Archaeomineralogy

1.1 Prologue What is archaeomineralogy? The term has been used at least once before (Mitchell 1985), but this volume is the first publication to lay down the scientific basis and systematics for this subdiscipline. Students sometimes call an introductory archaeology course "stones and bones." Archaeomineralogy covers the stones component of this phrase. Of course, archaeology consists of a great deal more than just stones and bones. Contemporary archaeology is based on stratigraphy, geomorphology, chronometry, behavioral inferences, and a host of additional disciplines in addition to those devoted to stones and bones. To hazard a definition: archaeomineralogy is the study of the minerals and rocks used by ancient societies over space and time, as implements, orna ments, building materials, and raw materials for ceramics and other processed products. Archaeomineralogy also attempts to date, source, or otherwise char acterize an artifact or feature, or to interpret past depositional alteration of archaeological contexts. Unlike geoarchaeology, archaeomineralogy is not, and is not likely to become, a recognized subdiscipline. Practitioners of archaeomineralogy are mostly geoarchaeologists who specialize in geology and have a strong background in mineralogy or petrology (the study of the origin ofrocks).

“Archaeomineralogy” provides a wealth of information for mineralogists, geologists and archaeologists involved in archaeometric studies. The first edition was very well-received and praised for its systematic description of the rocks and minerals used throughout the world by our ancestors and for its excellent list of over 900 references, providing easy access to the fields of archaeomineralogy and geoarchaeology. This second edition of “Archaeomineralogy” takes an updated and expanded look at the human use of rocks and minerals from the Paleolithic through to the 18th century CE. It retains the structure and main themes of the original but has been revised and expanded with more than 200 new references within the text, a bibliography of additional references not included in the text, a dozen new figures (drawings and photos), coverage of many additional important mineral, rock, and gem materials, a broader geographic scope, particularly but not limited to Eastern Europe, and a more thorough review of early contributions to archaeomineralogy, especially those of Agricola. From reviews of the first edition: "... crammed full of useful information, is well-balanced using both new and Old World examples of the archaeomaterials described. It also provides a broad, but of necessity, all too brief overview of the geological raw materials used in antiquity." -- Geoscientist "...provides much interesting discussion of how particular names came to be employed by archaeologists working in different regions of the world.... much to offer for any geologist or archaeologist interested in minerals and rocks and how they have been used in the past." -- Mineralium Deposita "... a gem of a book, it's strength is that it is encyclopedic in content, if not in layout, draws on a wealth of field experience and almost every sentence contains a nugget of information" -- The Holocene

Strengthen your connection with the natural world as you learn to incorporate the power of crystals and gemstones into your magical practice. This comprehensive, full-color book is exquisitely designed to be both user-friendly and a gorgeous addition to your bookshelf. Inside, you'll find everything you need to effectively work with crystals, from the history, science, and magic of the mineral kingdom to an encyclopedic list of nearly 200 varieties of stones. Explore numerous ways to grow your knowledge and skills, including details on buying and preparing stones, magical associations by color, astrological influences, and how to spot fakes. Discover a new, powerful form of crystal grid and which stone is best for a specific goal. With more than 200 color photographs and convenient guides to correspondences, associated deities, and more, Crystal Magic will serve as a timeless, indispensable reference.

IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.

This book provides a lucid introduction to the basics of gemmology. It familiarizes archaeologists, art historians and conservators with the science of gemstones and allows them to understand the basic concepts of their provenance, typology and treatments. Which are the main types of gems? What treatments can be applied? How does one analyse gems? How can gems contribute to archaeometrical research? This volume is written by four experts in the fields of gemmology and archaeometry and addresses both students who need an introduction to this field and professionals who want to refresh their knowledge of the topic. This work is part of a series of introductory texts that deal with a broad range of materials-related topics in archaeometry.

The largest and brightest megalithic complex in Russia’s Ural Mountains is located on Vera Island, represented by three chambered megaliths and sanctuaries of the Eneolithic period (mid-4th - 3rd millennium BC). The oldest samples of stone sculpture in the Urals have been revealed within this complex.

Traces of Ink. Experiences of Philology and Replication is a collection of original papers exploring the textual and material aspects of inks and ink-making in a number of premodern cultures (Babylonia, the Graeco-Roman world, the Syriac milieu and the Arabo-Islamic tradition). The volume proposes a fresh and interdisciplinary approach to the study of technical traditions, in which new results can be achieved thanks to the close collaboration between philologists and scientists. Replication represents a crucial meeting point between these two parties: a properly edited text informs the experts in the laboratory who, in turn, may shed light on many aspects of the text by recreating the material reality behind it. Contributors are: Miriam Blanco Cesteros, Michele Cammarosano, Claudia Colini, Vincenzo Damiani, Sara Fani, Matteo Martelli, Ira Rabin, Lucia Raggetti, and Katja Weirauch.