Architect Of Human Destiny

The book gives us a new outlook and vision to see our lives and our world through our non-mystical, non-conventional and non-dogmatic eyeglasses. A must to all people, for it has hoards of inspiration,ethics,and values..

In his bestselling The Moral Animal, Robert Wright applied the principles of evolutionary biology to the study of the human mind. Now Wright attempts something even more ambitious: explaining the direction of evolution and human history–and discerning where history will lead us next. In Nonzero: The Logic of Human Destiny, Wright asserts that, ever since the primordial ooze, life has followed a basic pattern. Organisms and human societies alike have grown more complex by mastering the challenges of internal cooperation. Wright's narrative ranges from fossilized bacteria to vampire bats, from stone-age villages to the World Trade Organization, uncovering such surprises as the benefits of barbarian hordes and the useful stability of feudalism. Here is history endowed with moral significance–a way of looking at our biological and cultural evolution that suggests, refreshingly, that human morality has improved over time, and that our instinct to discover meaning may itself serve a higher purpose. Insightful, witty, profound, Nonzero offers breathtaking implications for what we believe and how we adapt to technology's ongoing transformation of the world.

Neanderthals to Nations A History of Everyone By: John S. Hill Ph.D. Neanderthals to Nations is a one-stop read in understanding why the world is as it is today. The book starts off in the 21st century with the world suffering from developmental inequities, global violence, and climate change. It then explains how the architects of human destiny- geography, culture and technology- shaped the planet and its people to become what we are today. Starting fourteen billion years ago, the story takes the reader back to the present day, explaining how nations and people evolved to become what they currently are. Along the way, the reader discovers: · What “www” really stands for (and its not “worldwide web”); · How Confucius made China great; · The keys to the U.S. and China’s current governance systems in ancient Greece; · Religion; why the East is (still) inscrutable to the Western minds, how religion evolved and why it continues to be popular today; · The U.S. Constitution came from where?; · How the pope determined the cultural destiny of Latin America; · How the Suez Canal and oil remade the Middle East’s Future; · The evolution of country cultures: how the U.S. , British, French, German, Latin American, Chinese, Japanese and others came to be as they are today; · Why the Palestinians and Israel are at loggerheads, why 9/11 really happened and · How racism began and continues.

The Creative Conscience as Human Destiny explains how human nature derived from our biogenetic evolution. Whereas human ingenuity and self-realization replicate nature's creativity (its morphogenesis), human conscience epitomizes the integration of organic life (its symbiosis). These mutual processes became incarnate as humanity's creative conscience. Similarly, the co-evolution of man and woman has enabled us to create cultures and civilization. From our intimation of a Supreme Being in nature, human beings have also evolved a supraconscience. By acknowledging the wisdom of nature, we have a philosophy of life for the future.

Continuing the collaboration of over 30 years between the New York-based artists Arakawa and Madeline Gins, this book is a unique and predominantly visual exploration into architecture and its centrality to the project of human self-knowledge and self-formation, carrying philosophical argument into the realm of construction. It asks what is the nature of perception? and how does the human being relate to surrounding space? Recording and documenting what it is actually like for a person to stand within a piece of architecture, this is the first systematic study of the role the body and bodily movement play in the forming of the world. Through a series of computer-generated images of great beauty and intricacy, the reader is presented with ways of reworking the man-made world that is architecture. Going further, the book suggests a revolutionary re-invention of the planet and, by extension, the universe.

A verbal articulation of the authors' visionary theory of how the human body, architecture, and creativity define and sustain one another This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry. Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions about the built environment. This book promotes a deliberate use of architecture and design in dealing with the blight of the human condition; it recommends that people seek architectural and aesthetic solutions to the dilemma of mortality. In 1997 the Guggenheim Museum presented an Arakawa/Gins retrospective and published a comprehensive volume of their work titled Reversible Destiny: We Have Decided Not to Die. Architectural Body continues the philosophical definition of that project and demands a fundamental rethinking of the terms “human” and “being.” When organisms assume full responsibility for inventing themselves, where they live and how they live will merge. The artists believe that a thorough re-visioning of architecture will redefine life and its limitations and render death passe. The authors explain that “Another way to read reversible destiny . . . Is as an open challenge to our species to reinvent itself and to desist from foreclosing on any possibility.” Audacious and liberating, this volume will be of interest to students and scholars of 20th-century poetry, postmodern critical theory, conceptual art and architecture, contemporary avant-garde poetics, and to serious readers interested in architecture's influence on imaginative expression.

In architecture, as in food, local is an idea whose time has come. Of course, the idea of an architecture that responds to site; draws on local building traditions, materials, and crafts; and strives to create a sense of community is not recent. Yet, the way it has evolved in the past few years in the hands of some of the world's most accomplished architects is indeed defining a new movement. From the rammed-earth houses of Rick Joy and Pacific Northwest timber houses of Tom Kundig, to the community-built structures of Rural Studio and Francis Kéré, designers everywhere are championing an architecture that exists from, in, and for a specific place. The stunning projects, presented here in the first book to examine this global shift, were featured at the thirteenth and final Ghost conference held in 2011, organized by Nova Scotia architect, educator, and local practitioner Brian MacKay-Lyons. The result is the most complete collection of contemporary regionalist architecture available, with essays by early proponents of the movement, including Kenneth Frampton, Juhani Pallasmaa, and Pritzker Prize–winning architect Glenn Murcutt.

“Clearly, someone had to have a plan, an idea, a beginning …” — John McCabe, Stickleback “What’s the plan?” — youtube.com, Battlestar Actors Lay Out the Plan Canadian author-artist Rob Kovitz is the creator of Treyf Books, inventive montage book projects that juxtapose texts and images collected from widely varied sources. Centered around a certain theme, he then recombines these findings to form new works of imagination that are at once multivalent and surprisingly cohesive. Kovitz’s latest super-cut bookwork, According to Plan, begins with his interest in the word “plan,” and every text selection includes the word “plan.” The result is a funny, disquieting, and thought-provoking exploration of the human obsession with making plans.