Aquamorphia

Aquamorphia: Falling for Water is a mythological, psychological and elemental poetic history of water in three deeply entrancing parts. Each section of this exciting and tumultuous water narrative takes the reader for a ride on different streams of intoxicating, daring and at times playful water worlds. From ancient Greek creation myths to the Australian beach, Aquamorphia moves symphonically, praising the maternal and generative qualities of fluidity since the Big Bang, or splitting of the Cosmic Egg. The verse is afloat with metaphors that flesh out the minutiae of the aquatic landscapes that sustain life.

In Antigone's Sisters, Lenart Škof explores the power of love in our world—stronger than violence and, ultimately, stronger even than death. Focusing on Antigone, Savitri, and Mary, the book offers an investigation into various goddesses and feminine figures from a variety of philosophical, mythological, theological, and literary contexts. The book also elaborates on the feminine aspects of selected concepts from modern philosophical texts, such as the Matrix in Jakob Böhme, Clara in F. W. J. Schelling, beyng in Martin Heidegger, chóra in Jacques Derrida, and breath in Luce Irigaray's thought. Drawing on Bracha M. Ettinger's concept of matrixiality, Škof proposes a new matrixial theory of philosophy, cosmology, and theology of love. Despite its many usages and appropriations, love remains a neglected topic within Western philosophy. With its new interpretation of Antigone and related readings of Irigaray, Kristeva, and Ettinger, Antigone's Sisters aims to identify some of the reasons for this forgetting of love, and to show that it is only love that can bring peace to our ethically disrupted world.

An invaluable resource for staff and students in literary studies and Australian studies, this volume is the first major critical survey on Australian poetry. It investigates poetry's central role in engaging with issues of colonialism, nationalism, war and crisis, diaspora, gender and sexuality, and the environment. Individual chapters examine Aboriginal writing and the archive, poetry and activism, print culture, and practices of internationally renowned poets such as Lionel Fogarty, Gwen Harwood, John Kinsella, Les Murray, and Judith Wright. The Companion considers Australian leadership in the diversification of poetry in terms of performance, the verse novel, and digital poetries. It also considers Antipodean engagements with Romanticism and Modernism.

Borders / Debordering: Topologies, Praxes, Hospitableness engages from interdisciplinary and transnational perspectives some of the most important issues of the present, which lay at the intersection of physical, epistemological, spiritual, and existential borders. The book addresses a variety of topics connected with the role of the body at the threshold between subjective identities and intersubjective spaces that are drawn in ontology, epistemology and ethics, as well as with borders inscribed in intersubjective, social, and political spaces (such as gender/sexuality/race, human/animal/nature/technology divisions). The book is divided in three sections, covering various phenomena of borders and their possible debordering. The first section offers insights into bordering topologies, from reflections on the U.S. border to the development of the concept of the “border” in ancient China. The second section is dedicated to practices as well as intellectual ontologies with practical implications bound up with borders in different cultural and social spheres – from Buddhist nationalism in Sri Lanka and Myanmar to contemporary photography with its implications for political systems and reflections on human/animal border. The third section covers reflections on hospitality that relate to migration issues, emerging material ethics, and aerial hospitableness.

From the ashes of the Penguin Australia Poetry Series, a new publishing house took wing. New and emerging creators, as well as established voices sought an independent publishing house with a global vision and an innovative approach. They found IP. Now, 20 years on, more than forty creators return to celebrate the survival of this maverick venture with the very best of work past, current and future. Their message to you is that independent publishing houses like IP are, and always will be, an essential part of the cultural landscape even in the face of globalisation and aspiring robots. Who are these daring writers whose work is Just off Message? You know how to find them.

Shame, Gender Violence, and Ethics: Terrors of Injustice draws from contemporary, concrete atrocities against women and marginalized communities to re-conceptualize moral shame and to set moral shame apart from dimensions of subordination, humiliation, and disgrace. The interdisciplinary collection starts with a contribution from a Yazidi-survivor of genocidal and sexual violence, whose case brings together core themes: gender, ethnic and religious identity, and violence and shame. Further accounts of shame and gendered violence in this collection take the reader to other and equally disturbing accounts of lesser-known atrocities from around the world. Although shame is sometimes posited as an inevitable companion to human life, editors Lenart Škof and Shé M. Hawke situate the discussion in the theoretical landscape of shame, and the contributors challenge this concept through fields as diverse as law, journalism, activism, philosophy, theology, ecofeminism, and gender and cultural studies. Their discussion of gendered shame makes room for it to be both a negative and a redemptive concept. Combining junior and senior scholarship, this collection examines power relations in the cycle of shame and violence.