Annals And Antiquities Of Rajasthan Or The Central And Western Rajput States Of India Volume 3

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Website: www.mlbd.co.in Email: [email protected] This work relates to the (erstwhile) Central and the Western Rajput States of India. It embodies the results of scholarly investigation into the ethnology of Rajputs, their religious and social practices, their festivals and rites, their legal and political institutions and the merits and demerits of their characters. Herein we get a real portrait of the different aspects of Rajput life: their loyalty, devotion, gallantry, chivalry as also the instability of their character, their outbreaks of passion, fears, occasional faithlessness of their chiefs and allies and, above all, their addiction to drugs. The work is divided into three volumes: each volume being sub-divided into books and chapters. Vol I deals mostly with the Geography of Rajasthan, the History of the Rajput tribes and the feudal system of their states. Vol II contains the Annals of Marwar, Bikaner, Jaisalmer and other cities of Rajasthan. Vol III comprises the annals of Amber, Haravati, Bundi and describes Shaikhawat Federation, and contains personal narratives from Udaipur to Kheroda. It has an appendix divided into seven sections and an exhaustive general index. Interspersed with several illustrations, this book is remarkable for its enlightening introduction and exegetical notes.

This comprehensive and authoritative history of Rajasthan is a classic work of scholarship, offering insights into the region's history, culture, and politics. Drawing on a wide range of sources, Tod and Crooke provide a detailed and nuanced account of the rise of the Rajput warrior clans and their conflicts with the Mughal Empire. Their work also includes detailed descriptions of Rajput customs, folklore, and religious practices, making it a fascinating read for anyone interested in South Asian history and culture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Annals and Antiquities of Rajasthan - or, the Central and Western Rajpoot States of India - Vol. 2 is an unchanged, high-quality reprint of the original edition of 1899. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the era In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur’s artworks—monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings—represent the period’s major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava—the feel, emotion, and mood—of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived. Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur’s painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality. The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place.