Architectures Of Refusal

Guest-edited by Jill Stoner and Ozayr Saloojee Over the past decade, and in a more concentrated form over the past two years, there has been increasing recognition of architecture’s systemic complicity in constructing and upholding hierarchies of race and class, and privileging colonial paradigms that perpetuate spatial and economic inequity. This AD issue reveals how designers, practitioners, scholars and architects are participating in dismantling the major canons of Western architecture. The work is both literal and figural: taking buildings apart and reconstituting them, and challenging mythologies that include drawing-as-analogue, building-as object, architect-as-hero and nature-as-other. Architecture has both potential and responsibility for political agency in the public realm. The contributions to this issue foreground emancipatory spatial ideas and practices from around the world, demonstrating that refusal is no longer just absence and denial, but a constructive mode of resistance and action that needs to be approached through subversive urban works, design pedagogy and alliances across multiple disciplines. Contributors: Piper Bernbaum, Carwil Bjork-James, Thiresh Govender, Lucia Jalón Oyarzun, Jennifer Newsom and Tom Carruthers, Cong Chi Nguyen, Quilian Riano, Hannah Le Roux, Alberto de Salvatierra, Cathy Smith, Chat Travieso, and Ilze Wolff.

This cutting-edge Handbook goes beyond discourses of equity, inclusion, and diversity, carving a space for critical discussions about the relationships between Black, Indigenous, People of Color (BIPOC) and the university. In doing so, it forges new paths and alternative conceptual starting points to consider in making a commitment to social justice in higher education.

Out of Architecture is both a call to reassess the architecture profession and its education, and a toolkit for graduates and working architects to untangle their skills, passions, and value from traditional architectural practice and consider alternate pathways. Written by design professionals and expert career consultants, this book is informed by numerous client accounts as well as the authors’ own stories and routes out of architecture. The initial chapters follow the narrative of a typical architecture training in the US, highlighting the many highs and lows, skills honed, and ultimately the huge disconnect that can occur between architectural education and practice. Subsequent chapters explore a disillusionment with the profession, unhealthy work cultures, mentorship, working with lead architects, toxic perfectionism, and the notion of a “calling.” Authors then present the hopeful accounts of many architects who escaped a profession known for its grueling working conditions to find fulfilling, well-paying, creative jobs that better utilize the skills of architecture than the architectural profession itself. Written in a unique combination of storytelling and analysis, this patchwork of client and author stories makes for an immersive, provocative, and enjoyable read. A wide range of architecture students, graduates, educators, and professionals will recognize themselves within the pages of this book and find prompts to reassess their working practices, teaching styles, and the profession itself. It will be of particular value to those students skeptical of joining the architecture workforce, as well as those further along and considering a career change.

Although the disciplines of architecture and structural engineering have both experienced their own historical development, their interaction has resulted in many fascinating and delightful structures. To take this interaction to a higher level, there is a need to stimulate the inventive and creative design of architectural structures and to persua

Noo-politics is most broadly understood as a power exerted over the life of the mind, reconfiguring perception, memory and attention. This volume unites specialists in political and aesthetic philosophy, neuroscience, sociology and architecture, and presents their ideas for re-thinking the city in terms of neurobiology and Noo-politics. The book examines the relationship between information and communication, calling for a new logic of representation, and shows how architecture can merge with urban systems and processes to create new forms of network that empower the imagination and change our cultural landscape.

Communicating Process Architecture (CPA) describes an approach to system development that is process-oriented. It makes no great distinction between hardware and software. It has a major root in the theory of Communicating Sequential Processes (CSP). However, the underlying theory is not limited to CSP. The importance of mobility of both channel and process within a network sees integration with ideas from the ð-calculus. Other formalisms are also exploited, such as BSP and MPI. The focus is on sound methods for the engineering of significant concurrent systems, including those that are distributed (across the Internet or within a single chip) and/or software-scheduled on a single execution unit. Traditionally, at CPA, the emphasis has been on theory and practice - developing and applying tools based upon CSP and related theories to build high-integrity systems of significant size. In particular, interest focuses on achieving scalability and security against error. The development of Java, C, and C++, libraries to facilitate secure concurrent programming using 'mainstream' languages has allowed CPA to continue and proliferate. This work continues in support of the engineering of distributed applications. Recently, there has been greater reference to theory and its more direct application to programming systems and languages. In this volume the formal CSP is very well presented. The papers provide a healthy mixture of the academic and commercial, software and hardware, application and infrastructure, which reflects the nature of the discipline.

In his new book, the eminent philosopher Andrew Benjamin turns his attention to architecture, design, sculpture, painting and writing. Drawing predominantly on a European tradition of modern philosophical criticism running from the German Romantics through Walter Benjamin and beyond, he offers a sequence of strong meditations on a diverse ensemble of works and themes: on the library and the house, on architectural theory, on Rachel Whiteread, Peter Eisenman, Anselm Kiefer, Peter Nielson, David Hawley, Terri Bird, Elizabeth Presa and others.In Benjamin¿s hands, criticism is bound up with judgment. Objects of criticism always become more than mere documents. These essays dissolve the prejudices that have determined our relation to aesthetic objects and to thought, releasing in their very care and attentiveness to the `objects themselves¿ the unexpected potentialities such objects harbour. In his sensitivity to what he calls `the particularity of material events¿, Benjamin¿s writing comes to exemplify new possibilities for the contemporary practice of criticism itself.These essays are a major contribution to critical thought about art and architecture today, and a genuine work of what Benjamin himself identifies as a `materialist aesthetics¿.