Antillanit Cr Olit Litt Rature Monde

The first thorough study to consider the history of the criticism of "Negro-African" literature in French, exploring the complex relationship between how literatures are named and how they are evaluated.

The story of Dany Laferriere, the narrator and writer living in exile in Montreal, who finally comes home to Haiti. Nothing is different, and yet everything has changed. There is his mother, who has never left Haiti, not even for one minute, and who still performs all the rituals of old. But there is also the army of zombies that takes over the streets at night, while the American army occupies the country by day. What is this country of dead men? Is every Haitian a secret citizen? Is it possible for Laferriere to cross over to that country and then return? Laferriere wanders through Port-au-Prince interrogating old friends and new acquaintances. The tone becomes strident, as do the questions: Do we stay? Do we leave? What's the point? Where can we be ourselves and live like humans at the same time? In the end Laferriere decides to head for Bombardopolis, a village where you only need to eat once every three months -- a way of curing hunger? What will become of him once he gets there, and who will he be when he returns?

This collection of essays explores concepts present in literatures in French that, since the 2007 manifesto, more and more critics, suspicious of the term Francophonie, now prefer to designate as littérature-monde (world literature). The book shows how the three movements of antillanité, créolité and littérature-monde each in their own way break with the past and distance themselves from the hexagonal centre. The critics in this collection show how writers seek to represent an authentic view of their history, culture, identities, reality and diversities. According to many of the contributors, creolization and littérature-monde offer new perspectives and possibly a new genre of literature. Ces essais explorent les concepts présents dans la littérature en français, que depuis le manifeste de 2007, de plus en plus de critiques, suspicieux du terme francophonie préfèrent désigner sous le terme de littérature-monde. Ce livre montre comment les trois mouvements antillanité, créolité et littérature-monde, bien qu’ils cherchent chacun à présenter une rupture, offrent aussi un but similaire de distanciation avec le centre hexagonal. Les critiques de ce recueil démontrent comment les écrivains cherchent à représenter une vision authentique de leur histoire, leur culture, leurs identités, leur réalité et leur diversité. Selon de nombreux contributeurs à ce recueil, la créolisation ou la littérature-monde offrent de nouvelles perspectives et la possibilité d’un nouveau genre de littérature.