the devil have fascinated humankind from the dawn of time. Contemporary interest in angels is especially keen, as best seen in the mass-marketing of angel books and angel art. The world is awash with wings! But is this romantic view of angels a biblically accurate depiction of these heavenly creatures? What can we know about the angels? How, if at all, do they touch our lives? Despite a bizarre mixture of comedic references to a red-suited bogeyman and, by contrast, frightening images of a cunning Satan relentlessly tempting each of us to do evil, far less serious attention has been paid to demons and the devil. Most likely it's because the pertinent scriptures are not always easy to discern. Just when we think we have demons safely within a well-defined box, suddenly they come swooping at us from another direction. Just when we think everything about the devil is well within our grasp, suddenly that fiendish figure becomes far more elusive. This challenging biblical landscape explains the unusual format of presenting what the Bible has to say about these intriguing celestial beings as if you, the reader, were having a one-on-one conversation with Michael the archangel. If anyone should know everything there is to know about the subject, surely it would be Michael!

Six years of working for Project Zed showed MSgt Cutler Morrison all he thought he needed to know about the shifter world. He’d pledged his life to fight back the evil savagery of the wild creatures threatening to kill all humankind… until he realized that the heroes he was fighting with weren’t much in the way of heroes and the ones they were fighting against didn’t seem so hellbent on world domination, after all. Disillusioned, a fateful plane crash brought him down in the middle of shifter territory, and there he saw another side to the beasts he thought were evil. On Cutler’s first mission with the shifters, they take down one of the weaponized creatures the project imprisoned and bring him to safety. He’s always had an odd connection to Subject Z-620. Cutler’s like a moth to the monster’s flame. As more secrets about Project Zed come to light, they both have to come to terms with who they were, what they’ve done, and where the road leads…

Among the great figures of European modernism, Ramón Maria del Valle-Inclán (1866-1936) remains relatively unknown and unappreciated outside his native Spain. His large and diverse oeuvre includes prose, poetry, drama as well as critical and journalistic essays. His deeply personal belletristic style evolved from the symbolist aesthetic to the more mature variant of expressionism of his output in the 1920s and '30s, which he termed esperpento. This volume presents translations of his dramatic trilogy Comedias Bárbaras (Savage Comedies), consisting of Cara de plata (Golden Boy, 1922), Águila de blasón (The Blazoned Eagle, 1907) and Romance de Lobos (Wolves Rampant, 1908), together with notes and an introduction that will provide readers with historical and biographical context.