Anthology Of Contemporary Latin American Literature 1960 1984

This anthology presents the short stories and poetry of prominent, as well as recently noticed writers in the Spanish-speaking Americas. The translations appear in English for the first time, and an introduction provides an overview of current literary and social trends.

This anthology presents the short stories and poetry of prominent, as well as recently noticed writers in the Spanish-speaking Americas. The translations appear in English for the first time, and an introduction provides an overview of current literary and social trends.

There is a wealth of published literature in English by Latin American women writers, but such material can be difficult to locate due to the lack of available bibliographic resources. In addition, the various types of published narrative (short stories, novels, novellas, autobiographies, and biographies) by Latin American women writers has increased significantly in the last ten to fifteen years. To address the lack of bibliographic resources, Kathy Leonard has compiled Latin American Women Writers: A Resource Guide to Titles in English. This reference includes all forms of narrative-short story, autobiography, novel, novel excerpt, and others-by Latin American women dating from 1898 to 2007. More than 3,000 individual titles are included by more than 500 authors. This includes nearly 200 anthologies, more than 100 autobiographies/biographies or other narrative, and almost 250 novels written by more than 100 authors from 16 different countries. For the purposes of this bibliography, authors who were born in Latin America and either continue to live there or have immigrated to the United States are included. Also, titles of pieces are listed as originally written, in either Spanish or Portuguese. If the book was originally written in English, a phrase to that effect is included, to better reflect the linguistic diversity of narrative currently being published. This volume contains seven indexes: Authors by Country of Origin, Authors/Titles of Work, Titles of Work/Authors, Autobiographies/Biographies and Other Narrative, Anthologies, Novels and Novellas in Alphabetical Order by Author, and Novels and Novellas by Authors' Country of Origin. Reflecting the increase in literary production and the facilitation of materials, this volume contains a comprehensive listing of narrative pieces in English by Latin American women writers not found in any other single volume currently on the market. This work of reference will be of special interest to scholars, students, and instructors interested in narrative works in English by Latin American women authors. It will also help expose new generations of readers to the highly creative and diverse literature being produced by these writers.

Presents twenty-two poems by Latino poet Jaime Manrique in Spanish and English.

Immigration from one country to another is a complex psychological process with significant and lasting effects on an individual's identity. Even under the best circumstances, immigration is a traumatic occurence; like other traumas, it mobilizes a mourning process. It also offers renewed opportunity for psychic growth and alteration, and the mourning-liberation process transforms the immigrant's identity. In this book, this progression is highlighted along the dimensions of drives and affects, interpersonal and psychic space, temporality, and social affiliation. As the topics of identity and immigration are brought together in a deep and meaningful way, their clinical assessment and relevance are presented. Detailed guidelines are offered for conducting psychotherapy with immigrant patients, including child and family interventions. The specific dilemmas of the immigrant therapist are also explored, including linguistic differences, maintaining cultural neutrality and transference-countertransference issues.

Here Is My Kingdom: Hispanic-American Literature and Art for Young People is a vital and colorful anthology - the first of its kind - that illuminates the many facets of the Hispanic-American experience. To capture the spirit, vitality, and diversity of the Hispanic heritage, Here Is My Kingdom covers a broad spectrum of cultures and origins and spans history from Columbus and Cortes to Cesar Chavez. Through the poems, texts, and illustrations the reader can explore many kingdoms: Spain and Portugal; the Mayas and Aztecs; the kingdom of God; the mythical kingdom of Aztlan, said by some to have existed where New Mexico and Arizona are today. The text and art - by classic, well-known, and even relatively new writers and artists - are brilliantly selected from a vast and rich literary and historical tradition. The art and literature work together here to convey remarkable images of beauty and endurance and feelings of strength and pride. Frida Kahlo's painting Roots accompanies words from the poem "The Roots" by Hugo Salazar Tamariz. A traditional folk rhyme is paired with colorful Mexican folk art. Wifredo Lam's The Jungle appears with "Give Me Back My World" by Rita Geada. The elegant, accessible design and beautifully reproduced illustrations of Here Is My Kingdom let the reader enjoy paintings, folk art, murals, wood-block prints, cave drawing, ancient and contemporary sculpture, and photographs that enhance songs, poems, and proverbs, and excerpts from short stories, essays, novels, and speeches. Biographical notes give background information on all the artists and writers, including places where more of their work can be found. The book's foreword is by Luis R. Cancel, Commissionerof Cultural Affairs in New York City and former Executive Director of the Bronx Museum of the Arts. He gives insight into the complex question of Hispanic-American identity and tells the reader to "remember that the oral and literary traditions of your family, neighbors, and community can help you to define and celebrate your own unique identity". Celebrating pride in the past and faith in the future, Here Is My Kingdom will inspire everyone, young readers especially, to discover their potential and make their own contribution to the American heritage.

A gentle maiden aunt who has been victimized for years unexpectedly retaliates through her talent for making life-sized dolls filled with honey. “The Youngest Doll,” based on a family anecdote, is a stunning literary expression of Rosario Ferré’s feminist and social concerns. It is the premier story in a collection that was originally published in Spanish in 1976 as Papeles de Pandora and is now translated into English by the author. The daughter of a former governor of Puerto Rico, Ferré portrays women loosening the constraints that have bound them to a patriarchal culture. Anger takes creative rather than polemical form in ten stories that started Ferré on her way to becoming a leading woman writer in Latin America. The upper-middle-class women in The Youngest Doll, mostly married to macho men, rebel against their doll-like existence or retreat into fantasy, those without money or the right skin color are even more oppressed. In terms of power and influence, these women stand in the same relation to men as Puerto Rico itself does to the United States, and Ferré stretches artistic boundaries in writing about their situation. The stories, moving from the realistic to the nightmarish, are deeply, felt, full of irony and black humor, often experimental in form. The imagery is striking: an architect dreams about a beautiful bridge that “would open and close its arches like alligators making love”; a Mercedes Benz “shines in the dark like a chromium rhinoceros.” One story, “The Sleeping Beauty,” is a collage of letters, announcements, and photo captions that allows chilling conclusions to be drawn from what is not written. The collection includes Ferré’s discussion of “When Women Love Men,” a story about a prostitute and a society lady who unite in order to survive, and one that illustrates the woman writer’s “art of dissembling anger through irony.” In closing, she considers how her experience as a Latin American woman with ties to the United States has brought to her writing a dual cultural perspective.