Anthropology Of China The China As Ethnographic And Theoretical Critique

Putting China into the context of general anthropology offers novel insights into its history, culture and society. Studies in the anthropology of China need to look outwards, to other anthropological areas, while at the same time, anthropologists specialised elsewhere cannot afford to ignore contributions from China. This book introduces a number of key themes and in each case describes how the anthropology and ethnography of China relates to the surrounding theories and issues. The themes chosen include the anthropology of intimacy, of morality, of food and of feasting, as well as the anthropology of civilisation, modernity and the state.The Anthropology of China covers both long historical perspectives and ethnographies of the twenty-first century. For the first time, ethnographic perspectives on China are contextualised in comparison with general anthropological debates. Readers are invited to engage in and rethink China's place within the wider world, making it perfect for professional researchers and teachers of anthropology and Chinese history and society, and for advanced undergraduate and graduate study.

Chinese citizens make themselves at home despite economic transformation, political rupture, and domestic dislocation in the contemporary countryside. By mobilizing labor and kinship to make claims over homes, people, and things, rural residents withstand devaluation and confront dispossession. As a particular configuration of red capitalism and socialist sovereignty takes root, this process challenges the relationship between the politics of place and the location of class in China and beyond.

An anthropological theorization of the unity and diversity of Christianity, this book focuses on Christian communities in Nanping, a small city in China. It applies methodological insights from Actor-Network Theory to investigate how the Christian God is made part of local social networks. The study examines how Christians interact with and re-define material objects, such as buildings, pews, offerings, and blood, in order to identify the kind of networks and non-human actors that they collectively design. By comparing local Christian traditions with other practices informing the Nanping religious landscape, the study points out potential cohesion via the centralizing presence of the Christian God, the governing nature of the pastoral clergy, and the semi-transcendent being of the Church.

This book includes twenty chapters reviewing a total of sixty-four books in Chinese in the two series: “Studies in Chinese Ritual, Theatre and Folklore” and “Traditional Hakka Society,” edited respectively by Wang Ch'iu-kuei and John Lagerwey. It is intended to inform the wider world of scholarship of this new research, which provides the most detailed information ever available about Chinese local culture, drama and religion. Together with the excellent studies of this dimension of culture by scholars in Taiwan, and with a revived interest in this area by other China mainland scholars, it represents a resumption of the folklore studies movement of the 1920s and 1930s that was interrupted by the war with Japan. These new reports may also be seen as a complement to the work of anthropologists, who until recently have not been able to conduct many field studies in China. As such, this research provides fresh information for an understanding of the culture of the majority of the Chinese people, an understanding based on their lived experiences and values.

Everyday life in contemporary rural China is characterized by an increased sense of moral challenge and uncertainty. Ordinary people often find themselves caught between the moral frameworks of capitalism, Maoism and the Chinese tradition. This ethnographic study of the village of Zhongba (in Hubei Province, central China) is an attempt to grasp the ethical reflexivity of everyday life in rural China. Drawing on descriptions of village life, interspersed with targeted theoretical analyses, the author examines how ordinary people construct their own senses of their lives and their futures in everyday activities: building houses, working, celebrating marriages and funerals, gambling and dealing with local government. The villagers confront moral uncertainty; they creatively harmonize public discourse and local practice; and sometimes they resolve incoherence and unease through the use of irony. In so doing, they perform everyday ethics and re-create transient moral communities at a time of massive social dislocation.

Emily Martin’s Lewis Henry Morgan Lectures, The meaning of money in China and the United States, inaugurates the Hau-Morgan Lectures Initiative with the University of Rochester. Martin’s lectures—hitherto unedited—are an instant classic, not only for scholars of China and the United States, but for those working in the history and anthropology of money. As relevant and timely now as it was twenty-eight years ago, this lecture series highlights the vicissitudes of money beyond tired theoretical divides between global political economy and local symbolic relativism. In a time when economic forecasts show that China will soon pass the US as the world’s leading economic power, Martin’s lectures could not be more germane, more insightful, and more poised for an ethnographic critique of the economic present.

The Saga of Anthropology in China traces the development of and turmoil surrounding the discipline of anthropology during the tumultuous events of twentieth-century Chinese history. Narrating the growth of anthropology and its allied sciences, this book provides the reader with insights into the construction of national academic structures and the all too frequent reliance of Third World nations on foreign models and money. Against this sweeping historical background the author humanizes the saga by pausing repeatedly to consider the effect national and international trends had on the life and care of a single scholar, Liang Zhaotao of Zhongshan University. His is a story of relevance for all who are concerned not only with China or anthropology, but with the development of independent structures of knowledge outside the great intellectual centers of the West.