Architecture And Silence

This book explores the role of silence in how we design, present and experi-ence architecture. Grounded in phenomenological theory, the book builds on historical, theoretical and practical approaches to examine silence as a methodological tool of architectural research and unravel the experiential qualities of the design process. Distinct from an entirely soundless experience, silence is proposed as a material condition organically incorporated into the built and natural landscape. Kakalis argues that, either human or atmospheric, silence is a condition of waiting for a sound to be born or a new spatio-temporal event to emerge. In silence, therefore, we are attentive and attuned to the atmos-phere of a place. The book unpacks a series of stories of silence in religious topographies, urban landscapes, film and theatre productions and architec-tural education with contributed chapters and interviews with Jeff Malpas and Alberto Pérez-Gómez. Aimed at postgraduate students, scholars and researchers in architectural theory, it shows how performative and atmospheric qualities of silence can build a new understanding of architectural experience.

THE EARLY CISTERCIAN ABBEYS of France have long been revered for their exquisitely proportioned spaces and ethereal acoustics. Together with the great cathedrals, these remarkable medieval buildings embody the profound mastery of architecture that blossomed in twelfth- and thirteenth-century Europe. Built by the Cistercian order of monks nearly 900 years ago, these structures are renowned among contemporary architects and artists for the austere, almost minimal nature of their design and construction. Cistercian architecture draws together the fundamentals of masonry and geometry to create a harmony of stone and light, of uncluttered interior volumes and modest external masses. The buildings and ruins that remain today are immensely, almost unspeakably refined. Upon entering le Thoronet or Senanque, Fontenay or Silvacane, one is deeply touched by the quality of the silence and the light. Free by design of distracting details, these are places of recollection, of concentration, of serenity. "Every force evolves a form", wrote the American Shakers, who mirrored the original Cistercian impulse in both their values and their refined craftsmanship. If the first force that shaped Cistercian architecture was a quest for the spiritual life through simplicity, the second was the constructive genius of architects and masons who perceived in that simplicity an occasion to practice their art with astonishing intelligence and sensitivity. David Heald's luminous photographs provide an extraordinary record of exploration through more than a decade of periodic visits to Cistercian places throughout France. He puts before us not just views but moments -- moments when light enters a space or fallson an exterior in ways that illuminate and reveal. His evocative photographs offer loving witness to the bare brilliance, power, and subtlety of early Cistercian architecture. The text by Terryl N. Kinder offers a concise introduction to the history and milieu of the early Cistercians and the forces that brought forth the architecture. Her discussion of the Rule of Saint Benedict and its meaning for the Cistercians, both ancient and contemporary, provides a foundation for understanding these buildings that is informed by the most recent scholarship and archeological research.

The Place of Silence explores the poetics and politics of silence in architecture. Bringing together contributions by internationally recognized scholars in architecture and the humanities, it explores the diverse practices, affects, politics and cultural meanings of silence, silent places and silent buildings in historical and contemporary contexts. What counts as silence in specific situations is highly relative, and the term itself carries complex and varied significations which make it a revealing field of study. Chapters explore a range of themes, from the apparent 'loss of silence' in the contemporary urban world; through designed silent spaces; to the forced silences of oppression, catastrophe, or technological breakdown. The book unfolds a rich and complementary array of perspectives which address – through the lens of architecture and place – questions of sound, atmosphere, and attunement, together building a volume which will form the key scholarly resource on architecture and silence.

In the development of contemporary architecture, no one has had a greater influence than Louis I. Kahn, whose many buildings include the Salk Institute, the Yale Study Center, and the Exeter Library. He is remembered, however, not only as a master builder, but also as one of the most important and creative thinkers of the twentieth century. For Kahn, the study of architecture was the study of human beings, their highest aspirations and most profound truths. He searched for forms and materials to express the subtlety and grandeur of life. In his buildings we see the realization of his vision: luminous surfaces that evoke a fundamental awe, silent courtyards that speak of the expansiveness and the sanctity of the spirit, monumental columns and graceful arches that embody dignity and strength. Updated with a new preface, this classic work is a major statement on human creativity, showing us Louis Kahn as architect, visionary, and poet.

Playwright Bertold Brecht once observed that "the Finns are silent in two languages". The intent of this collection of essays is to explore why the Finns are resistant to discourse, speculating these impenetrable boundaries may have resulted from the architectural culture of modern Finland. Architects, students, and general readers alike will find this book thought-provoking and informative. 52 photos. 25 line drawings.

Looks at Louis Kahn's buildings including the Exeter Library and the Salk Institute as well as examining his impact on contemporary architecture and presenting his theories concerning the relationship between human consciousness and building design.

Authored during the height of the pandemic amidst a period of self-reflection, culture and style impresario Alan Faena conceives a deeply personal framework of attributes to liberate the self in this highly personal manifesto exploring the constructs of human potential. To build my dreams, I first had to build myself. In this book I share the secrets of that Architecture. — Alan Faena As a creative with a highly personal vision of design, Alan Faena has produced some of the most extraordinary spaces in the recent past — from his ingenious reconstruction of an abandoned neighborhood in Buenos Aires to the heights of luxury in Miami Beach. Faena now presents the guiding principles that have helped him produce these urban marvels. Authored during the height of the pandemic, Faena conceived a deeply personal framework of tenets that guided his journey of self-discovery and creativity. Composed of eight thematic pillars — Creation, Vision, Weakness, Silence, Path, Present, Love and Architecture — these chapters explore the inspired source from which all creativity emanates, from the personal battles to the deliberate decisions that ultimately define Faena’s vision and infuse his imaginative vision.

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