Annotated Classic Fairy Tales

Not since Bruno Bettelheim's The Uses of Enchantment has there been such an illuminating contribution to the world of children's fairy tales. The Annotated Classic Fairy Tales is a remarkable treasure trove, a work that celebrates the best-loved tales of childhood and presents them through the vision of Maria Tatar, a leading authority in the field of folklore and children's literature. Into the woods with Little Red Riding Hood, up the beanstalk with Jack, and down through the depths of the ocean with the Little Mermaid, this volume takes us through many of the familiar paths of our folkloric heritage. Gathering together twenty-five of our most cherished fairy tales, including enduring classics like "Beauty and the Beast," "Jack and the Beanstalk," " ," and "Bluebead," Tatar expertly guides readers through the stories, exploring their historical origins, their cultural complexities, and their psychological effects. Offering new translations of the non-English stories by the likes of Hans Christian Andersen, Brothers Grimm, or Charles Perrault, Tatar captures the rhythms of oral storytelling and, with an extraordinary collection of over 300 often rare, mostly four-color paintings and drawings by celebrated illustrators such as Gustave Doré, George Cruikshank, and Maxfield Parrish, she expands our literary and visual sensibilities. As Tatar shows, few of us are aware of how profoundly fairy tales have influenced our culture. Disseminated across a wide variety of historical and contemporary media ranging from opera and drama to cinema and advertising, they constitute a vital part of our storytelling capital. What has kept them alive over the centuries is exactly what keeps life pulsing with vitality and variety: anxieties, fears, desires, romance, passion, and love. Up close and personal, fairy tales tell us about the quest for romance and riches, for power and privilege, and, most importantly, they show us a way out of the woods back to the safety and security of home. Challenging the notion that fairy tales should be read for their moral values and used to make good citizens of little children, Tatar demonstrates throughout how fairy tales can be seen as models for navigating reality, helping children to develop the wit and courage needed to survive in a world ruled by adults. This volume seeks to reclaim this powerful cultural legacy, presenting the stories that we all think we know while at the same time providing the historical contexts that unlock the mysteries of the tales. The Annotated Classic Fairy Tales is a volume that will rank as one of the finest fairy tale collections in many decades, a provocative and original work to be treasured by students, parents, and children.

“I have used this textbook for four courses on children’s literature with enrollments of over ninety students. It is without doubt the most well organized selection of literary fairy tales and critical commentaries currently available. Students love it.” —Lita Barrie, California State University, Los Angeles This Norton Critical Edition includes: · Seven different tale types: “Little Red Riding Hood,” “Beauty and the Beast,” “Snow White,” “Sleeping Beauty,” “Cinderella,” “Bluebeard,” and “Tricksters.” These groupings include multicultural versions, literary rescriptings, and introductions and annotations by Maria Tatar. · Tales by Hans Christian Andersen and Oscar Wilde. · More than fifteen critical essays exploring the various aspects of fairy tales. New to the Second Edition are interpretations by Ernst Bloch, Walter Benjamin, Max Lüthi, Lewis Hyde, Jessica Tiffin, and Hans-Jörg Uther. · A revised and updated Selected Bibliography.

"This is the book I wanted as a child and didn’t have, the book I’d have liked both to give to my children and to keep for myself, the book I shall give my grandchildren." —A. S. Byatt, from the introduction to The Annotated Brothers Grimm Of all of the rich fairy-tale collections that exist in countries throughout the world, few are better known than those gathered almost two centuries ago by a pair of German brothers—Jacob and Wilhelm Grimm—in their Children’s Stories and Household Tales, first published in 1812. Endlessly recast and reimagined in poetry and prose, on the screen and onstage, these stories are forever etched in our imagination. Here, in this bicentennial edition of The Annotated Brothers Grimm, Maria Tatar presents these timeless stories in a sumptuous and visually powerful format that helps reshape our understanding of the Brothers Grimm. Drawing from the final authoritative version in the mid-nineteenth century, Tatar, an internationally recognized scholar in the field of folklore and children’s literature, has translated and provided commentary for more than fifty Grimm stories, judiciously selecting tales that resonate with modern audiences and reveal the broad thematic range of the Grimm canon. Readers young and old will encounter popular classics, including “Little Red Riding Hood,” “Cinderella,” “Snow White,” and “Rapunzel,” while discovering some of the lesser known yet equally captivating stories such as “Four Artful Brothers,” “The Water of Life,” and “The White Snake,” all new to this edition. Perhaps most noteworthy is Tatar’s decision to include tales excised from later editions, including a number of “adult” stories that were removed once the Grimms realized that parents were reading the stories to children. Tatar’s own translations are accompanied by insightful annotations that search for origins, uncover cultural complexities, and explore psychological effects. Nearly two hundred images of exquisite beauty, many of them new to this edition—by artists such as George Cruikshank, Gustave Doré, Kay Nielsen, and Arthur Rackham—are reproduced alongside the stories. With a brilliant introductory essay by A. S. Byatt, along with the Grimms’ original prefaces to their editions, a collection of reminiscences about “The Magic of Fairy Tales,” and essays on the lives of the Brothers Grimm and the cultural impact of their tales, The Annotated Brothers Grimm captures the magical appeal of the tales while also unlocking their potent mysteries. In the tradition of Bruno Bettelheim’s The Uses of Enchantment, this volume shows how the Grimms’ fairy tales animate our imaginations and remain with us long after we have put them aside. The Bicentennial Edition of The Annotated Brothers Grimm offers a treasury of cultural lore and wisdom that has been passed on from one generation to the next.

I. Children's literature? -- 1. Sex and violence : the hard core of fairy tales -- 2. Fact and fantasy : the art of reading fairy tales -- 3. Victims and seekers : the family romance of fairy tales -- II. Heroes -- 4. Born yesterday : The spear side -- 5. Spinning tales : the distaff side -- III. Villains -- 6. From nags to witches : stepmothers and other ogres -- 7. Taming the beast : Bluebeard and other monsters -- Epilogue : getting even -- Appendixes -- A. Six fairy tales from the Nursery and household tales, with commentary -- B. Selected tales from the first edition of the Nursery and household tales -- C. Prefaces to the first and second editions of the Nursery and household tales -- D. English titles, tale numbers, and German titles of stories cited -- E. Bibliographical note.

Focusing on six types of tales in variants from around the world, essays explore the genre, cultural implications, and critical history.

"I have used this textbook for four courses on children's literature with enrollments of over ninety students. It is without doubt the most well organized selection of literary fairy tales and critical commentaries currently available. Students love it." --Lita Barrie, California State University, Los Angeles

SUMMARY: Presents the texts of twenty-four well-known fairy tales as they were first printed in English and summarizes the history of each title, especially from the textual point of view.

Maria Tatar analyses the many forms the tale of Bluebeard's wife has taken over time, showing how artists have taken the Bluebeard theme and revived it with their own signature twists.