Animal Life

This groundbreaking collection of contributions by leading philosophers offers a new way of thinking about animal rights, our obligation to animals, and the nature of philosophy itself.

These arresting studio portraits capture the beauty, power, and even humor of 150 furry and feathered species - a delight for any animal or bird lover. Acclaimed photographer Randal Ford celebrates our fascination with and love of animals through his engaging portraits of the animal kingdom. A young male lion cub seems to sport a rebellious mohawk; a chimpanzee adopts a pensive pose; a curious duckling cocks his head at the camera lens and flaps his wings. The featured animals cover a wide range, from birds such as the African crane, cockatoos, flamingos, and roosters, to big cats such as tigers, cheetahs, and leopards, to Arabian horses, bulls, and Longhorn sheep, among many others. Bird and animal lovers will be drawn to the powerful and emotionally engaging images that seem to reveal the individual character of the other animals that share the Earth with us. Elegantly designed and packaged, this book will be the perfect gift and addition to the home of any lover of animals or fine photography.

If you're wild about animals, this visual encyclopedia is the ultimate page-turner, bringing our planet's creatures together in spectacular style. This inspiring children's reference guide welcomes you to the animal kingdom where you can meet more than 1,500 species, ranging from ants to zebras and everything in between. Stunning pictures bring you face to face with giant predators you know and love, including polar bears and tigers, as well as mysterious microscopic life, including amoebas and bacteria. A variety of animal habitats are shown in beautiful detail, while accessible information, additional fact boxes, and amazing galleries complete the stories. A jaw-dropping spectrum of animal types - from fish and birds to reptiles and mammals - provides a learning experience like no other. Whether you're a budding naturalist or simply want to complete a school project, The Animal Book has got it covered.

Kids will love learning about the ways in which animals are related to each other in this beautifully illustrated book! What do a raccoon and a river otter have in common? An elephant seal and a leopard? How about a slow loris and a gorilla? The Animal World collects members of the same taxonomic order, which are groups of animals with similar features, together in an informative and accessible way through easy-to-read facts about each animal. Kids will love learning about the ways in which animals are related to each other, and Kelsey Oseid's charming illustrations bring the text to life in this enchanting look at the animal kingdom

To humans, cold has a distinctly positive quality. 'Frostbite', 'a nip in the air', 'biting cold', all express the concept of cold as an entity which attacks the body, numbing and damaging it in the process. Probably the richness of descriptive English in this area stems from the early experiences of a group of essentially tropical apes, making their living on a cold and windswept island group half way between the Equator and the Arctic. During a scientific education we soon learn that there is no such thing as cold, only an absence of heat. Cold does not invade us; heat simply deserts. Later still we come to appreciate that temperature is a reflection of kinetic energy, and that the quantity of kinetic energy in a system is determined by the speed of molecular movement. Despite this realization, it is difficult to abandon the sensible prejudices of palaeolithic Homo sapiens shivering in his huts and caves. For example; appreciating that a polar bear is probably as comfortable when swimming from ice floe to ice floe as we are when swimming in the summer Mediterranean is not easy; understanding the thermal sensa tions of a 'cold-blooded' earthworm virtually impossible. We must always be wary of an anthropocentric attitude when considering the effects of cold on other species.

How do you become a writer, and why? Maggie Gee's journey starts a long way from the literary world in a small family in post-war Britain. At seventeen, Maggie goes, a lamb to the slaughter, to university. From the 1960s onwards she lives the defining events of her generation: the coming of the Pill and sexual freedom, tremors in the British layer-cake of class and race. In the 1980s, Maggie finally gets published, falls in love, marries and has a daughter -- but for the next three decades and beyond, she survives, and sometimes thrives, by writing. This frank, bold memoir dares to explore the big questions: success and failure, sex, death and parenthood -- our animal life. 'A wise and beautiful book about what it feels like to be alive -- I really loved it' Zadie Smith 'Exceptionally interesting and brave ... a wonderful book' Claire Tomalin 'A fine, honest, complex portrait of an artist's mind' Michele Roberts, Independent 'Every word strikes like a hammer on an anvil, throwing off sizzling sparks' Bidisha, The f word 'Anyone who yearns for that lost post-war Britain would do well to read this vivid, minutely observed memoir ...Gee has a sensuous eye for detail' Sinclair McKay, Telegraph 'It is a testament to Gee's skill with structure, her lightness of touch and her honesty, particularly about the most painful episodes, that she has fashioned this account of a fundamentally satisfying and happy writer's life into such a page-turner.' Melissa Benn, New Statesman 'Maggie Gee writes with such courage and wit. This is a vivid portrait of a woman finding her way through the maze of class ridden post war England, the 60's, feminism and how to be a mother and a writer.' Diana Melly 'Highly recommended for all aspiring writers' Bernardine Evaristo 'Observant, honest and sensitively-written...' Michael Holroyd 'Fresh and funny ... with a zest for living that bounces off the page...' Psychologies 'Sensitive, honest, courageous, stylish' The Times '[Gee's] utterly compelling on the rollercoaster of writing life, from early success to rock-bottom rejection. Often joyous; infinitely wise; passionate and poised, this is a book you'll want to sit in silence with and hug to yourself -- then start again.' Daily Mail

From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked. Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings together some of the most important and influential writers working on the non-human animal's significance for cultures and theories of the moving image. It offers innovative analyses of the representation of animals across a wide range of documentary, fiction, mainstream and avant-garde practices, from early cinema to contemporary user-generated media. Individual chapters consider King Kong, The Birds, The Misfits, The Cove, Grizzly Man and Microcosmos, the work of Sergei Eisenstein, Robert Bresson, Malcolm Le Grice, Peter Greenaway, Carolee Schneemann and Isabella Rossellini, and YouTube stars Christian the lion and Maru the cat.