Archaeologies Of Cosmoscapes In The Americas

This volume examines how pre-Columbian societies in the Americas envisioned their cosmos and iteratively modeled it through the creation of particular objects and places. It emphasizes that American societies did this to materialize overarching models and templates for the shape and scope of the cosmos, the working definition of cosmoscape. Noting a tendency to gloss over the ways in which ancestral Americans envisioned the cosmos as intertwined and animated, the authors examine how cosmoscapes are manifested archaeologically, in the forms of objects and physically altered landscapes. This book’s chapters, therefore, offer case studies of cosmoscapes that present themselves as forms of architecture, portable artifacts, and transformed aspects of the natural world. In doing so, it emphasizes that the creation of cosmoscapes offered a means of reconciling peoples experiences of the world with their understandings of them.

Case studies combine archaeological data and oral tradition to illustrate how the archaeological expression of beliefs and meanings passed down in the oral tradition may be interpreted. Explanations in Iconography: Ancient American Indian Art, Symbol, and Meaning is a significant contribution to the field of archaeology – a contribution in iconography studies that has gradually been coming into its own. Iconography is a rich and fascinating field, as applied to the complex, and heretofore enigmatic, imagery on many ancient Pre-Columbian artifacts. When viewed through the lens of early ethnographic records and American Indian oral traditions, as well as information from knowledgeable American Indian elders, it opens a world of understanding and clarity until recently unknown in the field of anthropological archaeology. It brings us closer to the people who created the artifacts and offers a glimpse into the symbols and beliefs that were important to them. Chapters cover a wide variety of artifacts and imagery from several ancient American Indian cultures. These artifacts include petroglyphs and pictographs (rock art), mounds, engraved shell cups and gorgets, burial architecture and grave furniture, pottery, copper repoussé, and other media. Ancient graphics, engravings, mounds, and all were created to deliver a message to the viewer – and many of those messages are finally coming to light. The artifacts included are from a variety of regions, mainly in the Midwest and Eastern United States. We hope that this volume will encourage others to look more deeply into the meaning behind the ancient imagery and arts and give the past a chance to be known.

A comprehensive view of quarrying activities from three key regions in North America. This exciting new addition to the the American Landscapes series provides an in-depth account of how flintknappers obtained and used stone based on archaeological, geological, landscape, and anthropological data. Featuring case studies from three key regions in North America, this book gives readers a comprehensive view of quarrying activities ranging from extracting the raw material to creating finished stone tools. Quarry landscapes were some of the first large-scale land modification efforts among early peoples in the New World. The chronological time periods covered by quarrying activities, show that most intensive use took place during parts of the Archaic and Woodland periods or between roughly 4000–1000 years ago when denser populations existed, but use began as early as the Paleoindian Period, about 13,000–9000 years ago, and ended in the Historic or Protohistoric periods, when colonists and Native Americans mined chert for gunflints and sharpening stones or abrasives. From the procurement systems approach common in the 1980s and 1990s, archaeologists can now employ a landscape approach to quarry studies in tandem with Geographic Information Systems (GIS) computer mapping and digital analysis, Light and RADAR (LiDAR) airborne laser scanning for recording topography, or high resolution satellite imagery. Authors Dowd and Trubitt show how sites functioned in a broad landscape context, which site locations or raw material types were preferred and why, what cultures were responsible for innovative or intensive quarry resource extraction, as well as how land use changed over time. Besides discussions of the way that industrialists used natural resources to change their technology by means of manufacture, trade, and exchange, examples are given of heritage sites that people can visit in the United States and Canada.

An Archaeology of the Cosmos seeks answers to two fundamental questions of humanity and human history. The first question concerns that which some use as a defining element of humanity: religious beliefs. Why do so many people believe in supreme beings and holy spirits? The second question concerns changes in those beliefs. What causes beliefs to change? Using archaeological evidence gathered from ancient America, especially case material from the Great Plains and the pre-Columbian American Indian city of Cahokia, Timothy Pauketat explores the logical consequences of these tw.

Throughout the discussions about globalisation and design, what has been missing until now are deliberations regarding necessary changes towards a design education which puts conceptual acting in the context of global movements and problem situations. This publication pleads for a revision of design education. It addresses students, teachers, and design practitioners. On the basis of concrete examples, concepts, methods and tools are presented for discussion. They can open up new directions and possibilities of design education. Consequently, this book focuses on design students experiences and reflections as contributions to a design education understood as a school for differentiated perception. The local level the respective Cultural Space is appreciated as the actual hot spot of globalisation. The book offers reports, case studies, analyses, and reflections by lecturers, artists, and students about their working experiences in Uzbekistan, the United Arab Emirates, Australia, New Zealand, Poland, Nigeria, Botswana, South Sudan, India, Canada, Albania, the USA and others.

Follows the extraordinary record of ancient Greek thought on Hyperborea as a case study of cosmography and anthropological philology.

Bringing together the leading authors currently working at the intersection of social science and transport science, this volume provides a companion to the well-established and extensive international Transport and Society series. Each chapter, and the volume as a whole, offers closer and richer consideration of the issues, practices and structures of multiple mobilities which shape the current world but which have typically been overlooked or minimised. What this approach seeks to do is not only draw attention to many new areas of research and investigation relating to mobile lives, but also to point to new theories and methods by which such lives have to be researched and examined. Such new theories and methods are relevant both to rethinking 'transport' studies as such but are also recasting 'societal' studies as 'transport' so that it comes out of the ghetto and enters mainstream social science.

Between AD 900-1600, the native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States conceived and executed one of the greatest artistic traditions of the Precolumbian Americas. Created in the media of copper, shell, stone, clay, and wood, and incised or carved with a complex set of symbols and motifs, this seven-hundred-year-old artistic tradition functioned within a multiethnic landscape centered on communities dominated by earthen mounds and plazas. Previous researchers have referred to this material as the Southeastern Ceremonial Complex (SECC). This groundbreaking volume brings together ten essays by leading anthropologists, archaeologists, and art historians, who analyze the iconography of Mississippian art in order to reconstruct the ritual activities, cosmological vision, and ideology of these ancient precursors to several groups of contemporary Native Americans. Significantly, the authors correlate archaeological, ethnographic, and art historical data that illustrate the stylistic differences within Mississippian art as well as the numerous changes that occur through time. The research also demonstrates the inadequacy of the SECC label, since Mississippian art is not limited to the Southeast and reflects stylistic changes over time among several linked but distinct religious traditions. The term Mississippian Iconographic Interaction Sphere (MIIS) more adequately describes the corpus of this Mississippian art. Most important, the authors illustrate the overarching nature of the ancient Native American religious system, as a creation unique to the native American cultures of the eastern United States.