Anna S Prize

Anna can't wait to enter her blackberry pie in the local fair's pie contest. She is sure that she's going to win, but cousin Sophie has a secret that may derail Anna's dream.

Russia, 1905. Behind the gates of the Karenin Palace, Sergei, son of Anna Karenina, meets Tolstoy in his dreams and finds reminders of his mother everywhere: the almost-living portrait that the Tsar intends to acquire and the opium-infused manuscripts she wrote just before her death, one of which opens a trapdoor to a wild feminist fairytale. Across the city, Clementine, an anarchist seamstress, and Father Gapón, the charismatic leader of the proletariat, tip the country ever closer to revolution. Boullosa lifts the voices of coachmen, sailors, maids, and seamstresses in this playful, polyphonic, and subversive revision of the Russian revolution, told through the lens of Tolstoy’s most beloved work.

It is 1905. Asta and her husband Rasmus have come to East London from Denmark with their two little boys. With Rasmus constantly away on business, Asta keep loneliness and isolation at bay by writing a diary. These diaries, published over seventy years later, reveal themselves to be more than a mere journal. For they seem to hold they key to an unsolved murder and to the mystery of a missing child. It falls to Asta's granddaughter Ann to unearth the buried secrets of nearly a century before.

A rare view of a childhood in a European ghetto. Anna Spector was born in 1905 in Korsun, a Ukrainian town on the Ros River, eighty miles south of Kiev. Held by Poland until 1768 and annexed by the Tsar in 1793 Korsun and its fluid ethnic population were characteristic of the Pale of Settlement in Eastern Europe: comprised of Ukrainians, Cossacks, Jews and other groups living uneasily together in relationships punctuated by violence. Anna’s father left Korsun in 1912 to immigrate to America, and Anna left in 1919, having lived through the Great War, the Bolshevik Revolution, and part of the ensuing civil war, as well as several episodes of more or less organized pogroms—deadly anti-Jewish riots begun by various invading military detachments during the Russian Civil War and joined by some of Korsun’s peasants. In the early 1990s Anna met Lawrence A. Coben, a medical doctor seeking information about the shtetls to recapture a sense of his own heritage. Anna had near-perfect recall of her daily life as a girl and young woman in the last days in one of those historic but doomed communities. Her rare account, the product of some 300 interviews, is valuable because most personal memoirs of ghetto life are written by men. Also, very often, Christian neighbors appear in ghetto accounts as a stolid peasant mass assembled on market days, as destructive mobs, or as an arrogant and distant collection of government officials and nobility. Anna’s story is exceptionally rich in a sense of the Korsun Christians as friends, neighbors, and individuals. Although the Jewish communities in Eastern Europe are now virtually gone, less than 100 years ago they counted a population of millions. The firsthand records we have from that lost world are therefore important, and this view from the underrecorded lives of women and the young is particularly welcome.

From acclaimed Nigerian storyteller Atinuke, the first in a series of chapter books set in contemporary West Africa introduces a little girl who has enchanted young readers. Anna Hibiscus lives in Africa, amazing Africa, with her mother and father, her twin baby brothers (Double and Trouble), and lots of extended family in a big white house with a beautiful garden in a compound in a city. Anna is never lonely—there are always cousins to play and fight with, aunties and uncles laughing and shouting, and parents and grandparents close by. Readers will happily follow as she goes on a seaside vacation, helps plan a party for Auntie Comfort from Canada (will she remember her Nigerian ways?), learns firsthand what it’s really like to be a child selling oranges outside the gate, and longs to see sweet snow. Nigerian storyteller Atinuke’s debut book for children and its sequels, with their charming (and abundant) gray-scale drawings by Lauren Tobia, are newly published in the US by Candlewick Press, joining other celebrated Atinuke stories in captivating young readers.

Madame Anna Guérin is the fascinating personality behind the title ‘The Poppy Lady’. Her idea of the ‘Inter-Allied Poppy Day’ gave work to women and children in the devastated areas of France, in addition to offering support for First World War veterans. Born in 1878, she was an early feminist, becoming financially independent. During the First World War, and the immediate years after the Armistice, many people knew of Madame Guérin’s reputation as a selfless fundraiser for French and American charities. Her speeches inspired many people to make generous donations. Having had her name lost in the mists of time, this is the first biography of Madame E. Guérin. The book follows her extraordinary story as ‘The Poppy Lady’, a woman born before her time, but confined to anonymity for too long.

Set against the bleak backdrop of the Yukon and the historical moment of the 1897 Klondike gold rush, this chronologically arranged series of sonnets is grounded in the lived experience of Finnish immigrants Anna and Abe Malm. Anna hauls her Anthony Wayne Washer into the wilderness and sets up a laundry business while Abe seeks his fortune. Anna and Abe share a unique history, revealed in the book's epigraph: Anna, nineteen years her husband's senior, had first raised him and then married him. Genoways's graceful formalism makes percussive music of a story marked by isolation and brutal difficulty. He manages a deft and plain-speaking rhyme that is in keeping with the tough lives his poems explore. The poems, which shift in frame from Anna's letters or Abe's diary to third-person verse that captures the characters' inner thoughts, bring the vitality of luminous detail and psychological depth to the arc of history.