Antonia Saw The Oryx First

"A complex, deeply written and finely wrought double portrait of two women, one black, one white, picking their way through the debris of a shattered colonialism, discovering unexpected treasures buried in the rubble."-Margaret Atwood "Impressive."-Vogue "Sharp, surprising images of Africa."-ELLE "Exquisite. The year's best novel."-USA Today Though American, Dr. Antonia Redmond is African-born and has lived in East Africa for almost her entire life. With the end of colonialism, like all whites, she faces exile. Only the intercession of an influential lover preserves her visa, but should she leave, she will not be allowed to return. As the inevitable reckoning comes and the white population dwindles, she clings to the land to which she feels a deep connection. Antonia Saw the Oryx First is a profound exploration of personal and cultural identity, love and leave-taking. ?

Africa has long captured the Western imagination as a land shrouded in danger and mystery. British and American novels written before World War II established popular conventions and stereotypes about Africa that have been increasingly challenged by contemporary American novels set in Africa. Kuhne's book overviews the ways in which Africa has been employed as a powerful setting for American novels written since World War II. Kuhne argues that contemporary American novels with African settings are largely didactic, that these novels convey specific lessons about Africa and Africans, and that they compare African and American cultures in order to evaluate and critique the two worlds. The book begins by summarizing the conventions and themes Westerners have traditionally associated with Africa and by detailing how British and American authors from Aphra Behn to Ernest Hemingway depicted Africa before World War II. It then looks at contemporary American novels set in invented African nations, novels that typically suggest that the problems that trouble actual African nations are the result of colonialism. A separate chapter then examines the African novels of African Americans, which generally aim to correct the historical record, refute stereotypes, and detail the horrors of the slave trade. The volume also looks at genre fiction set in Africa, while a final chapter discusses postcolonial novels with African settings.

Caren Irr's survey of more than 125 novels outlines the dramatic resurgence of the American political novel in the twenty-first century. She explores the writings of Chris Abani, Susan Choi, Edwidge Danticat, Junot Díaz, Dave Eggers, Jeffrey Eugenides, Aleksandar Hemon, Hari Kunzru, Dinaw Mengestu, Norman Rush, Gary Shteyngart, and others as they rethink stories of migration, the Peace Corps, nationalism and neoliberalism, revolution, and the expatriate experience. Taken together, these innovations define a new literary form: the geopolitical novel. More cosmopolitan and socially critical than domestic realism, the geopolitical novel provides new ways of understanding crucial political concepts to meet the needs of a new century.

"Very well then--he would travel. Not all that far, not quite to where the tigers were". This quote from Thomas Mann's Death in Venice might describe Meredith, except that he has traveled far indeed--from the United States to Wales, the Middle East, India, Africa, and finally to Lamu Island, Kenya.

Africa has long gripped the American imagination. From the Edenic wilderness of Edgar Rice Burroughs’s Tarzan novels to the ‘black Zion’ of Garvey’s Back-to-Africa movement, all manner of Americans - whether white or black, male or female - have come to see Africa as an idealized stage on which they can fashion new, more authentic selves. In this remarkable, panoramic work, David Peterson del Mar explores the ways in which American fantasies of Africa have evolved over time, as well as the role of Africans themselves in subverting American attitudes to their continent. Spanning seven decades, from the post-war period to the present day, and encompassing sources ranging from literature, film and music to accounts by missionaries, aid workers and travel writers, African, American is a fascinating deconstruction of ‘Africa’ as it exists in the American mindset.

This three-volume set provides a comprehensive yet concise global exploration of health and medicine from ancient times to the present day, helping readers to trace the development of concepts and practices around the world. From archaeological evidence of trepanning during prehistoric times to medieval Europe's conception of the four humors to present-day epidemics of diabetes and heart disease, health concerns and medical practices have changed considerably throughout the centuries. Health and Medicine through History: From Ancient Practices to 21st-Century Innovations is broken down into four distinct time periods: antiquity through the Middle Ages, the 15th through 18th centuries, the 19th century, and the 20th century and beyond. Each of these sections features the same 13-chapter structure, touching on a diverse array of topics such as women's health, medical institutions, common diseases, and representations of sickness and healing in the arts. Coverage is global, with the histories of the Americas, Europe, Asia, Africa, and Oceania compared and contrasted throughout. The book also features a large collection of primary sources, including document excerpts and statistical data. These resources offer readers valuable insights and foster analytical and critical thinking skills.

For white readers and writers, Africa was long the Dark Continent, land of Tarzan and of Kurtz. In White on Black, John Gruesser delineates shifts in the perception and portrayal of Africa over the past half-century. By the beginning of the twentieth century, three traditions of writing about Africa had been firmly established: the political assessment, the expatriate, and the fantasy traditions. Non-black fiction and travel writing about the continent since World War II comprises three generations that descend directly from these traditions and a fourth category that deliberately avoids them. After World War II, writers such as Evelyn Waugh, Graham Greene, and Saul Bellow largely ignored the political changes occurring in the twilight of colonialism. These authors exhibited little deviation from the traditions that reached their acme as much as 60 years earlier in the works of Winston Churchill, Joseph Conrad, and Edgar Rice Burroughs. By the 1970s, V. S. Naipaul, Paul Theroux, and John Updike were more openly political than their predecessors, but their works for the most part represented adjustments to postcolonial conditions. Gruesser gives the first extended critical attention accorded in print to the work of writers of the 1980s, including J. G. Ballard, Maria Thomas, Helen Winternitz, and Jonathan Raban. These writers consciously acknowledged and actively worked to subvert established traditions. More recent novels by William Boyd, T. Coraghessan Boyle, Peter Dickinson, and William Duggan have gone further, focusing on the anomalies in the West's relationship with Africa and indicating an awareness that in order to render Africa more accurately, history itself must be rewritten.

What to read next is every book lover's greatest dilemma. Nancy Pearl comes to the rescue with this wide-ranging and fun guide to the best reading new and old. Pearl, who inspired legions of litterateurs with "What If All (name the city) Read the Same Book," has devised reading lists that cater to every mood, occasion, and personality. These annotated lists cover such topics as mother-daughter relationships, science for nonscientists, mysteries of all stripes, African-American fiction from a female point of view, must-reads for kids, books on bicycling, "chick-lit," and many more. Pearl's enthusiasm and taste shine throughout.