Archival Moving Image Materials
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Archival Moving Image Materials
Author | : Anonim |
Publsiher | : Library of Congress |
Total Pages | : 264 |
Release | : 2000 |
Genre | : Anglo-American cataloguing rules |
ISBN | : PURD:32754069591992 |
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Archival Moving Image Materials
Author | : Wendy White-Hensen |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 1984 |
Genre | : Anglo-American cataloguing rules |
ISBN | : OCLC:468645997 |
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MOVING IMAGE AND SOUND COLLECTIONS FOR ARCHIVISTS
Author | : ANTHONY. COCCIOLO |
Publsiher | : Unknown |
Total Pages | : 135 |
Release | : 2018 |
Genre | : Electronic Book |
ISBN | : 0838917402 |
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Cataloging Musical Moving Image Material
Author | : Music Library Association. Working Group on Bibliographic Control of Music Video Material |
Publsiher | : Scarecrow Press |
Total Pages | : 130 |
Release | : 1996 |
Genre | : Language Arts & Disciplines |
ISBN | : 0914954512 |
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Addresses the cataloging of videos and films of multifaceted performances and presentations where music is an important component of the production.
Moving Archives
Author | : Linda M. Morra |
Publsiher | : Wilfrid Laurier Univ. Press |
Total Pages | : 321 |
Release | : 2020-01-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 9781771124034 |
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The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything but static. Archival deposits are proliferating, and the architects, practitioners, and scholars engaged with them are scarcely able to keep abreast of them. Archives, archival theory, and archival practice are on the move. But what of the archives that were once safely housed and have since been lost, or are under threat? What of the urgency that underscores the appeals made on behalf of these archives? As scholars in this volume argue, archives—their materialization, their preservation, and the research produced about them—are moving in a different way: they are involved in an emotionally engaged and charged process, one that acts equally upon archival subjects and those engaged with them. So too do archives at once represent members of various communities and the fields of study drawn to them. Moving Archives grounds itself in the critical trajectory related to what Sara Ahmed calls “affective economies” to offer fresh insights about the process of archiving and approaching literary materials. These economies are not necessarily determined by ethical impulses, although many scholars have called out for such impulses to underwrite current archival practices; rather, they form the crucial affective contexts for the legitimization of archival caches in the present moment and for future use.
Appraising Moving Images
Author | : Sam Kula |
Publsiher | : Scarecrow Press |
Total Pages | : 174 |
Release | : 2002 |
Genre | : Education |
ISBN | : 0810843684 |
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In recent years the commercial value of moving images for use in new film and television productions has increased enormously, and gifts of moving images to cultural institutions have developed significant taxation implications. As a result, contentious issues on the monetary appraisal of moving images has added to the burden of moving image archivists. Written by an archivist with forty years of experience in England, the United States, and Canada, Appraising Moving Images is a practical guide to archival and monetary appraisal of moving images for anyone who has responsibility for moving image collections. It reviews the history of moving image archives and it assesses the relevance of general archival appraisal theory and selection methodology to the work of moving image archivists; provides examples of 'best practice' in managing the life cycle of moving images, from creation to long-term preservation; and examines various approaches to monetary appraisal that have proven effective in recent years. For film students and scholars and essential for those who have custodial responsibility for moving image collections and to those engaged in assessing their value
The Film Preservation Guide
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 138 |
Release | : 2004 |
Genre | : Photography |
ISBN | : UOM:39015063320777 |
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The Past Is a Moving Picture
Author | : Janna Jones |
Publsiher | : University Press of Florida |
Total Pages | : 210 |
Release | : 2012-07-01 |
Genre | : Performing Arts |
ISBN | : 9780813043661 |
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Almost all remnants of culture--past and present--degrade over time, whether sculpture or scrolls, painting or papyrus, books or clay tablets. Perhaps no major cultural record dissolves more rapidly than film, arguably the predominant medium of the twentieth century. Given the fragility of early nitrate film, much has already been lost. The fragments that remain--whether complete prints of theatrical releases or scraps of everyday life captured by Thomas Edison--only hint at what has disappeared. More recently, archives have been flooded with so much material that they lack the funds to properly preserve it all. Both situations raise questions about how film archives shape our understanding of history and culture. Janna Jones provides a stunning, tour-de-force analysis of the major assumptions and paradigmatic shifts about history, cinema, and the moving image archive, one that we ignore at our peril in the midst of the overwhelming rush toward digitization. No student of film, twentieth-century history, or archiving and preservation can afford to miss The Past Is a Moving Picture