Another Russia

Most recent research seeks to explain contemporary changes in Russia by analysing the decisions of Russian leaders, oligarchs and politicians based in Moscow. This book examines another Russia, one of ordinary people changing their environment and taking opportunities to provoke societal changes in small towns and the countryside. Russia is a resource-rich society and the country’s strategy and institutional structure are built on the most valuable of these resources: oil and gas. Analysing the implications of this situation at the local level, this book offers chapters on resource use, local authorities, enterprises, poverty and types of individual, as well as a final chapter which places local societies within the framework of the Russian politicised economy. Based on extensive empirical data gathered through more than 400 semi-structured interviews with entrepreneurs, teachers, social workers and those working for the local authorities, this book sheds light on the role of local activity in the development of Russian society and is essential reading for students and scholars interested in Russia and its politics.

Writing Russia offers the first systematic analysis of Anglophone national histories of Russia. By deconstructing preeminent historical works on the history of Russia, this book provides insight into the hidden ideological underpinnings of the texts and their representations of Russia in the West. It demonstrates that historians employ a range of literary techniques to smooth over contradictions in their narratives of Russia, generating a seemingly cohesive depiction of Russia as a liminal, Other nation. This is a process that this book theorises as "discordus", representing an original conceptual framework for examining national history texts. It identifies patterns in the language and emplotment of Anglophone Russian histories across several defining historical epochs from the Mongol conquests to the Putin presidency, revealing the extent to which historians wield the narrative power to "make or break" nations. Postmodern in approach, the work pushes the boundaries of historiography and calls into question the nature of history.

A former CIA officer and the creator of the hit TV series The Americans makes the case that America's policy towards Russia is failing--and we'll never fix it until we rethink our relationship. Coming of age in America in the 1970s and 80s, Joe Weisberg was a Cold Warrior. After briefly studying Russian in Leningrad, he joined the CIA in 1990--just in time to watch the Soviet Union collapse. But less than a decade after the first Cold War ended, a new one broke out. Russia changed in many of the ways that America hoped it might--more capitalist, more religious, more open to Western ideas. But US sanctions have crippled Russia's economy; and Russia's interventions have exacerbated political problems in America. The old paradigm--America, the free capitalist good guys, fighting Russia, the repressive communist bad guys--simply doesn't apply anymore. But we've continued to act as if it does. In this bold and controversial book, Joe Weisberg interrogates these assumptions, asking hard questions about American policy and attempting to understand what Russia truly wants. Russia Upside Down makes the case against the new Cold War. It suggests that we are fighting an enemy with whom we have few if any serious conflicts of interest. It argues that we are fighting with ineffective and dangerous tools. And most of all, it aims to demonstrate that our approach is not working. With our own political system in peril and continually buffeted by Russian attacks, we need a new framework, urgently. Russia Upside Down shows the stakes and begins to lay out that new plan, at a time when it is badly needed.

Russia's annexation of Crimea in 2014 brought East - West relations to a low. But, by selling the annexation in starkly nationalist terms to grassroots nationalists, Putin's popularity reached record heights. This volume examines the interactions and tensions between state and societal nationalisms before and after the annexation.

Relations between the EU and Russia have been traditionally and predominantly studied from a one-sided power perspective, in which interests and capabilities are taken for granted. This book presents a new approach to EU-Russia relations by focusing on the role of images and perceptions, which can be major obstacles to the enhancement of relations between both actors. By looking at how these images feature on both sides (EU and Russia), on different levels (bilateral, regional, multilateral) and in different policy fields (energy, minorities, regional integration, multilateral institutions), the book seeks to reintroduce a degree of sophistication into EU-Russia studies and provide a more complete overview of different dimensions of EU-Russia relations than any book has done to date. Taking social constructivist and transnational approaches, interests and power are not seen as objectively given, but as socially mediated and imbued by identities. This text will be of key interest to scholars, students and practitioners of European Foreign Policy, Eastern Partnership, Russian Foreign Policy and more broadly to European and EU Politics/Studies, Russian studies, and International Relations.

From the New York Times bestselling author of Rules of Civility. 'A comic masterpiece.' The Times 'Winning . . . gorgeous . . . satisfying . . . Towles is a craftsman.' New York Times Book Review 'A work of great charm, intelligence and insight.' Sunday Times 'Everything a novel should be: charming, witty, poetic and generous. An absolute delight.' Mail on Sunday 'If we do a better book than this one on the book club this year we will be very very lucky.' Matt Williams, Radio 2 Book Club 'Abundant in humour, history and humanity' Sunday Telegraph 'Wistful, whimsical and wry.' Sunday Express On 21 June 1922 Count Alexander Rostov - recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt - is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol. But instead of being taken to his usual suite, he is led to an attic room with a window the size of a chessboard. Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. While Russia undergoes decades of tumultuous upheaval, the Count, stripped of the trappings that defined his life, is forced to question what makes us who we are. And with the assistance of a glamorous actress, a cantankerous chef and a very serious child, Rostov unexpectedly discovers a new understanding of both pleasure and purpose.

From Moscow, the world looks different. It is through understanding how Russia sees the world—and its place in it—that the West can best meet the Russian challenge. Russia and the West are like neighbors who never seem able to understand each other. A major reason, this book argues, is that Western leaders tend to think that Russia should act as a “rational” Western nation—even though Russian leaders for centuries have thought and acted based on their country's much different history and traditions. Russia, through Western eyes, is unpredictable and irrational, when in fact its leaders from the czars to Putin almost always act in their own very predictable and rational ways. For Western leaders to try to engage with Russia without attempting to understand how Russians look at the world is a recipe for repeated disappointment and frequent crises. Keir Giles, a senior expert on Russia at Britain's prestigious Chatham House, describes how Russian leaders have used consistent doctrinal and strategic approaches to the rest of the world. These approaches may seem deeply alien in the West, but understanding them is essential for successful engagement with Moscow. Giles argues that understanding how Moscow's leaders think—not just Vladimir Putin but his predecessors and eventual successors—will help their counterparts in the West develop a less crisis-prone and more productive relationship with Russia.