Aqua Vitae

Providing an alphabetical listing of sexual language and locution in 16th and 17th-century English, this book draws especially on the more immediate literary modes: the theatre, broadside ballads, newsbooks and pamphlets. The aim is to assist the reader of Shakespearean and Stuart literature to identify metaphors and elucidate meanings; and more broadly, to chart, through illustrative quotation, shifting and recurrent linguistic patterns. Linguistic habit is closely bound up with the ideas and assumptions of a period, and the figurative language of sexuality across this period is highly illuminating of socio-cultural change as well as linguistic development. Thus the entries offer as much to those concerned with social history and the history of ideas as to the reader of Shakespeare or Dryden.

The Vaughans' eighteenth-century notebooks provides a record of their research in alchemy. This edition features the translation on the page facing the original. An introduction covers the biographies of the authors, a discussion of their contribution to experimental philosophy, an introduction to the text, and a critical look at Rebecca Vaughan's

A rowdy, rollicking popular history that celebrates the tales of Victoria’s drinking establishments in their heyday. From the raunchy saloons that lined Victoria’s notorious Johnson street to the lavish high-class hotel-bars like the Driard and the Empress, Aqua Vitae is a collection of fascinating true stories from the days of swinging doors, smoky bars, and five-cent beers. Read about how the quick actions of an employee of the Bee-hive saloon saved a young Emily Carr from possible death. Discover the gruesome secret uncovered by a startled worker who was prying up the floorboards of the Omineca saloon. And find out about the grisly murder of Mike Powers, the proprietor of the Garrick’s Head, a pub that still does a thriving business today. Carefully researched and accompanied by 70+ archival photos, Aqua Vitae covers the time from when the first saloon appeared in Victoria in 1851 to 1917 when prohibition shut the party down.

The women who made & bootlegged whiskey

From the Middle Ages to the close of the 17th century, alchemy was fundamental to Western culture, as scores of experimenters sought to change lead into gold. Though its significance declined with the rise of chemistry, alchemy continued to captivate the imagination of writers and its images still appear in modern creative works. This book examines the literary representation of alchemical theory and the metaphor of alchemical regeneration in the works of Edward Taylor, Edgar Allan Poe, Nathaniel Hawthorne, and Margaret Fuller. While Taylor used alchemical metaphors to illustrate the redeeming grace of God upon the soul, these same metaphors were used by Poe, Hawthorne, and Fuller to depict a broader concept of redemption. These later writers used alchemical imagery to describe both the regeneration of the individual and the possible transformation of society. For Poe, alchemy became a metaphor for the transforming power of imagination; for Hawthorne, it became a means of representing the redeeming power of love; for Fuller, it figured the reconciliation of gender opposites. Thus these four American writers incorporated the idea of regeneration in their works, and the tropes and metaphors of the medieval alchemists provided a fascinating way of imagining the transformative process.